RADIONovember 29, 2022

Balanciaga's DARKNESS goes WAY FURTHER than teddy bears

Balanciaga is under heavy fire this week after releasing photographs featuring child models posting with teddy bears dressed in disgustingly inappropriate outfits. But the fashion company’s dark undertones goes WAY FURTHER than this. In this clip, Glenn exposes just how EVIL this brand’s creative direction seems to be. But this isn’t just Balanciaga. In fact, this scandal mirrors a turning tide within society as a whole, which is why we MUST call it out.

Transcript

Below is a rush transcript that may contain errors

GLENN: Most people don't know anything about Balenciaga. Is that how you say it? Say it, Sara. I don't know.

SARA: Balenciaga.

GLENN: Balenciaga. Okay. 2,000-dollar sweaters. It's really expensive couture kind of clothing. Blah, blah, blah. It's a Spanish fashion house. And it's had real sway apparently for a very long time. They -- well, let me welcome back Stu from vacation. Stu, what do you know about this story?

STU: Glenn, think of me. This is in the theoretical sense.

GLENN: Okay.

STU: Think of me as a person, who went on Thanksgiving break.

GLENN: Yeah.

STU: And tried to stay away from grooming stories while I was on that break.

GLENN: Okay. That's hard to understand. But okay.

STU: And also, in addition to this, have never heard of Balenciaga. See, I even -- I can pronounce it, but I don't know what it is. Have never even heard of it, until this weekend.

GLENN: So what do you know about it?

STU: The only thing that I would say about is, didn't they take some pictures of like kids with teddy bears and the bears were like bondage bears or something? I don't know. I saw one of the pictures, that's all I've heard.

GLENN: All right. So there's a lot more to this story as it goes on.

STU: Oh, no.

GLENN: The bondage bears, and the picture with the panic-faced children surrounded by empty wine glasses, is what we all kind of saw. And we're like, huh. That's not good.

The picture features a dazed looking boy in a cluttered room. Among all the clutter, there is some disturbing things that have been found. For one, the boy is wearing red shoes. That has symbolized royalty and unstoppable power like the red heels of King Louis the 14th. Now, this is a weird connection to Tony Podesta. In the pedophilia paintings owned by Tony Podesta, children are wearing red shoes. Now, the boy -- to the boy's left is a drawing of a rainbow. To his right, is a drawing of earth, with a crow looking down over it. And on the ground, there is a roll of ticker tape with Balenciaga. Spelled not the normal way. But spelled capital B-A-L -- sorry. B-A-A-L-enciaga. You know, the meaning of that, Stu?

STU: Oh, wow. Yeah. That's the god of --

GLENN: Child sacrifice. Child sacrifice. Pedophilia. Unstoppable sex.

STU: Evil.

GLENN: Moloch. It is the ancient God in the Bible. Moloch. Or Baal, B-A-A-L. It is a Canaanite god of child sacrifice. Okay?

You'll find in Jeremiah, Jeremiah 19, Baal is identified as Moloch. And the true drawing shows a horned animal that resembles Baal.

So that's also in the picture. Now, this is no accident. For a couple of reasons: The company had to have had this ticker tape designed and printed and put on the floor.

Also, in March at a Paris show for this company, Kim Kardashian wore a full body dress made only of ticker tape with the word Balenciaga on it, but it was spelled correctly. Now, if one of those things would have appeared on their own, it would have been one thing. But putting these things together, and then seeing the things behind it, it becomes very cheer.

Now, so you know, the company has blamed this on the photographer. And we'll get into it in a second. Then they went out and said, well, it's the advertisement. We didn't even see any of these pictures before they went out. Does anyone believe that?

All right. Here's the photographer. He's described as a documentary photographer, whose projects often make expensive portraits of everyday eccentricity. How do you say that?

STU: I heard it in my head. Now that you started talking.

GLENN: I know. I know.

SARA: Eccentricities.

