RADIO

Nerdrotic: Why “The Acolyte” Proves Disney HATES Star Wars Fans

Disney’s newest Star Wars series, “The Acolyte,” has received some of the worst fan ratings in the franchise’s history — 14% on Rotten Tomatoes!. But is it because of racism, as the show’s star, Amandla Stenberg, suggests? Or maybe, as media critic Gary Buechler of‪@nerdrotic‬ believes, it’s because “The Acolyte” destroys Star Wars lore left and right. Gary joins Glenn to break it all down, from the “lesbian space witch” plot that somehow made Glenn defend midi-chlorians to how the show seems to prioritize DEI requirements above good storytelling: “Disney doesn't understand Star Wars fans … They hate the fans. And they actively hate Star Wars.”

Transcript

Below is a rush transcript that may contain errors

GLENN: The one and only, Gary Buechler is on. Nerdrotic is what he is known as. And he has been hysterical, on the new Star Wars series from Disney+ called The Acolyte.

I haven't seen it. But I have heard about it, and I have heard my friends talking about Gary, and his conversations on it.

Disney is actually blaming him for the loss of credibility on that new space thriller of the space lesbian witches. And YouTube has actually dinged him. And is giving him strikes.

Because he is a hatemonger. Because he doesn't like the lesbian witches in space.

Gary, you're here to answer for yourself, brother. What's happening?

GARY: I'm here to answer for my sins against Disney. Thank you for having me on, Glenn. And that is happening to -- it's not -- it's random. But it's happening to a lot of YouTubers. And commentators. And I'm not sure if you're aware.

The star, Amandla Stenberg yesterday released a diss track against Star Wars fans, and she is copyright claiming, and dinging everybody on YouTube as well for her blatant attack on the Star Wars fandom, which is always, you know, just a great strategy, which, oh, by the way, never worked.

GLENN: Yeah, I know. It's really great.

Look, I'm a star of this new show, you know, from just this legacy that have been loved for 50 years.

And I'm a big Star Wars fan. But all the Star Wars fans, they really suck a lot. They really -- they're crazy. They don't know, you know, talent when they see it. They don't know a good story line. Yeah, that's the way to attract those -- those loyal viewers, every single time.

I saw the Rotten Tomatoes.

The -- the -- the experts tell us that it's absolutely fantastic. 84 percent.

The average audience score is 14.

GARY: That's a bit high in my opinion.

GLENN: Yeah.

GARY: So --

GLENN: Tell us the story first. What is the story?

GARY: Oh, the story of The Acolyte is as you said, there is a coven of lesbian space witches, who magically conceived identical twins without a father, through a power of not the Force, the Thread. By the way, somebody needs to call Darth Povich because the twins don't look anything like mom. They don't have horns.

And they were split up at -- at the age of like -- I would say it's eight or nine. And they haven't seen each other for 19 years. Yet they have identical haircuts.

GLENN: Really? What are the odds of the hair cut thing? Really? That's crazy!

GARY: Well, you know, a good hairstylist keeps her secrets, so obviously she isn't telling either one that they're going to the same one. But...

GLENN: So before we get into more of the lesbian space witch thing, which I think America and the world has been crying out for, for a very long time.

GARY: Yes.

GLENN: Tell me who is in charge of this disaster in space. Who did they get to -- to run this?

GARY: Oh. Former personal assistant to Harvey Weinstein, Leslye Headland is the head writer on this show.

GLENN: Oh.

GARY: Yeah, I know. It's shocking. That somehow, somebody connected to Harvey Weinstein can get work.

GLENN: Yeah. I would think they would be in the federal witness protection program myself.

But they might even turn them down. The -- so she -- she found work, after being the personal assistant. So the one that was lining up all the hotel room meetings and everything else.

She's now the head writer of the lesbian space witch show.

GARY: She is. I think the term is Judas goat.

I think that's -- she got a job by begging for it on the red carpet. When she was famously asked what's your favorite Star Wars. And she said, all the Star Wars. Obviously, not knowing a single thing about it.

