RADIO

Balanciaga's DARKNESS goes WAY FURTHER than teddy bears

Balanciaga is under heavy fire this week after releasing photographs featuring child models posting with teddy bears dressed in disgustingly inappropriate outfits. But the fashion company’s dark undertones goes WAY FURTHER than this. In this clip, Glenn exposes just how EVIL this brand’s creative direction seems to be. But this isn’t just Balanciaga. In fact, this scandal mirrors a turning tide within society as a whole, which is why we MUST call it out.

Transcript

Below is a rush transcript that may contain errors

GLENN: Most people don't know anything about Balenciaga. Is that how you say it? Say it, Sara. I don't know.

SARA: Balenciaga.

GLENN: Balenciaga. Okay. 2,000-dollar sweaters. It's really expensive couture kind of clothing. Blah, blah, blah. It's a Spanish fashion house. And it's had real sway apparently for a very long time. They -- well, let me welcome back Stu from vacation. Stu, what do you know about this story?

STU: Glenn, think of me. This is in the theoretical sense.

GLENN: Okay.

STU: Think of me as a person, who went on Thanksgiving break.

GLENN: Yeah.

STU: And tried to stay away from grooming stories while I was on that break.

GLENN: Okay. That's hard to understand. But okay.

STU: And also, in addition to this, have never heard of Balenciaga. See, I even -- I can pronounce it, but I don't know what it is. Have never even heard of it, until this weekend.

GLENN: So what do you know about it?

STU: The only thing that I would say about is, didn't they take some pictures of like kids with teddy bears and the bears were like bondage bears or something? I don't know. I saw one of the pictures, that's all I've heard.

GLENN: All right. So there's a lot more to this story as it goes on.

STU: Oh, no.

GLENN: The bondage bears, and the picture with the panic-faced children surrounded by empty wine glasses, is what we all kind of saw. And we're like, huh. That's not good.

The picture features a dazed looking boy in a cluttered room. Among all the clutter, there is some disturbing things that have been found. For one, the boy is wearing red shoes. That has symbolized royalty and unstoppable power like the red heels of King Louis the 14th. Now, this is a weird connection to Tony Podesta. In the pedophilia paintings owned by Tony Podesta, children are wearing red shoes. Now, the boy -- to the boy's left is a drawing of a rainbow. To his right, is a drawing of earth, with a crow looking down over it. And on the ground, there is a roll of ticker tape with Balenciaga. Spelled not the normal way. But spelled capital B-A-L -- sorry. B-A-A-L-enciaga. You know, the meaning of that, Stu?

STU: Oh, wow. Yeah. That's the god of --

GLENN: Child sacrifice. Child sacrifice. Pedophilia. Unstoppable sex.

STU: Evil.

GLENN: Moloch. It is the ancient God in the Bible. Moloch. Or Baal, B-A-A-L. It is a Canaanite god of child sacrifice. Okay?

You'll find in Jeremiah, Jeremiah 19, Baal is identified as Moloch. And the true drawing shows a horned animal that resembles Baal.

So that's also in the picture. Now, this is no accident. For a couple of reasons: The company had to have had this ticker tape designed and printed and put on the floor.

Also, in March at a Paris show for this company, Kim Kardashian wore a full body dress made only of ticker tape with the word Balenciaga on it, but it was spelled correctly. Now, if one of those things would have appeared on their own, it would have been one thing. But putting these things together, and then seeing the things behind it, it becomes very cheer.

Now, so you know, the company has blamed this on the photographer. And we'll get into it in a second. Then they went out and said, well, it's the advertisement. We didn't even see any of these pictures before they went out. Does anyone believe that?

All right. Here's the photographer. He's described as a documentary photographer, whose projects often make expensive portraits of everyday eccentricity. How do you say that?

STU: I heard it in my head. Now that you started talking.

GLENN: I know. I know.

SARA: Eccentricities.

GLENN: Eccentricities. Thank you, Sara. You should be over here, because I'm already in the Hall of Fame, so I don't even try anymore.

STU: Yeah. You don't even care.

GLENN: A press release from the company said, the gift shop campaign iterates on the artist series toy stories, which features a series of photographs from around the world, of children surrounded by their favorite toys.

