RADIOFebruary 03, 2024

Is ‘Cabrini’ the BEST Christian film since ‘The Passion of the Christ?’

From the director of “Sound of Freedom” comes a new film that Glenn believes may be the best Christian movie since “The Passion of the Christ.” When Glenn first saw Angel Studios’ newest film, “Cabrini,” he was floored. “I feel like how those sitting in the room with Francis Ford Coppola must have felt like on the first screening of ‘The Godfather.’” Now, Angel Studios co-founder and president Jordan Harmon joins Glenn for the premiere of the latest trailer for “Cabrini.” Harmon dives into the backstory behind the film and what makes Angel Studios theatrical releases so unique.

Transcript

Below is a rush transcript that may contain errors

GLENN: I want to tell you a story, a few months ago. I was here in Georgia. And I had the opportunity to see a rough cut film. I don't know if it had been locked yet.

But a film that had been made, called Cabrini.

And, well, I decided to go. And I'm sitting next to the studio head.

As we're all watching this movie.

There's about 20 of us. And about halfway through. I lean over.

And I said, I feel like those sitting in the room with Francis Ford Coppola, must have felt on the first screening of the Godfather. This film, Cabrini is a tremendous film. It is a great story. It's well-acted. John Lithgow is in it.

It is -- it is -- it's a miracle of a film. It -- I compare it to the quality of the Godfather.

It's an epic tale. And it is beautiful.

It is the highest of the art form. If it wasn't, you know, being released, I think by Angel studios, it would win best picture, when it comes out.

It is remarkable, and now the reason why I -- I want you to really listen to this is, do you remember what Christian films were just a few years ago?

Remember how bad they were?

Remember how preachy they were?

Oh, my God. Can we just make a good movie?

We are making good movies now. And this is an exceptional movie. It is Cabrini.

And it is a story about Mother Cabrini. If you don't know who she was. She was an Italian immigrant. She comes to New York City in the 1800s. And she just wants to help the immigrant children because there's no -- I mean, the way, you think immigrants have it bad now. Oh. You should see the way it was.

She decides, that she will clean things up. She will help feed people. She will teach them, et cetera, et cetera.

And she ends up building an empire of hospitals, in just a few short years. She built 67 hospitals, orphanages and schools. And she's just this little woman, that was sickly. And deathly afraid of water.

And yet, I don't know how many trips she went back and forth, from Europe to America.

And changed everything.

She became an American citizen, in 1909.

And that is the story of the movie Cabrini that is coming out in a few weeks.

It's actually March 8th.

There's a reason I'm telling you this, in advance. And to explain that, is one of the cofounders and the current president of Angel Studios. Jordan Harmon.

Hi, Jordan, how are you?

JORDAN: Glenn, it's so good to hear from you.

GLENN: I tell you, and you know I mean this. I've been raving about this movie to everybody I know. I can't wait to see how it does when it comes out. This is from the same director that did Sound of Freedom. He is a really big deal in South America. Everybody knows his name in South America. And he has come and put this together.

And why did he pick this particular story?

JORDAN: Oh, man. That's a great question. I remember when I first talked to him about it. He said, Jordan, there's film that you want to do. And then there's film that you're called to do. And he said, this was a film that I felt called to do. Because it tells the story of a real woman who showed her power and her God innate power, to change the world in such a miraculous way. And when I heard that, it just hit me so deeply.

And I had a similar feeling to you, where I remember watching Cabrini for the first time and texting Jeff and Nil (phonetic), my brothers. They're the cofounders, and saying, guys, I think we found the next Frank Capra.

Alejandro Monteverde is so good. For those who don't know who Frank Capra is, he's the guy who did Mr. Smith Goes to Washington. He did It's a Wonderful Life. Some of the greatest and most iconic movies of that generation.

GLENN: I think you're --

JORDAN: Alejandro is an artist.

GLENN: I -- you are exactly right. I hadn't thought of it that way. I think he was the next Frank Capra.

I was a big fan of his, when I first saw, what was it? Little Boy. You remember that film?

JORDAN: Oh, man. It was so good. So good.

GLENN: Oh, it just captured America.

It was just -- he is really good. Really good.

So he's the same director that did Sound of Freedom, which ended up being the 16th highest grossing independent film of all time. Made over $240 million. It's never been done really before.

I mean, it was crazy.

But you guys at Angel have -- have short-circuited the -- the movies.

I mean, you -- distribution.

Walt Disney tried to do this.

And had to create his own distribution company. Which is almost impossible to do.

But you've short-circuited, because you go directly to the people.

Explain a little bit about the -- the system you've done, where people select what you make, and then how you get the theaters to accept the movies.

JORDAN: Yeah. So we've created what is called the angel guild. And the angel guild is this group of 200,000 people. And growing very rapidly, who basically get to be the gatekeepers to all Angel content. So unlike Hollywood, where you have five or six executives in a room, who are making the decisions for what is seen and what is driving the culture of our children and our grandchildren, you as individuals, get to come in, and decide.

So the Angel Guild, for example, you have a thousand-plus people, who randomly are sampled. They saw Sound of Freedom. They love this.