Later, she's come out and claimed, that she does.

And she's written this entire story, that not only passes the Bechtel test. It passes any DEI requirement with flying colors for lack of a better description.

GLENN: So go ahead.

GARY: No. Ultimately, it's -- it's the story, Glenn.

What -- what Disney loves to do is conflate whatever happens on Twitter, and any kind of complaints. With like real criticisms of this show.

And ultimately, despite all the obvious, quote, unquote, diversity. Which is just meant to exclude, well, white man. Let's be real.

And it's just a bad story, that destroys the lore. And that's what Star Wars fans are mad about. It goes back to the past and it undercuts Anakin, his entire redemptive arc, the specialness of Anakin and the prophecy. And every time they release another minute of Disney Star Wars, I can't even call it Star Wars. It's Disney Star Wars.

On D+, it destroys more lore, and that's what the fans are upset about.

The thing is, this has been going on for years now, Glenn. You can go back all the way now to the force awakens. And it seems to come to a head on this show, for some reason.

When I think it probably could come to a head five other times. Six other times.
(laughter)

GLENN: But why this one?

I mean, they -- have they just been like, you know what, we've tried suddenly to kill this thing?

Let's just finally kill it.

CHARLIE: Right. They found a way to kill something again! It's pretty amazing.

I would argue that Obi-Wan Kenobi is much worse, as far as destroying lore.

Obi-Wan, his sole purpose was to watch Luke. They had a show where he takes off on Luke twice, follows around a little baby Princess Leia, who never mentions meeting him as a kid.

And fights Darth Vader twice. So it really shouldn't surprise anybody.

But I guess this show is -- I would equate it. Oh, go ahead.

GLENN: No. I'm sorry. I'm sorry.

We have a delay and I'm -- I forget, I'm so excited to talk to you about this.

The -- the -- I never thought I would be in a position of Defending midi-chlorians. But this one kind of throws all of that out. Right?

GARY: It kind of does. I personally am not a fan of midi-chlorians. And never will be.

GLENN: Oh, I hate it.

GARY: Absolutely hate it. But I guess Disney Star Wars has proven, things can always get worse. And the biggest victory comes with the prequels. Like the prequels are now looked at which more fondly than they were before, thanks to every bit of Disney Star Wars, Lucasfilm has created.

But with this show in particular, it's just hit the zeitgeist.

Because I would equate it to the marvels from last year. It was just so predictably bad. And that it still beat our very lowered expectations of how bad it would be.

And it's a show, if you see it, it's contradictory.

You have characters, contradicting each other. None of it actually makes any sense in -- for storytelling-wise. You spend your first two episodes establishing a character. Then you go into a flashback for an entire episode. That really doesn't tell you anything new.

Then the last episode was 27 minutes long. Without previously being on credits.

And nothing happens. Absolutely nothing happens. And, oh, by the way, it cost $180 million to produce.

GLENN: Oh, my gosh.

What is -- what has happened to Disney? I mean, besides all of the DEI crap.

They just -- the greatest storytelling company ever, cannot seem to tell a story anymore!

CHARLIE: No, they are creative bankruptcy personified now.

And they were on the top when Bob Iger decided to buy a bunch of franchises.

And everybody was calling him this massive genius when he just went on a shopping spree. And never bothered looking into what it takes to cultivate these franchises and keep them around.

What it took to keep them around for decades. You know, it's not being talked about as much. But they have a Dr. Who Show, that they're now in charge of, running around with Acolyte.

It's a race to the bottom with both of these.

GLENN: I love Doctor Who. And their -- and their --

CHARLIE: So do I.

GLENN: When did Disney buy into Doctor Who? I hate the BBC, but how did the BBC even let that happen?

GARY: Well, they were about to cancel it because the first female doctor played by Jodie Whittaker, by the way, wasn't a hit like they suspected.

GLENN: Oh, no. What a surprise.