Hmm. Okay. In a statement, the photographer said, as a photographer, I was only and solely requested to light the given scene, take the shots, according to my signature style. As usual for commercial shooting, the direction of the campaign and the choice of the objects displayed are not in the hands of the photographer.

Now, who is the person responsible for that? Well, that's their creative director, known as Demna. She's from the country Georgia. She's also worked for Louis Vuitton. She is the person that in the 2021 met gala, she --

STU: It's a she or a he?

GLENN: I don't know. I'm not going to identify.

STU: Right. We don't know. It's a fluid situation here.

GLENN: I think it's he. I think it is he.

STU: Okay.

GLENN: But he designed the gimp outfit that Kim Kardashian wore. Where she was covered all in black rubber. Or whatever the hell it is.

STU: Dramatic.

GLENN: Very dramatic. Now, they also collaborate with Adidas. Remember, this is the company, one of the companies that just fired Kanye. But they're tied deeply into the Kardashians.

Now, if you go back to their old photo shoots, there is a pattern here. They just did one, they released a collaboration with Adidas, which they called the spring '23 campaign.

The pieces are the pieces that were on the Spring '23 presentation on their runway, and the collection was shot by a completely different photographer. And that is important because the imagery isn't a coincidence or a decision made by the first photographer. The theme was business office environment. And the setting was a swanky high rise in Manhattan.

In the photo for a $3100 hourglass handbag, there's a printed copy of the 2008 United States vs Williams decision on child pornography laws, and whether promotion of child pornography curtailed First Amendment freedom of speech rights.

So there's the handbag, and there's the Supreme Court ruling. Okay? But I'm sure it's just a coincidence and the photographer's fault. Yeah.

Newsweek says, the extract is part of an analysis with respect to the United States vs Williams presented by the late Justice Antonin Scalia from May 2008, which details the grounds for material to be defined as child pornography.

Okay. In another photo, a man in a terrible outfit stands in this swanky office, with a postcard view of cities behind him. Behind him also is a diploma with the name of John Philip Fisher. This connection isn't as solid, but speculation is, who is John Philip Fisher?

Apparently, he is a pedophile out of Michigan. Okay. In a -- in a -- another advertisement photo, hourglass small croc-embossed top handle bag, a woman props her feet on to a cluttered desk. So much clutter it's hard to tell what's on the paper. But in the background you see a stack of books. One of them is titled Fire from the Sun. It's about an artist, whose work has been linked to pedophilia, cannibalism, and blood rituals. A description posted on Amazon says that his art work features children who are presented alone or in groups, against a studio-like backdrop that negates time and space, while underlining the theatrical atmosphere and artifice that exists throughout his recent work.

Okay. So he is trying to re-create I guess the cherubs of the renaissance. They are just -- they're allegories. They're not really children. And they contrast their innocence with the evils of the world.

Okay. Now, there's another person involved. This one is really interesting. This is the chief designer for the company. Her name is Lata Volcava (phonetic).

Apparently, and I've seen some of it. Now, it's all been made private.

But you know through the wayback machine. The internet is forever, gang. On her Instagram page, she has -- I mean, when I say tons, I mean, a disturbing amount of satanic imagery and violence.

One image shows a woman lying on a pentagram as a satanic figure looms over her. Another shows a woman dead on her side, in a field with her stomach ripped open, and entrails sprawling out on the grass beneath her. Third photo is a vintage-style men's bedroom, but covered in blood and bullets and broken glass. And the fourth image was a child holding up a skull, with a frame and the star sign symbols, from the astro logical chart. So she seems wonderful. Now, she is the chief designer for this company. Also, on her Instagram account, there's an image of her wearing a T-shirt from her favorite band, Cannibal Corpse. And she's inside of a church.

Now, remember the woman laying with her entrails out, in a completely different -- in a completely different picture?

Cannibal corpse, one of their songs, their lyrics, entrails ripped from a virgin's C-word.

Virgin tied to my mattress, legs spread wide, ruptured bowel yanked from her inside, de-virginized with my knife, internal bleeding -- I can't tell you even more of it. It is awful. Awful.

STU: Good God Almighty.

GLENN: Also, an image of a little girl bound and gagged. This is the woman who is, like, the leader of all of the design for this particular -- particular brand.

She also works with Adidas. Which launched a sneaker line designed by her.