They got it out to the world, and it's now been seen by well over 16 million people on our best estimates, between theaters and Amazon. And trending on Amazon. Ask then Cabrini. People saw an early screening of that. And said, this is absolutely incredible.

I remember my wife watching it, and she said, this film is by far, the best film I've ever seen us put out.

Us being Angel. And that's saying something, when you look at dry bar comedy. And the Chosen, and the Sound of Freedom.

And there's all these different projects. And this film stands in a league of its own. And the reason it's critical that we're talking about this today, versus on March 8th, is that part of our model is helping the theaters, give us more screens, by having a direct relationship with them as well. So we basically already put tickets on sale. You can go to angel.com/Beck. And you can actually go get your ticket today, and that signals to the theaters, we want more content like this.

This is the content that's going to change the culture and is going to change the world, to where it looks the way we believe it should for our children and our grandchildren. And the theaters are on our side. The theaters love what we're doing. It was fun. We did a business conference called Cinematog (phonetic), and my brother was there. And he was wearing an Angel shirt. And people would walk up to him left and right. And they would pull out a cross. Or pull out a little scripture verse, like we're on your side.

GLENN: Yeah. And, you know what --

JORDAN: They're middle America.

GLENN: Right!

And they're in Middle America, and they also want to make money.

And what Hollywood is pumping out, nobody is going to see anymore. It's so separate from the Middle of America.

This is a great way. And I'm telling you, the problem with making films, is you can't get them into the theaters. Because you need the big Hollywood studios to distribute it.

Well, Angel Studios has broken that.

But to be able to have this scene, nationwide, the people that are like you, and me, that want to go see great movies.

We have to buy the tickets in advance.

Because once a few of those theaters sell out, then the theater chains all see that, and go, oh, wow. I better get on board.

And they start opening it up to their theaters, and it just spreads. That way, it has a massive opening. That's never been able to be done before.

GLENN: And the response for Cabrini has been incredible.

When you look at a big theoretical release in the US, it's usually between 2,000 and 3,000 locations. That's a really, really wide release.

And anything above 3,000, just massive. We are already over 2,000 locations all over the nation.

And people are pouring in to buy tickets, because they're realizing, this is a film. This is a cinematic masterpiece.

GLENN: It really is.

JORDAN: This is not a motion picture. This is a motion painting. Every seen, every frame.

GLENN: It is.

JORDAN: Is absolutely gorgeous. And it has to be experienced in theaters.

And so, like I said, go to Amazon.com/Beck. Make sure you get your tickets now, because again, it, again, it signals to the theaters, give us more locations. Give us bigger auditoriums.

This is the type of content that will change culture.

GLENN: This is, I would say, the only Christian film made in my lifetime, that is this good. Is probably Passion of the Christ. Where that was just a mainstream, unbelievable film. Now, that was in Arabic, so I hate to say it was mainstream. But it was a great film.

This is the same thing.

It's the best thing.

And this is the kind of quality you're getting, because Angel has found a way to go directly to you, and bypass everything.

So if you believe in changing the culture.

If you believe that we deserve better than just one choice of Hollywood, then this is the kind of thing that you need to get involved with. And you can go to angel.com/Beck. Angel.com/Beck.

Is that right?

JORDAN: That's exactly right.

GLENN: Yeah. And you buy your tickets.

How do you join the Angel Guild?

JORDAN: Yeah, you can actually go to Angel.com/Beck as well.

You'll see on the left-hand side, people in the chat bar, that are joining the Angel Guild. They will be able to join the Guild, and that will allow you to actually be a part of not only getting two free tickets every Angel theatrical release, getting early access to our content.

But more importantly, your voice gets to be a part of of deciding what the next Angel project is. What the next Angel original is. You get to be the alternative to the Hollywood the gatekeepers. And that membership, that membership could be one of the most powerful thing that individuals can do today, to influence the culture for their children and their grandchildren.

GLENN: Yeah. Jordan -- what you and your brothers have put together, is absolutely amazing.

As you know, I'm a big fan. And a friend of -- of your whole family.

And I mean that of the Angel studio. But I'm going to -- they'll just release a trailer. We have to play it first. We will play the trailer of Cabrini.

I just want you to know, they have picked Shania Twain, to back this up.

Which is so weird, juxtaposed to how this film looks.

But it is again, brilliant strategy.

For those who went to see what a strong woman is like, and they watched Barbie. Give this a shot.

VOICE: If we are to build an empire of hope, let's go, girls.

VOICE: It seems we must first conquer New York.
(music)
Do people know rats have it better than the children here?
(music)
We have to show America, we are all people of dignity.

VOICE: Be careful, mother. For this place will eat you alive.
(music)

VOICE: You have slaughtered the hornet's nest.

VOICE: We have hope, or we die.

VOICE: It's not for you.
(music)

VOICE: I will speak to the mayor.

VOICE: Who the hell do you think you are?
(music)

VOICE: You think you're going to march in here and tell me --

VOICE: I want the best hospital for your people, and for mine. Begin the mission. And the means will come.