GARY: Yeah. What a shock. So they decided to bring back Russell T. Davies, who had brought the show back in 2005. And it was extremely good and popular. And it's just proved that you can't go home again, and how much has changed in entertainment, Glenn.

I -- post-2016, you have the guy who originally brought it back. Made it a worldwide sensation.

Making the worst Doctor Who now.

And, of course, it's filled with things like pronouns.

And we had -- it's not even the first like male kiss. You know, gay kiss. In Dr. Woman WHO. But they gave this one to the doctor. And made it more prominent with the first black gay doctor. And they're in this trap now.

Instead of giving the fans what they want and just making good entertainment, they have to abide. You know, and the BBC started this much earlier on back in 2012.

The Diversity and Inclusion Initiative, which is all the DEI stuff. And it prevents them from telling a good story. They have so many rules on themselves.

So with the corporatism, it goes back to Disney. With the corporatism, they really can't take chances anymore.

And this even goes beyond woke entertainment. They just need to have this built-in audience, to spend money on anything. And in my opinion, overspend.

And what makes things insane is they paid so much money for this built-in audience, that they immediately decide to piss off. Not only with their story telling. They come out and gaslight the fandom, with a term that's a real term called fan baiting. Which is to start controversies online, so people are talking about their show.

And, again, I haven't seen an example of this ever working. But they've been doing it now for seven or eight years.

GLENN: We're talking to the Gary Buechler.

So we're talking to Gary Buechler about Nerdrotic. Or he's -- he is Nerdrotic online. We're talking about the new Disney show. You know, they omitted they had a secret gay agenda. And I really don't care. And I really don't care.

But God, stop preaching to us, and stop trying to make it look like the whole universe is, you know, lesbian space witches.

Because it just ain't. It's just not.

And, you know, I used to think, that George Lucas was the biggest problem to Star Wars. Because he would introduce things like Jar Jar Binks. Like, oh, jeez. But at least he cared about the story. At least the story of the force was consistent. And it built on each other.

Not anymore!

GARY: No. Not anymore. This was a basic story of good versus evil, and it doesn't work in the modern nihilist times that we're in. Where, oh, it's gray. And the Jedi are bad. George was a genius. George is at the top of his craft -- he -- there will never be anything like him again.

Was he the best storyteller? No, he actually had a lot of help with the original trilogy. Not much help with the prequels. But he still -- when he's putting in half the effort, he's better than everybody in Hollywood.

And he's looking much better nowadays too. Unfortunately, with Bob Iger, with Nelson Peltz and because he's an old man. Right? He's in his 80s. He doesn't want to rock the boat. He made a lot of money on this Disney deal.

A lot of money. But Disney doesn't understand Star Wars. They never will.

And more importantly, they don't understand Star Wars fans. And they actively hate them. Which has been kind of the undercurrent.

Sorry.

GLENN: No. I don't think they understand anybody.

I really don't. I don't think they understand their own Disney fans.

You know, the children in their families. They don't understand any of it.

They act as though they do hate them.

GARY: Because they do. And forgive me. This isn't Glenn's fault. This is my first radio interview. And I apologize. And thanks for having me on, Glenn.

They hate the fans. And they actively hate Star Wars. And they're now calling the fans racists and bigots for pointing out inconsistencies of lore, like normal fan stuff. Stuff that fans have done forever and will do Trevor.

And Hollywood is having a very hard time in -- in the social media era. We've seen the death of the movie star. And, quite frankly, it's because we got to know them.

And now it's based on property. Right?
And they don't want to take the time to understand these properties. And you can't use the old model of, oh, well, we can just change stuff, and nobody is going to care. No. A lot of people always cared. Now you're going to hear about it, a lot. And you have to figure this out, or you're going down.

GLENN: Gary, thank you so much for talking to us on. He's one of the largest pop culture voices on YouTube and social media. And the establishment, Disney, and everybody seems to be afraid of his voice. Because he's -- he's just speaking the truth that we all know.