Let's see. I mean, it just goes on and on and on. Now, Kim Kardashian said, she's reevaluating her relationship. Now, I think that's all you need to know. Really? How much thought do you need to put into this?

Well, she reached out to the company, and said, oh, darn. That -- oh, that photographer. Oh, we're going to change things here. Really?

Are you? Yes, we are. Okay. Okay.

Somebody else that is involved, would be the -- would be the daughter let's see, the stepdaughter, I think, of Kamala Harris. She's androgynous. Has just the -- well, a lot wouldn't say, the look of a model. But the guy who was really there for Kamala when she was running for president. Gave the max to her campaign. Happens to run this modeling agency. And after Kamala won as vice president, her daughter reaches out and says, hey, I would like to be a model. And guess where they place her?

With this company. This is everywhere. Absolutely everywhere.

THE GLENN BECK PODCAST

Are Epstein's "Blackmail Videos" Being Used for Leverage RIGHT NOW?

What was Jeffrey Epstein's operation all about. If he was at the center of a massive blackmail operation to compromise those in positions of power, who is in possession of that information now? Glenn Beck and ATF Whistleblower John Dodson analyze the details of this situation and give their thoughts on what is the most likely reality surrounding Epstein.

Watch Glenn Beck's FULL Interview with ATF Whistleblower John Dodson HERE

TV

WARNING: How America Elects a Socialist President in 2028 | Glenn TV | Ep 444

The rise of Zohran Mamdani, the 33-year-old socialist who just won the Democratic primary for mayor, is not just a political earthquake shaking New York City — it’s a warning for the rest of America. Backed by Bernie Sanders, AOC, and the Democratic Socialists of America, Mamdani promises free everything, to tax the rich, and to dismantle capitalism. There’s nothing new about this tired strategy, but the media is propping him up as a new political genius. And with Democrat leaders lining up behind him, it’s clear: This radicalism isn’t fringe anymore. It’s the Democratic Party’s future. Mamdani’s rise is part of a larger movement that’s rewriting America’s values. Glenn Beck explains how New York is the prototype for the Left’s socialist makeover of America. Victor Davis Hanson, senior fellow at the Hoover Institution at Standford, gives a terrifying prediction on Mamdani’s mayoral race chances and warns the revolution is coming for mainstream Democrats. He also dives into MAGA’s frustration with the Trump administration's handling of the Epstein files.

RADIO

Did CLOUD SEEDING cause the Texas floods?

Did cloud seeding cause the 4th of July Texas floods? Rainmaker founder and CEO Augustus Doricko, who has been blamed for the flooding, joins Glenn Beck to make the case that it’s impossible for his July 2nd operation to have caused the disaster.

RADIO

Salena Zito reveals WHY Trump said “Fight! Fight! Fight!”

“I have a new purpose,” then-candidate Donald Trump told reporter Salena Zito after surviving the assassination attempt in Butler, Pennsylvania. Salena joins Glenn Beck to reveal what Trump told her about God, his purpose in life, and why he really said, “Fight! Fight! Fight!”, as she details in her new book, “Butler: The Untold Story of the Near Assassination of Donald Trump and the Fight for America's Heartland”.

Transcript

Below is a rush transcript that may contain errors

GLENN: Salena, congratulations on your book. It is so good.

Just started reading it. Or listening to it, last night.

And I wish you would have -- I wish you would have read it. But, you know, the lady you have reading it is really good.

I just enjoy the way you tell stories.

The writing of this is the best explanation on who Trump supporters are. That I think I've ever read, from anybody.

It's really good.

And the description of your experience there at the edge of the stage with Donald Trump is pretty remarkable as well. Welcome to the program.

SALENA: Thank you, Glenn. Thank you so much for having me.

You know, I was thinking about this, as I was ready to come on. You and I have been along for this ride forever. For what?

Since 2006? 2005?

Like 20 years, right?

GLENN: Yeah. Yeah.

SALENA: And I've been chronicling the American people for probably ten more years, before that. And it's really remarkable to me, as watching how this coalition has grown. Right?

And watching how people have the -- have become more aspirational.

And that's -- and that is what the conservative populist coalition is, right?

It is the aspirations of many, but the celebration of the individual.

And chronicling them, yeah. Has been -- has been, a great honor.

GLENN: You know, I was thinking about this yesterday, when -- when Elon Musk said he was starting another party.