VOICE: What kind of New York we want.
(laughter)

VOICE: We have to fight. We all do.
(music)
(inaudible)

GLENN: It opens up March 8th. It is Cabrini. Get your tickets now. Angel.com/Glenn.

INSIDE Trump’s soul: How a bullet changed his heart forever

“I have a new purpose,” then-candidate Donald Trump told reporter Salena Zito after surviving the assassination attempt in Butler, Pennsylvania. Salena joins Glenn Beck to reveal what Trump told her about God, his purpose in life, and why he really said, “Fight! Fight! Fight!”, as she details in her new book, “Butler: The Untold Story of the Near Assassination of Donald Trump and the Fight for America's Heartland”.

Transcript

Below is a rush transcript that may contain errors

GLENN: Salena, congratulations on your book. It is so good.

Just started reading it. Or listening to it, last night.

And I wish you would have -- I wish you would have read it. But, you know, the lady you have reading it is really good.

I just enjoy the way you tell stories.

The writing of this is the best explanation on who Trump supporters are. That I think I've ever read, from anybody.

It's really good.

And the description of your experience there at the edge of the stage with Donald Trump is pretty remarkable as well. Welcome to the program.

SALENA: Thank you, Glenn. Thank you so much for having me.

You know, I was thinking about this, as I was ready to come on. You and I have been along for this ride forever. For what?

Since 2006? 2005?

Like 20 years, right?

GLENN: Yeah. Yeah.

SALENA: And I've been chronicling the American people for probably ten more years, before that. And it's really remarkable to me, as watching how this coalition has grown. Right?

And watching how people have the -- have become more aspirational.

And that's -- and that is what the conservative populist coalition is, right?

It is the aspirations of many, but the celebration of the individual.

And chronicling them, yeah. Has been -- has been, a great honor.

GLENN: You know, I was thinking about this yesterday, when -- when Elon Musk said he was starting another party.

And somebody asked me, well, isn't he doing what the Tea Party tried to do?

No. The Tea Party was not going to start a new party.

It was to -- you know, it was to coerce and convince the Republican Party to do the right thing. And it worked in many ways. It didn't accomplish what we hoped.

But it did accomplish a lot of things.

Donald Trump is a result of the Tea Party.

I truly believe that. And a lot of the people that were -- right?

Were with Donald Trump, are the people that were with the Tea Party.

SALENA: That's absolutely right.

So that was the inception.

So American politics has always had movements, that have been just outside of a party. Or within a party.

That galvanize and broaden the coalition. Right? They don't take away. Or walk away, and become another party.

If anything, if there is a third party out there, it's almost a Republican Party.

Because it has changed in so many viable and meaningful ways. And the Tea Party didn't go away. It strengthened and broadened the Republican Party. Because these weren't just Republicans that became part of this party.

It was independents. It was Democrats.

And just unhappy with the establishment Republicans. And unhappy with Democrats.

And that -- that movement is what we -- what I see today.

What I see every day. What I saw that day, in butler, when I showed I happen at that rally.

As I do, so many rallies, you know, throughout my career. And that one was riveting and changed everything.

GLENN: You made a great case in the opening chapter. You talk about how things were going for Donald Trump.

And how this moment really did change everything for Donald Trump.

Changed the trajectory, changed the mood.

I mean, Elon Musk was not on the Trump train, until this.

SALENA: Yeah.

GLENN: Moment. What do I -- what changed? How -- how did that work?

And -- and I contend, that we would have much more profound change, had the media actually done their job and reported this the way it really was. Pragmatism

SALENA: You know, and people will find this in the book. I'm laying on the ground with an agent on top of me.

I'm 4 feet away from the president.

And there's -- there's notices coming up on my phone. Saying, he was hit by broken glass.

And to this take, that remains part of this sibling culture, in American politics.

Because reporters were -- were so anxious to -- to right what they believed happened.

As opposed to what happened.

And it's been a continual frustration of mine, as a reporter, who is on the ground, all the time.

And I'll tell you, what changed in that moment.

And I say a nuance, and I believe nuance is dead in American journalism.

But it was a nuance and it was a powerful conversation, that I had with President Trump, the next day. He called me the next morning.

But it's a powerful conversation I had with him, just two weeks ago.

When he made this decision to say, fight, fight, fight.

People have put in their heads, why they think he said it. But he told me why he said that. And he said, Salena, in that moment, I was not Donald Trump the man. I was a former president. I was quite possibly going to be president again.

And I had an obligation to the country, and to the office that I have served in, to project strength. To project resolve.

To project that we will not be defeated.

And it's sort of like a symbolic eagle, that is always -- you know, that symbol that we look at, when we think about our country.

He said, that's why I said that. I didn't want the people behind me panicking. I didn't want the people watching, panicking.

I had to show strength. And it's that nuance -- that I think people really picked up on.

And galvanized people.

GLENN: So he told me, when he was laying down on the stage.

And you can hear him. Let me get up. Let me get up.

I've got to get up.