TV

What Glenn Beck Never Got to Say to Charlie Kirk | Glenn TV | Ep 456

Charlie Kirk would have been president. Political violence robbed him of fulfilling that destiny, so now his friends, colleagues, and supporters throughout the world must figure out how to pick up the pieces and ensure that his legacy never ends. On a special episode of "Glenn TV," Glenn replays the most powerful, touching, and inspirational moments from his time guest-hosting "The Charlie Kirk Show" on Wednesday morning, one week after Charlie’s death. In a touching tribute to his friend, Glenn places Rush Limbaugh’s golden microphone next to Charlie’s — a symbol of Charlie’s longtime dream and the influence he has had throughout the world. Plus, Glenn speaks to "The Charlie Kirk Show" executive producer Andrew Kolvet and Turning Point USA COO Tyler Bowyer about who their dear friend was behind the scenes, the influence he’s had on America and the MAGA movement, and how Charlie’s fingerprints will still be present on future elections. Also, Rep. Anna Paulina Luna (R-Fla.) and Glenn discuss how Charlie Kirk helped launched her career, and Research Center Investigative Researcher Ryan Mauro shares how he has the smoking gun President Trump needs to take on George Soros’ network. These are the voices who knew Charlie well, but the number of people he indirectly touched and influenced is spread far and wide. Glenn ends with a beautiful song tribute by David Osmond and Cheyenne Grace, depicting just how mournful the entire world truly is. Rest in peace, Charlie.

RADIO

Fact-check: The 5 LIES circulating about Charlie Kirk

In the first week after Charlie Kirk’s assassination, some in the media and on the Left have tried to either justify or dismiss his death by spreading lies about what he said. Glenn Beck reviews an article by The Federalist, which debunks the 5 biggest lies.

Transcript

Below is a rush transcript that may contain errors

GLENN: We were just talking about the five lies that are going around, about Charlie Kirk.

And it is -- it's reprehensible about what's going on.

Because people who are saying these things. Who are starting these things. They really need -- I mean, they know. They know.

Like Stephen King, really?

You really think that Stephen King.

You really think that Charlie Kirk is for the stoning of gay people?

I --

STU: I do think, though. A lot of these people have an image of everyone on the right, that --

GLENN: But it shows how unbelievably isolated you are.

STU: Yeah. Yeah. Absolutely. Now, king, in particular, I think -- like, I don't think Stephen King was lying on that.

I think he's -- and I don't think he's the sharpest knife in the -- in the drawer.

GLENN: He ought to be. You can't write like he does.

STU: He's not an idiot, right? He can form thoughts. But I think he's so completely isolated in his bubble. Like, if someone says something terrible, about a person like Charlie Kirk, and your image of him is he's basically Hitler.

Well, you don't -- you don't spend time fact-checking it.

Of course, that guy -- he's that terrible human being. Of course, he said something like that. You don't even bother to check it.

You know, it's like, if I -- if you ran into a quote from Hitler, you've never seen, that was negative from Jews. As a journalist, you should probably check it.

You might think. That was probably true. He said a lot of things like that. That's how they think about people who are normal conservatives who want lower taxes and less regulation. And that is really, really disturbing.

So these lies are really prominent. People really believe these things.

GLENN: So there's a couple of -- here are the five. The first one is Charlie Kirk said black people were better off in slavery.

How big of an idiot, do you have to be, to believe that?

Okay?

Unless you're Crockett. Unless your last name is Crockett.

And I don't mean Davey. Black Americans were better off than slavery. No. That's absolutely no true -- not true. He never said anything like that. Now, what he -- what you're probably getting this from, and I'm going -- searching. I am on -- way metal detector on the beach with board shorts, sandals, and socks, looking for anything that even kind of sounds like that. But Charlie Kirk did say that, you know, they were talking about Jim Crow and how evil Jim Crow was. But he said with be, but if you look at the family, the black family before the passage of the civil rights act, which ended the Jim Crow laws, he said, the family was thriving.

And it was!