GLENN: Eccentricities. Thank you, Sara. You should be over here, because I'm already in the Hall of Fame, so I don't even try anymore.

STU: Yeah. You don't even care.

GLENN: A press release from the company said, the gift shop campaign iterates on the artist series toy stories, which features a series of photographs from around the world, of children surrounded by their favorite toys.

Hmm. Okay. In a statement, the photographer said, as a photographer, I was only and solely requested to light the given scene, take the shots, according to my signature style. As usual for commercial shooting, the direction of the campaign and the choice of the objects displayed are not in the hands of the photographer.

Now, who is the person responsible for that? Well, that's their creative director, known as Demna. She's from the country Georgia. She's also worked for Louis Vuitton. She is the person that in the 2021 met gala, she --

STU: It's a she or a he?

GLENN: I don't know. I'm not going to identify.

STU: Right. We don't know. It's a fluid situation here.

GLENN: I think it's he. I think it is he.

STU: Okay.

GLENN: But he designed the gimp outfit that Kim Kardashian wore. Where she was covered all in black rubber. Or whatever the hell it is.

STU: Dramatic.

GLENN: Very dramatic. Now, they also collaborate with Adidas. Remember, this is the company, one of the companies that just fired Kanye. But they're tied deeply into the Kardashians.

Now, if you go back to their old photo shoots, there is a pattern here. They just did one, they released a collaboration with Adidas, which they called the spring '23 campaign.

The pieces are the pieces that were on the Spring '23 presentation on their runway, and the collection was shot by a completely different photographer. And that is important because the imagery isn't a coincidence or a decision made by the first photographer. The theme was business office environment. And the setting was a swanky high rise in Manhattan.

In the photo for a $3100 hourglass handbag, there's a printed copy of the 2008 United States vs Williams decision on child pornography laws, and whether promotion of child pornography curtailed First Amendment freedom of speech rights.

So there's the handbag, and there's the Supreme Court ruling. Okay? But I'm sure it's just a coincidence and the photographer's fault. Yeah.

Newsweek says, the extract is part of an analysis with respect to the United States vs Williams presented by the late Justice Antonin Scalia from May 2008, which details the grounds for material to be defined as child pornography.

Okay. In another photo, a man in a terrible outfit stands in this swanky office, with a postcard view of cities behind him. Behind him also is a diploma with the name of John Philip Fisher. This connection isn't as solid, but speculation is, who is John Philip Fisher?

Apparently, he is a pedophile out of Michigan. Okay. In a -- in a -- another advertisement photo, hourglass small croc-embossed top handle bag, a woman props her feet on to a cluttered desk. So much clutter it's hard to tell what's on the paper. But in the background you see a stack of books. One of them is titled Fire from the Sun. It's about an artist, whose work has been linked to pedophilia, cannibalism, and blood rituals. A description posted on Amazon says that his art work features children who are presented alone or in groups, against a studio-like backdrop that negates time and space, while underlining the theatrical atmosphere and artifice that exists throughout his recent work.

Okay. So he is trying to re-create I guess the cherubs of the renaissance. They are just -- they're allegories. They're not really children. And they contrast their innocence with the evils of the world.

Okay. Now, there's another person involved. This one is really interesting. This is the chief designer for the company. Her name is Lata Volcava (phonetic).

Apparently, and I've seen some of it. Now, it's all been made private.

But you know through the wayback machine. The internet is forever, gang. On her Instagram page, she has -- I mean, when I say tons, I mean, a disturbing amount of satanic imagery and violence.

One image shows a woman lying on a pentagram as a satanic figure looms over her. Another shows a woman dead on her side, in a field with her stomach ripped open, and entrails sprawling out on the grass beneath her. Third photo is a vintage-style men's bedroom, but covered in blood and bullets and broken glass. And the fourth image was a child holding up a skull, with a frame and the star sign symbols, from the astro logical chart. So she seems wonderful. Now, she is the chief designer for this company. Also, on her Instagram account, there's an image of her wearing a T-shirt from her favorite band, Cannibal Corpse. And she's inside of a church.