And somebody asked me, well, isn't he doing what the Tea Party tried to do?

No. The Tea Party was not going to start a new party.

It was to -- you know, it was to coerce and convince the Republican Party to do the right thing. And it worked in many ways. It didn't accomplish what we hoped.

But it did accomplish a lot of things.

Donald Trump is a result of the Tea Party.

I truly believe that. And a lot of the people that were -- right?

Were with Donald Trump, are the people that were with the Tea Party.


SALENA: That's absolutely right.

So that was the inception.

So American politics has always had movements, that have been just outside of a party. Or within a party.

That galvanize and broaden the coalition. Right? They don't take away. Or walk away, and become another party.

If anything, if there is a third party out there, it's almost a Republican Party.

Because it has changed in so many viable and meaningful ways. And the Tea Party didn't go away. It strengthened and broadened the Republican Party. Because these weren't just Republicans that became part of this party.

It was independents. It was Democrats.

And just unhappy with the establishment Republicans. And unhappy with Democrats.

And that -- that movement is what we -- what I see today.

What I see every day. What I saw that day, in butler, when I showed I happen at that rally.

As I do, so many rallies, you know, throughout my career. And that one was riveting and changed everything.

GLENN: You made a great case in the opening chapter. You talk about how things were going for Donald Trump.

And how this moment really did change everything for Donald Trump.

Changed the trajectory, changed the mood.

I mean, Elon Musk was not on the Trump train, until this.

SALENA: Yeah.

GLENN: Moment. What do I -- what changed? How -- how did that work?

And -- and I contend, that we would have much more profound change, had the media actually done their job and reported this the way it really was. Pragmatism

SALENA: You know, and people will find this in the book. I'm laying on the ground with an agent on top of me.

I'm 4 feet away from the president.

And there's -- there's notices coming up on my phone. Saying, he was hit by broken glass.

And to this take, that remains part of this sibling culture, in American politics.

Because reporters were -- were so anxious to -- to right what they believed happened.

As opposed to what happened.

And it's been a continual frustration of mine, as a reporter, who is on the ground, all the time.

And I'll tell you, what changed in that moment.

And I say a nuance, and I believe nuance is dead in American journalism.

But it was a nuance and it was a powerful conversation, that I had with President Trump, the next day. He called me the next morning.

But it's a powerful conversation I had with him, just two weeks ago.

When he made this decision to say, fight, fight, fight.

People have put in their heads, why they think he said it. But he told me why he said that. And he said, Salena, in that moment, I was not Donald Trump the man. I was a former president. I was quite possibly going to be president again.

And I had an obligation to the country, and to the office that I have served in, to project strength. To project resolve.

To project that we will not be defeated.

And it's sort of like a symbolic eagle, that is always -- you know, that symbol that we look at, when we think about our country.

He said, that's why I said that. I didn't want the people behind me panicking. I didn't want the people watching, panicking.

I had to show strength. And it's that nuance -- that I think people really picked up on.

And galvanized people.

GLENN: So he told me, when he was laying down on the stage.

And you can hear him. Let me get up. Let me get up.

I've got to get up.

He told me, as I was laying on the stage. I asked him, what were you thinking? What was going through your head? Now, Salena, I don't know about you.

But with me. It would be like, how do I get off the stage? My first was survival.

He said, what was going on through his mind was, you're not pathetic. This is pathetic.

You're not afraid. Get up.

Get up.

And so is that what informed his fight, fight, fight, of that by the time that he's standing up, he's thinking, I'm a symbol? Or do you think he was thinking, I'm a symbol, this looks pathetic. It makes you look weak.

Stand up. How do you think that actually happened?

SALENA: He thinks, and we just talked about this weeks ago. He -- you know, and this is something that he's really thought about.

Right? You know, he's gone over and over and over. And also, purpose and God. Right? These are things that have lingered with him.

You know, he -- he thought, yes.

He did think, it was pathetic that he was on the ground. But he wasn't thinking about, I'm Donald Trump. It's pathetic.

He's thinking, my country is symbolically on the ground. I need to get up, and I need to show that my country is strong.

That our country is resolute.

And I need people to see that.

We can't go on looking like pathetic.

Right?

And I think that then goes to that image of Biden.

GLENN: You have been with so many presidents.