He told me, as I was laying on the stage. I asked him, what were you thinking? What was going through your head? Now, Salena, I don't know about you.

But with me. It would be like, how do I get off the stage? My first was survival.

He said, what was going on through his mind was, you're not pathetic. This is pathetic.

You're not afraid. Get up.

Get up.

And so is that what informed his fight, fight, fight, of that by the time that he's standing up, he's thinking, I'm a symbol? Or do you think he was thinking, I'm a symbol, this looks pathetic. It makes you look weak.

Stand up. How do you think that actually happened?

SALENA: He thinks, and we just talked about this weeks ago. He -- you know, and this is something that he's really thought about.

Right? You know, he's gone over and over and over. And also, purpose and God. Right? These are things that have lingered with him.

You know, he -- he thought, yes.

He did think, it was pathetic that he was on the ground. But he wasn't thinking about, I'm Donald Trump. It's pathetic.

He's thinking, my country is symbolically on the ground. I need to get up, and I need to show that my country is strong.

That our country is resolute.

And I need people to see that.

We can't go on looking like pathetic.

Right?

And I think that then goes to that image of Biden.

GLENN: You have been with so many presidents.

How many presidents do you think that you've personally been with, would have thought that and reacted that way?

SALENA: Probably only Reagan. Reagan would have. Reagan probably would have thought that.

And if you remember how he was out like standing outside.

You know, waving out the window. Right?

After he was shot.

GLENN: At the hospital, right.

SALENA: Had he not been knocked out, unconscious, you know, he probably would have done the same thing.

Because he was someone who deeply believed in American exceptionalism.

And American exceptionalism does not go lay on the ground.

GLENN: And the symbol.

Right. The symbol of the presidency.

SALENA: Yeah. Absolutely. And I think that affects him today.

GLENN: So let me go back to God.

Because you talked to him the next day. And your book Butler.

He calls you up.

I love the fact that your parents would be ashamed of you. On what you said to him.

The language you used. That you just have to read the book.

It's just a great part.

But he calls you the next morning. And wants to know if you're okay.

And you -- you then start talking to him, about God.

And I was -- I was thinking about this, as I was listening to it. You know, Lincoln said, I wasn't -- I wasn't a Christian.

Even though, he was.

I wasn't a Christian, when I was elected. I wasn't a Christian when my son died.

I became a Christian at Gettysburg.

Is -- is -- I mean, I believe Donald Trump always believes in God, et cetera, et cetera.

Do you think there was a real profound change at Butler with him?

SALENA: Absolutely. You know, he called me seven times that day. Seven times, the take after seven.

GLENN: Crazy.

SALENA: Talked about. And I think he was looking for someone that he knew, that was there. And to try to sort it out.

Right? And I let him do most of the talking. I didn't pressure him.

At all. I believed that he was having -- you know, he was struggling. And he needed to just talk. And I believed my purpose was to listen.

Right? I know other reporters would have handled it differently. And that's okay. That's not the kind of reporter that I am.

And I myself was having my own like, why didn't I die?

Right?

Because it went right over my head.

And -- and so I -- he had the conversation about God.

He's funny. I thought it was the biggest mosquito in the world that hit me.

But he had talked profoundly about purpose. You know, and God.

And how God was in that moment.

It --

GLENN: I love the way you -- in the book, I love the way you said that as he's kind of working it out in his own he head.

He was like, you know, I -- I -- I always knew that there was some sort of, you know -- that God was present.

He said, but now that this has happened.

I look back at all of the trials.

All of the tribulations. Literally, the trials.

All of the things that have happened. And he's like, I realized God was there the whole time.

SALENA: Yes. He does. And it's fascinating to have been that witness to history, to have those conversations with him. Because I'm telling you. And y'all know, I can talk. I didn't say much of anything.

I just -- I just listened. I felt that was my purpose, in that moment.

To give him that space, to work it out.

I'm someone that is, you know, believes in God.

I'm Catholic. I followed my faith.

And -- and so, I thought, well, this is why God put me here. Right?

And to -- to have that -- to hear him talk about purpose, to hear him say, Salena. Why did I put a chart down?

I'm like, sir. I don't know. I thought you were Ross Perot for a second.

He never has a chart. And he laughed. And then he said, why did I put that chart down?

By that term, I never turned my head away from people at the rally. That's true.

That relationship is very transactional. It's very -- they feed off of each other.

It's a very emotive moment when you attend a rally. Because he has a way of talking at a rally. That you believe that you are seeing.

And he said, and I never turn my head away.

I never turn my head away.

Why did I turn my head away?

I don't remember consciously thinking about turning my head away. And then he says to me, that was God, wasn't it?

Yes, sir. It was. It was God.

And he said, that's -- that's why I have a new purpose.

And so, Glenn. I think it's important, when you look at the breadth of what has happened, since he was sworn in.

You see that purpose, every day.

He doesn't let up.

He continues going.

And it brings back to the beginning of the book.

Where you find out, that there was another president that was shot at in Butler.

And that was George Washington. And how different the country would have been, had he died in that moment.