Now, remember the woman laying with her entrails out, in a completely different -- in a completely different picture?

Cannibal corpse, one of their songs, their lyrics, entrails ripped from a virgin's C-word.

Virgin tied to my mattress, legs spread wide, ruptured bowel yanked from her inside, de-virginized with my knife, internal bleeding -- I can't tell you even more of it. It is awful. Awful.

STU: Good God Almighty.

GLENN: Also, an image of a little girl bound and gagged. This is the woman who is, like, the leader of all of the design for this particular -- particular brand.

She also works with Adidas. Which launched a sneaker line designed by her.

Let's see. I mean, it just goes on and on and on. Now, Kim Kardashian said, she's reevaluating her relationship. Now, I think that's all you need to know. Really? How much thought do you need to put into this?

Well, she reached out to the company, and said, oh, darn. That -- oh, that photographer. Oh, we're going to change things here. Really?

Are you? Yes, we are. Okay. Okay.

Somebody else that is involved, would be the -- would be the daughter let's see, the stepdaughter, I think, of Kamala Harris. She's androgynous. Has just the -- well, a lot wouldn't say, the look of a model. But the guy who was really there for Kamala when she was running for president. Gave the max to her campaign. Happens to run this modeling agency. And after Kamala won as vice president, her daughter reaches out and says, hey, I would like to be a model. And guess where they place her?

With this company. This is everywhere. Absolutely everywhere.

EXCLUSIVE: Chip Roy Explains His FIERY Rejection of Spending Bill

According to the media, there’s a big fight going on between Republicans over the House’s new slimmed-down continuing resolution spending bill. Some, including President-elect Donald Trump, wanted the bill to pass. But others, like Texas Representative Chip Roy, argued that it still wasn’t ready. However, is the Republican “unity coalition” really crumbling, like the media claims? Rep. Chip Roy joins Glenn to explain what’s really going on. He argues that he IS trying to give Trump and DOGE a 100-day “runway” to fix the country. But he makes the case that, by increasing the debt ceiling by $5 trillion without agreeing on other cuts, this bill gives bad actors the ability to be an “obstacle” to Trump’s agenda further down the line. Plus, he reveals to Glenn that he believes some of these bad actors LEAKED false information about his stance to Mar-a-Lago.

Transcript

Below is a rush transcript that may contain errors

GLENN:

I think we have a great opportunity today. To show you how to have a -- tough conversation, with friends, friends. Where you deeply disagree on something.

But you know that their intent is good. They know my intent is good. Or our intent is good.

And we actually have the same end goal, but we disagree on the path. And we're going to walk away friends.

Chip Roy is joining us today. And, Chip, I love you. And I always will. And I agree with your, we've got to cut spending. We have to. But Liz Wheeler is with me. And we've been talking about it all morning. It's the -- the -- the -- the system of DOGE and Trump, the call-out to the world, in saying, you've got to surrender the Capitol. You know, the bad guys are in and about to take all the money.

Surround, and tell them, come out with your hands up. And that happened. And we scored a massive win, in an entirely new way.

Ask then you stood on principle, one we both agree with.

And it failed!

And so here's -- here's what Liz and I were talking about. Here's what we want to say to you.

And then get your response.

LIZ: Hi, Congressman Roy, this is the way I see it. I want your take on it. I love you. I think you're one of the best members of Congress. I disagree with you on the process that's happening. And I think that is the difference. The process. We elected Donald Trump to be a disruptor. Because Republican members of Congress for decades have been telling they're fiscal conservatives. They want to decrease the debt SEAL. It hasn't happened.

It hasn't -- it hasn't been done. And so Donald Trump comes in with Elon Musk, and uses this DOGE process to first identify these pieces of garbage in the first 1500-page bill. And take those things to the people. We took them to members of Congress. Congress said, okay. We'll listen to you.

So that new process was very effective.