How many presidents do you think that you've personally been with, would have thought that and reacted that way?

SALENA: Probably only Reagan. Reagan would have. Reagan probably would have thought that.

And if you remember how he was out like standing outside.

You know, waving out the window. Right?

After he was shot.

GLENN: At the hospital, right.

SALENA: Had he not been knocked out, unconscious, you know, he probably would have done the same thing.

Because he was someone who deeply believed in American exceptionalism.

And American exceptionalism does not go lay on the ground.

GLENN: And the symbol.

Right. The symbol of the presidency.

SALENA: Yeah. Absolutely. And I think that affects him today.

GLENN: So let me go back to God.

Because you talked to him the next day. And your book Butler.

He calls you up.

I love the fact that your parents would be ashamed of you. On what you said to him.

The language you used. That you just have to read the book.

It's just a great part.

But he calls you the next morning. And wants to know if you're okay.

And you -- you then start talking to him, about God.

And I was -- I was thinking about this, as I was listening to it. You know, Lincoln said, I wasn't -- I wasn't a Christian.

Even though, he was.

I wasn't a Christian, when I was elected. I wasn't a Christian when my son died.

I became a Christian at Gettysburg.

Is -- is -- I mean, I believe Donald Trump always believes in God, et cetera, et cetera.

Do you think there was a real profound change at Butler with him?


SALENA: Absolutely. You know, he called me seven times that day. Seven times, the take after seven.

GLENN: Crazy.

SALENA: Talked about. And I think he was looking for someone that he knew, that was there. And to try to sort it out.

Right? And I let him do most of the talking. I didn't pressure him.

At all. I believed that he was having -- you know, he was struggling. And he needed to just talk. And I believed my purpose was to listen.

Right? I know other reporters would have handled it differently. And that's okay. That's not the kind of reporter that I am.

And I myself was having my own like, why didn't I die?

Right?

Because it went right over my head.

And -- and so I -- he had the conversation about God.

He's funny. I thought it was the biggest mosquito in the world that hit me.

But he had talked profoundly about purpose. You know, and God.

And how God was in that moment.

It --

GLENN: I love the way you -- in the book, I love the way you said that as he's kind of working it out in his own he head.

He was like, you know, I -- I -- I always knew that there was some sort of, you know -- that God was present.

He said, but now that this has happened.

I look back at all of the trials.

All of the tribulations. Literally, the trials.

All of the things that have happened. And he's like, I realized God was there the whole time.

SALENA: Yes. He does. And it's fascinating to have been that witness to history, to have those conversations with him. Because I'm telling you. And y'all know, I can talk. I didn't say much of anything.

I just -- I just listened. I felt that was my purpose, in that moment.

To give him that space, to work it out.

I'm someone that is, you know, believes in God.

I'm Catholic. I followed my faith.

And -- and so, I thought, well, this is why God put me here. Right?

And to -- to have that -- to hear him talk about purpose, to hear him say, Salena. Why did I put a chart down?

I'm like, sir. I don't know. I thought you were Ross Perot for a second.

He never has a chart. And he laughed. And then he said, why did I put that chart down?

By that term, I never turned my head away from people at the rally. That's true.

That relationship is very transactional. It's very -- they feed off of each other.

It's a very emotive moment when you attend a rally. Because he has a way of talking at a rally. That you believe that you are seeing.

And he said, and I never turn my head away.

I never turn my head away.

Why did I turn my head away?

I don't remember consciously thinking about turning my head away. And then he says to me, that was God, wasn't it?

Yes, sir. It was. It was God.

And he said, that's -- that's why I have a new purpose.

And so, Glenn. I think it's important, when you look at the breadth of what has happened, since he was sworn in.

You see that purpose, every day.

He doesn't let up.

He continues going.

And it brings back to the beginning of the book.

Where you find out, that there was another president that was shot at in Butler.

And that was George Washington. And how different the country would have been, had he died in that moment.

And now think about how different the country would be, had President Trump died in that moment. There would be --

GLENN: We're talking to -- we're talking to Salena Zito. About her new book called Butler. The assassination attempt on President Trump. And it is riveting.

And, you know, it is so good. I wish the press would read it. Because it really explains who we are, who Trump supporters are. Who are, you know, red staters. It is so good at that. She's the best at that.