And now think about how different the country would be, had President Trump died in that moment. There would be --

GLENN: We're talking to -- we're talking to Salena Zito. About her new book called Butler. The assassination attempt on President Trump. And it is riveting.

And, you know, it is so good. I wish the press would read it. Because it really explains who we are, who Trump supporters are. Who are, you know, red staters. It is so good at that. She's the best at that.

The REAL reason Pam Bondi should RESIGN

Glenn Beck makes the case that Attorney General Pam Bondi should resign over her handling of the Jeffrey Epstein investigation - not because of any potential cover-up, but solely because of how incompetent her rollout of the investigation has been.

Transcript

Below is a rush transcript that may contain errors

GLENN: Okay. I want Pam Bondi fired. I want Pam Bondi fired.

STU: This escalated quickly.

GLENN: And here's why. Here's why. Do you release a tape that is supposed to be the evidence, do you release the tape, and then let the public find out for themselves, that there's an edit in the tape?

STU: That's an excusable mistake. I mean, I don't know that she did it, I guess.

GLENN: You know what, it could have been just a digital jump in the tape.

It's a minute lost. Okay?

So let's just say -- let's just give them every benefit of the doubt, and say, it was just a digital jump in the tape.

Okay?

STU: Uh-huh.

GLENN: Do you not put an intern on it, just to say, watch the clock!

And make sure there's no jumps or edit in the tape.

Because we know.

STU: Everyone is going to watch.

GLENN: 300 million people will be watching it. And somebody will take the time to watch the clock.

So watch the clock.

Is every minute accounted for? You didn't do that? You didn't do that.

STU: I think you can pretty easily say, that if you wanted to, right?

And your goal was -- you wanted to edit out -- it would be very easy to edit in a minute of footage.

GLENN: Correct.

STU: And that no one knows. Just make the clock continuous.

GLENN: Correct.

STU: It would be clear.

If you were trying to cover that, it would be --

GLENN: This is incompetence.

STU: However, highlighting your point to incompetence. At the very least, if you have a jump, you say at the beginning. There's an error at this point.

This is -- we know this is there.

You know, the fact that you release it as proof without acknowledging that minute is -- I just don't understand how you can make a mistake like that.

When your goal here is supposedly to put everyone's mind at ease.

I don't know. I don't know.

But there's more to it, than that.

GLENN: Hang on just a second.

Let me go back to before we leave. Just this one.

Remember when I said yesterday, your wife finds receipts for you buying presents at Tiffany's that she never got.

That, you know, you were in a hotel that she never came to.

You were -- you were not coming home for dinner. You had long weekends and everything else. It doesn't mean you were cheating.

STU: And a traveling jewelry investor.

GLENN: Right. But she -- she should demand the evidence, because it -- you don't want that hanging there. On your relationship.

It will just fester.

Now, you give her the evidence. But then she finds out that, oh. Well, it's the wrong receipt.

It was a -- it was a receipt, you know, that you explained away. But what you -- what you used as proof, was not the same receipt.

You were like, no.

See, honey. This is when we went to the hotel, together.

And she looks at it. And she's like, oh, okay.

And then she has it for a while. And she looks at it.

Like, wait a minute. The date is different on this one. This is not the same receipt.

That's a problem! That's a problem.

And it doesn't mean that he was cheating on you.

It just means. What the hell is going on?

Are you this stupid?

STU: And it would certainly make you have legitimate questions about --

GLENN: It just makes you question things for. Now, if it wasn't for the jump in the tape. And I'm not even going to call it an edit. Because I don't think it was an edit. I think it was jump in the tape. As if the jump in the tape wasn't incompetent enough for you, listen to this one. Jason is here with us.

Hi, Jason.

JASON: Hi, Glenn. What a morning, wow.

GLENN: What a morning it is, wow.

So, Jason, what else have you found?

JASON: Okay. So the more and more we looked at this tape.

I started looking.

It was weird. Because it looked like a janitor's closet.

Door 26.

And you were like, shut up, this is not a janitor's closet. I don't know what this is.

But I was like, I can tell you, there's a woman that looks like a janitor that comes out and supposedly the person that that they're saying is his cell. Which they're not, by the way. This was people on social media was saying, this is his cell.

Was coming out with a trash can.
So I looked around to see, if there was any confirmation of what this cell was.

I found an OIG report from the Justice Department two years ago, that shows the camera angle, and the one camera that was actually working.

So you can see the diagram, and I think we actually have it if you're watching this right now. There's a diagram that shows where this camera is.
It shows where Epstein's cell is. And the big thing that stands out, Glenn, is this camera does not even have eyes on Epstein's cell at all. Like, not at all.

STU: Incredible.
JASON: There's four different wings here. There is a service wing. And that's what we're looking at, with the Door 46.

That's a service entrance, or staff entrance. Now, you can't see on the lower level of Epstein's cell at all.

So this is what it makes it look even crazier for that one minute that's missing.

And I will say -- that okay. Let me just say it this way.

I've spent years and years and years, looking at surveillance and security camera footage as you know, in my previous job.

I've never seen an over one-minute jump right at a time that would be very, very I don't know, just convenient.