And my question to you is: Once that process was proved to be effective. Which I think is exciting and wonderful.

How do we bridge this divide, with you, to say, okay.

Let's put some faith in this new process. And trust Elon Musk and Donald Trump and the Dow Jones process, to eventually address the debt ceiling, but get this done right now?

GLENN: And not blind trust. Chip.

CHIP: So appreciate you guys. Appreciate being on the show. Particular order. I have to go through a couple of things.

GLENN: Yep.

CHIP: Number one, it's important to remember that my job and my duty is to the Constitution, to God, and the people I represent. I told them, when I came to Washington, I would not -- I would not let the credit card and the debt ceiling and the borrowing of the United States without the spending restraints necessary to offset it.

GLENN: Okay.

CHIP: Right now, all we have are promises and ideas and notions. What I know, that neither of you respectfully no, and that none of your listeners respectfully no are the people that are in the room, that I was in with yesterday. And the day before, who are recalcitrant.

And do not want to do the spending cuts that we need to do.

That I believe the president and the DOGE guys. And everybody want to do.

My job, is to force that through the meat grinder. To demand that we do our damn job. Okay?

GLENN: Okay. So hang on. Okay. So wait. Wait. You're right. You're right. You're right. Go ahead.

CHIP: Number thee, when we were going through the bill, I'm glad the bill dropped from 1,550 pages to 116 pages. Three-quarters of Twitter or X or whatever you want to call it, have been out there spreading false facts that we supported a bad bill and didn't like the better bill.

That's not true. But let's be Lear. The 1400 pages that were cut out. It's a panacea.

There were some good stuff in there. There were some bad stuff in there. There was a lot of disinformation.

There wasn't a $70,000 pay raise. There was a 3,000-dollar pay raise.

I didn't support any pay raise. I didn't support a lot of the stuff in there.

But there's a lot of misinformation. And here's the thing: The 116 pages that were left, and I opposed violently the first bill. I was leading the charge on fighting and killing the first bill.

GLENN: And I love you.

LIZ: The second bill for 116 pages. Turned off -- turned off the pay go requirement. That we slash 1.7 trillion automatically.

And added a 5 trillion that are increase.

My view was, I could not support that, without a clear understanding of what cuts we would get, in mandatory spending next year. And undo any of the Inflation Reduction Act.

The undoing of the student loans. The undoing of the crap with the food stamps.

And everything else. I yield back.

GLENN: Okay. I yield back.

Chip, you're not in a hostile room. We love you. And we agree with your end goals. It's our end goal too. We didn't make that promise that you made to the people that voted for you. So we have more wiggle room here.

But you say -- I think our big difference is, you say, I know the guys in the room.

You're right. You do. And we -- we ceded that earlier today on the show.

You are -- one of us is wrong on trust.

I don't trust any of the weasels in Washington.

But I think Donald Trump and Elon Musk and Vivek Ramaswamy have earned enough trust, to get a grace period, here for the first -- maybe the first year.

Or at least six months.

To turn the economy around, and also reduce the size of the government.

And totally flip this thing.

And I know, as somebody who is -- you know, run a company, mainly into a ground. But run a company, and have to switch it, in the middle, and totally reshuffle. That -- that actually costs money, while you're doing it, to bridge the gap.

Because you have to fill up holes while you're filling in the gap.

You don't trust the people in the room. Neither do we.

But we do trust the system that worked on Wednesday with DOGE and Donald Trump.

Where do we disagree?

Can you give them --

CHIP: We don't disagree. And yesterday morning, I was making that precise argument in a room full of conservatives and then a follow-up room with people who will call it, less conservatives.

GLENN: Republican. Yes.

CHIP: And so we were making this argument. And then someone infamously. Something leaked out of the room, somehow out to Mar-a-Lago. That I was being resistant. Because I was negotiating trying to get the agreement to achieve the objective that you just said. I was trying to get, okay. In fact, yesterday morning, I made the argument to a group of conservatives. We need to give the president runway. We need to give him his first 100 days. We need to appreciate JD, and Vivek, and all the people -- and everybody involved. For the president to achieve the objective.