I've never seen that before. In all my years looking at these things.

STU: There's no reason. Why would you say that minute would be convenient? You're just saying, that one minute being gone could be convenient.

JASON: It's convenient in this entire time frame.

Based on this camera angel.

It's convenient, that 60 seconds would be great for someone walking across that lower level.

60 seconds would be perfect if you wanted to conceal the fact that someone would have worked across that area. That's why --

GLENN: Here's why -- here's why I didn't buy into this, at first.

Okay. Sixty seconds, to open the door, kill him. And then leave.

Okay?

But look at the diagram. If you look at the diagram, where the camera is, there is a -- just a -- maybe a foot space, where the camera is not able to see. Where there is a door, from the staff area.

Okay?

STU: Are you looking at -- because I think -- it's hard to tell from this.

Are you looking -- is this diagram the top floor or the bottom floor.

Jason, do you have any idea?

JASON: So I think Epstein is on.

STU: The upper floors. Right.

GLENN: Okay. So I'm looking at where the staff area is, okay. See the yellow triangle and the red box, where it's his cell.

STU: Yes.

GLENN: Okay. So there is one way out of the staff area. And it's right below the camera.

STU: Like underneath the floor, essentially, of where the camera is.

GLENN: Yeah. On the floor. If the camera is up on a ceiling. Is that what you -- what -- you're saying.

STU: Yeah. The camera is -- the camera is from on the second floor, shooting down.

And the evidence that they're basically proclaiming here. And this is true.

You know, what Jason is saying, is true.

That you can't see the door of the Epstein cell. What you can see is a common area, that in theory, you would need to cross to get to the cell.

STU: What you're saying, Glenn. The camera does not actually show 100 percent of the potential paths to get there. Right?

JASON: It doesn't.

STU: If you cross right in front of the banister here on the bottom floor.

GLENN: There's no way you will see.

Okay. So wait a minute. I just want to make sure. We are talking about the same thing. If you look at the videotape, it's the white room, down stairs.

Right? And so it's where the garbage can is, down there.

STU: Below that.

GLENN: So Epstein's room would be below the garbage can.

STU: No. Epstein's room, if you look out -- the area that you can see.

And I apologize for radio listeners here that aren't seeing the visual. But I want to make sure we get this right.

There's an open area, where the banister is, and it shows the common area behind it. Right?

If you go on the right side of the common area from our view.

Outside of the view, to the right. Is where the entrance to the cell is.

The stairs up to the cell.

GLENN: So all you have to do. You don't have to cross the floor.

Why do you have to cross the floor? You can go through the door. You can go through the door, and see. And just stay against the wall.

STU: Yeah. I guess, maybe.

And Jason, maybe you know this.

Maybe it's explained somewhere else in the report.

Is it possible that they're saying, all the other entrances, to get to that area, have cameras. So they didn't see anybody walking into those areas.

GLENN: Why wouldn't you show the other --

STU: Right.

GLENN: You know, this is not proof that anybody did anything.

STU: No!

GLENN: This is proof, they're -- Pam Bondi needs to be fired.

Who is rolling this out?

The Little Rascals.

Panky, look, I've got some videotape. What are you doing? This is ridiculous!

This is such absolute incompetence! Incompetence.

STU: It's incredible. The fact that they would release that because I think everybody had the same -- even Jason, as a super-duper skeptic on this, even you had the assumption that what they were saying was, the green doors were the cells, or at least the cell area.

GLENN: Right, that's what I thought.

STU: That's what everyone thought, when they saw it. Now, to be clear, the report, as you pointed out, Jason. Previously had stated in June, this diagram that shows they're talking about the common area.

So that's not like -- but like, they, A, should have been very clear about that. What they're talking about is the common area.

They shouldn't put that in the announcement.

GLENN: Stu, we're going upstairs today.

Okay? To my house. And, you know, I have that balcony, upstairs by the fireplace.

Where you haven't -- like at midnight last night.

Because it's like a day's journey from anywhere.

GLENN: Right. But we're going to go upstairs. And you put a camera, okay? Down into the great room.

STU: Right. You want to recreate it in your house.

GLENN: I do. And I want to show you, I can get to places in the room, as long -- because there's a whole floor.

The balcony shows part, but it doesn't show the door.

I can -- wait until -- I got to prove, that we're going to do this live on YouTube, or something on -- maybe on X today, as soon as we get off the air.

Because I -- this is ridiculous.

STU: It's unbelievable. Again, it doesn't prove that this -- you know, he was killed.

However, it is -- the fact that they're releasing a video that has this many holes to it, to a passing -- again, the person you're trying to make feel better about all of this is someone very interested in the detail of it. Right?

It's not someone who has a passing interest. You're not releasing this to some person who kind of knows who Jeffrey Epstein is. This is intentionally designed to try to push down some weird argument as a conspiracy theory.

GLENN: You're also -- also -- and, you know what, I'm not arguing anything.

I'm arguing this is incompetence.

STU: Yes.

GLENN: I'm not arguing that he killed himself.

Or he didn't kill -- I don't know!

I don't know. I don't know.

But this isn't helping.

You know, not only are you saying, that these people have some interest in it.

Well, you know, these people are interested in the details.

No!

You're releasing it to a bumbling of people, who many of them have the details. But many of them are hostile to what you're saying.

So you better have a buttoned up case.

STU: Right.

GLENN: You better not have anything that they find out later, wait. Wait a minute.

What?

STU: Right. And it could be -- you know, you could make the couple of arguments that you probably could make here.

One, they don't actually care about this. And they're annoyed they have to deal with it.

So they threw it out there.

Terrible incompetence. If that's the truth. That's inexcusable.

The other thing they might argue. And this could be part of it.

There were reports at least, that this got leaked. That this came out essentially earlier than they wanted it to.

So the rollout was not as planned, as they thought it was going to be.

Axios reported this exclusively. Now, it's possible, they linked it to Axios.

It's not exactly a typical location of a Trump leak.

GLENN: Who? The Justice Department, or the FBI? That's what I want to know.

First of all, this administration has no leaks. We just bombed Iran without any leaks.

STU: Yeah. Different -- different wing of the government. Still, I get what you're saying.

GLENN: Yeah, right.

STU: A lot of this has been tight.

But there does seem to be.

You know, there's a lot of big personalities. There's always reported squabbling going on.

Who knows how this was released and who didn't.

That may be true. That part of the rollout was heard.

Right? Because it was released when they were ready. That might be true.

It still doesn't really explain. The video is a video.

They definitely posted it. They posted it like that. They posted it -- they had a memo that explained what the video was, and did not mention anything like that. That mentioned the --

GLENN: That's all you have to do.

Hey, there's a one minute jump. Here's why it's there.

STU: Again, even with that explanation, which would making me happier.

Right? That it's available.

It still wouldn't make a person who believes in this theory.

GLENN: Right. I can tell you -- I can tell you for a fact, nothing is going to satisfy everyone.

STU: Right.

GLENN: But you at least have to try to make the easy things go away.

Will the Big, Beautiful Bill’s Medicaid changes really “KILL” people?

Democrats claim that the Big, Beautiful Bill will take Medicaid and Medicare away from many Americans and even “kill” people. But is any of this true? Glenn Beck and Stu Burguiere review just the facts and explain who’s actually affected by the changes.

Transcript

Below is a rush transcript that may contain errors

GLENN: Can I address some of the hyperbole around the big, beautiful bill, just a little bit.

If there's anything in the big, beautiful bill to worry about, it's the increase in spending.

Because the spending ourself into oblivion is an actual threat.

To the country. But that's not what anybody is talking about. What everybody seems to be talking about is the tax cuts. Which were already there. Or the tax cuts like no tax for tips. Which you would think the party of the little people. You know, the Democrats. Would all be for. But they're not.

Because they're not party of the little people anymore. And those had to be offset.

Okay. Offset. By what?

Well, by cutting spending. But cutting what spending?

Not cutting spending. Let me just say this. If I said, you know, I made $250,000 a year. And this year, we were going to spend $300,000.
Okay?

And you would say, immediately, Glenn. You can't do that.

And I would say, I've been doing that for 30 years. Okay. You might say, the bank is not going to give a loan.

But then if I came to you and said, yeah. I'm spending $300,000 a year. And my wife and I make 250 or 200,000 a year. But, you know, next year, I was going to spend $500,000.

Did you get a raise? No. I didn't get a raise. I still make 250,000 dollars a year between my wife and I.

But I'm going to spend 500 and not 300. And then somebody came in, like an accountant with some muscle.

And they said, Glenn, you cannot spend $500,000 a year!

Would it make sense if I went back to spending 300, not 200, which I had.

But 300, which I had been spending every year, would it make sense to you to -- for me to say, my children are now going to starve? My children are now going to starve.

Look at the austerity program that I am on.

My gosh, they just -- no. They didn't cut anything. They must cut thinking.

They cut the increase inning spending.

That's what they cut.

And, Stu, could you please explain Medicare.

I mean, all of the people. I know they warned us.

I didn't believe the death squads would actually go out.

And, you know, they want these people off Medicare so badly.

Or Medicaid.

They just sent out death squads. Trump is not waiting for them to die, because he's not waiting for them to get their prescriptions now he just wants them slaughtered in the street.

STU: Yeah, that's the efficiency of the Trump administration. He wants these people dead so badly, he's just killing them in the streets. Actually, no, none of that is happening.

And the Medicaid cuts as you point out, are largely cuts to future increases that have not occurred.

The biggest chunk of this is the work requirements. You've heard this, Glenn.

And, you know, I went through this. And I was like, this can't possibly be what they mean.

I said, wait a minute. When they say work requirement cuts, what does that mean?

So I dove into it a little bit. Basically, what they're saying, you, if you're an able-bodied adult, so that does not include old people, does not include people who are sick and can't work. And it also does not include people who have small children, even if they are able-bodied.

And when I say small, I mean 12 and under. So if you have a 12-year-old. You're completely exempt from this.