But to get there. We have to make sure that the guys in the room, that are an obstacle to that, don't have the ability to block it.

Because information flow matters. And when those guys tell the president, they can't achieve X.

Then the president will not achieve X. Our job was to force and demand, guys, we need actual understanding of what the cuts will be.

And because otherwise, we're asking us to accept a 5 trillion-dollar limit in our credit card increase. In exchange for nothing!

Literally, in exchange for nothing, but -- but hope.

So our job was to force that change.

Unfortunately, while I was trying to make the argument that we needed something in order to get the votes, someone leaked that down to Mar-a-Lago, and the president reacted.

But now I have to now manage that.

GLENN: Right. I know. I know.

CHIP: They're trying to enforce change in town.

GLENN: So hang on.

We have to leave this. Because I'm going to run against the clock.

I could talk to you all day about this. You were in a meeting this morning about J.D. Vance. Can you tell us anything about that meeting?

CHIP: That meeting happened, because despite what happened yesterday, I'm trying to get this done. Last night, talking to JD, we worked to get this meeting done. We had some good progress this morning.

But there still remains people concerned about spending. That we can work out, what agreement we can reach. On what spending cuts. We can actually get next year, in exchange for giving the vote on a debt ceiling increase.

So it remains fluid. Progress was made. But we have to keep working on it.

And I left that meeting to talk to you. Soil get an update in a minute.

GLENN: Thank you for that, by the way.

I hear there is a new bill that may be coming today.

Is that the one you're talking about?

Or is this another bill that could be another nightmare?

CHIP: Despite other people leaking crap, I refused. I can't say, because it's not been decided by the speaker.

And it's not right to talk about things they're talking about in private meetings.

GLENN: Yeah, but it's -- it's this speaker. I mean, is he really the speaker anymore, Chip, really?

CHIP: We need to hear what bill we need to get forward. And I can't talk about the private meetings. But, look, I'm going to keep fighting for what I promised people that I represent.

I'm going to fight to cut spending. I am going to represent article one.

I'm going to support the president's agenda, but we've got to do that together.

GLENN: Okay.

Chip, thank you.

I think we can -- I think we agree, but I await to see what that means to you. Because we may just have to agree to disagree on this.

But I love you. And I still want you to replace Cornyn.

CHIP: The short version is, for inflation's sake, we cannot increase the debt ceiling $5 trillion without knowing what we're getting for it.

And I don't think anybody should disagree with that.

GLENN: But you don't disagree that Elon Musk and Trump and Vivek are serious about gutting the system.

CHIP: I believe that is their objective. I believe there are obstacles to that objective. And I need to know the sincerity of how we deal with those obstacles, both structural, and human. And we have to figure that out. And that's my job.

America's Favorite Villain Is Ready for Nuclear Fallout. Are You? | Glenn TV | Ep 401

In this episode of Glenn TV — a theatrical how-to guide to survive the breakdown of society after a nuclear attack, according to the new movie “Homestead” from Angel Studios. Glenn Beck interviews the movie’s star and executive producer, Neal McDonough, who plays the head of a family trying to survive as society is breaking down in a postapocalyptic world. You’ve probably seen Neal in everything from the hit TV shows “Yellowstone,” “Suits,” and “Justified” to movies like “Captain America,” “Minority Report,” and the groundbreaking mini-series “Band of Brothers.” Glenn asks Neal what it’s like to play a villain so often, how TV and movies are changing, and how he survived Hollywood as a devoted Christian and husband who refuses to do onscreen kissing scenes with any of his female co-stars. They also discuss his battle with alcoholism, what it’s like working the legends like Sylvester Stallone and Kevin Costner, and the cultural craving for Western cinema. Note: Angel Studios is a sponsor of “The Glenn Beck Program.” Get your tickets for “Homestead” at https://Angel.com/Beck.