But able-bodied adults.

GLENN: Okay. On people in wheelchairs.

STU: No. Gosh, again, I know this is tough. Yeah, this is where it gets difficult.

GLENN: Wait. I'm having a hard time following this. What now?.

STU: So you're an able-bodied adult, that does not have small children.

GLENN: No small children.

STU: You would be required to get Medicaid, to work 20 hours a week.

Now, you might --

GLENN: Twenty hours a week.

STU: Or 80 hours a month.

GLENN: Or 80 hours a month.

That's almost half a full-time job.

STU: Now, you might say to yourself. And this is actually true.

Some people can't get jobs. Right?

I'm sure, there are people trying to get part-time jobs. And maybe can't get them.

Those people will just lose their Medicaid. Well, as you may understand.

Of course not.

Because what you have to do then is go through a process, that you're basically telling them, you're attempting to get a job. Or you're volunteering somewhere, to meet that requirement.

So basically, you have to fill out -- yeah. It's like unemployment.

You have to at least fill out some paperwork here.

GLENN: It's the exact opposite.

Let me see if I have this right.

It's the exact opposite of unemployment which we've had forever.

Which if you're looking for a job, but can't get it. You can still have unemployment.

But it's the exact opposite. Right?

Especially if you're nursing sextuplets.

STU: Again, you're not very close to the truth.

You're a little bit off on this one.

GLENN: No. Huh!

STU: By the way, Glenn, you might say to yourself, wait. How is that a Medicaid cut?

Because they're not cutting anyone's eligibility here. Unless they don't want to meet the requirement.

Of course, there's always been requirements to all of these programs.

So meeting the requirements have always been part of getting on to Medicaid.

This requirement, if you decide basically not to do it. And not participate. And not fill out the paperwork.

Then, yes. You will lose your Medicaid coverage.

What they're saying, hold on. All right.

GLENN: No. I just want to make sure I have it right.

STU: Yes.

GLENN: If you are blind, you're deaf.

STU: No. Again, no.

GLENN: You have no friends, and you can't get out of the house, and you've been on Medicaid, somehow or another, you signed up for that. But now, you don't even know, because you can't hear the news. You certainly can't fill out a form. Because you have no eyes.

STU: Hmm.

GLENN: They just come in and rip your Medicaid away?

STU: No. None of what you said is accurate.

Though, it is calm considering some of the accusations -- comparisons made bit left right now.

But, yeah.

So if you are an able-bodied adult that decides, you know what, I don't feel like filling out the paperwork, or I don't feel like going to job interviews, or I don't feel like volunteering, then yes. You could lose -- but that's what they're saying the cuts are.

They think 317 billion dollars worth of people will not bother doing those things. For whatever reason. Maybe because they had more money than they said. Maybe because they're lazy.

Maybe because -- I'm sure there's some case where some -- I don't know.

I can't think of the case.

GLENN: Blind person.

STU: Because the ailments are covered here.

But, yes. Maybe it's some particular skin color. Then they would reject you.

I don't know.

And it's not just that. There are other cuts. For example, some of the cuts are, they're eliminate duplicate Medicaid enrollment.

If you happen to have Medicaid.

GLENN: I can't double-dip.

STU: In two different states. They're going to try to stop you from having it in two states.

And instead, make you have it one state. Uh-huh.

GLENN: Hold on just one second.

I have two legs. I have two arms. I have two eyes. I have two nostrils. I have two ears.

I can't have two Medicaid coverages. It's insane!

STU: I know.

It's really, really brutal.

GLENN: I have two kidneys. I can only have one kidney now, you know, repaired?

STU: Now --

GLENN: Is that what you're saying?

STU: That's not what I'm saying. But, yes. I'm sure that's what's being reported out there by Dana Bash.

Another one, I will give you here, Glenn. They talked about immigrants.

You know, immigrants getting on their Medicaid cut. Now, this is tough. What this bill does, I want you to hold on to your hat here, Glenn.

GLENN: Okay.

STU: If you have green card holders and other certain immigrants, some will lose their coverage. Or actually, sorry, eligibility will -- retain for those people.

Certain other immigrants may lose their coverage. The current law says, all who are lawfully present.

That will kick in after a -- how many year waiting period?

Let me guess, it's a five-year waiting period.

So it will be the next president who has to deal with this, when future Congress will just put it right back in. And it's not a savings at all.

And then you have Medicaid death checks. They're going to require --

GLENN: They're checking on whether your debt? Look at this! It's crazy.

STU: It's brutal. It really is.

GLENN: You're going to kick all of the immigrants off in five years.

STU: No.

GLENN: And then you're checking to see if old people are dead!

When will you leave these people alone?

STU: I know. So, anyway, we can go through this stuff all day. But as you point out, most of this stuff is not at all, what the left is saying it is.

It's not the desperate Medicaid cuts that are going to ruin everybody's lives. A lot of them are just really common sense stuff, making sure you don't have them in two states. I don't know what the positive argument is for that. But they'll make it.

GLENN: Well, they don't have one. That's why they don't make it about that.