It was. Blacks had a lower divorce rate than whites did in I think 1961. They -- their families were stronger. Dads were in the homes. They had lower crime rates. I mean, it -- something happened around the time of the Civil Rights Act.

Now, my theory is, the Civil Rights Act was a -- was done by progressives. I mean, these are the guys who said no to the Civil Rights Act, just four years before. And -- and worked hard to stop the Civil Rights Act.

So what changed in those four years?

The assassination of President Kennedy. That changed your mind. Not even. Not even.

I mean, Johnson was the biggest racist up until he -- up until he died. Why would he create the great society?

My theory, this is just a theory. But my theory is, is because finally, the progressives had a way to keep blacks under their thumb and destroy the family. And destroy them, as people.

I mean, the Civil Rights Act, and more the Great Society.

The Great Society did more damage to the black family than -- than anybody could have done outside of Margaret Sanger. I think that's what he meant by that. It was evil.

You know, Jim Crow, et cetera, et cetera.

But if you look at the numbers on specifics, family, et cetera, et cetera. Blacks were doing better as families, before the Great Society.

And I think that undoing is absolutely -- is absolutely tied to it. And it was intentional, myself, I believe that.

Also, the next claim is that -- that Charlie Kirk said, black women have inferior intelligence. No, that's not what he said.

Now, they're quoting him saying that black women don't have the brain processing power to otherwise be taken really seriously.

How -- how bad does your image have to be of people on the other side to believe that they could say that?

That Charlie Kirk could say that?

STU: Like, if you were to -- you know, I think about this a lot of times. When I think about how we react to crazy statements on the left.

My reaction a lot of times, when I hear someone saying that is wait a minute.

GLENN: Yes.

STU: Even if they believed that, they wouldn't just blurt it out. What is the context of this? I want to know. I want to understand. That should be your first question when you run into a quote like that.

GLENN: Well, go to Snopes. They rate this one true.

STU: This is true.

GLENN: They rate it absolutely true.

STU: Hmm.

GLENN: Until you get to the last paragraph, when they say, well, we should point out, he wasn't talking about all black women. He was talking about four specific black women.

STU: Oh. Oh.

GLENN: So he's talking about Joy Reid, absolutely true. Sheila Jackson Lee, absolutely true.

STU: Hmm.

GLENN: Ketanji Brown Jackson. Jackson Brown, absolutely true.

STU: Well, she's not a biologist, Glenn.

GLENN: No. She doesn't know what a woman is. I'm not a biologist. Yeah.

And Michelle Obama, which I don't think is true. I think Michelle Obama is actually rather smart and conniving and just flatout evil.

STU: Yeah. There's a mix there. Ketanji Brown Jackson, for all the flaws that would happen. There's a Supreme Court justice, obviously isn't a moron.

GLENN: Well.

STU: I would say Sotomayor, I would be more confident saying she is a moron.

Though, I am -- for the job that she has, Ketanji Brown Jackson is a moron. You know, Joy Reid is a complete idiot. Wasn't Sheila Jackson Lee, those two follow the same category? You're right. Michelle Obama, I would not call an idiot.

Again, criticizing four members of a group does not mean you're criticizing the group.

GLENN: And he was criticizing people he thought were unqualified to make statements of -- of any intelligence on whatever topic it was that he was talking about.

And what they did, is they said, he thinks that all black women are just dumb.

I mean, that is so incredibly dishonest.

Charlie Kirk said, gun deaths are worth it to keep the Second Amendment.

STU: This is one I heard a lot.

This is one that a lot of people on the left are using as justification for their celebration.

He said, you know, well, you just have to deal with the deaths if you want to have a Second Amendment.

And, you know, I don't know if you have the context --

GLENN: I have it -- I have his answer right here.

You ready? You will never live in a society where you have an armed citizenry. And you won't have a single gun death.

That's nonsense.

It's drivel.

But I am -- I think it's worth it. I think it's worth to have a cost of unfortunately, some gun deaths every single year.

So you can have the Second Amendment right to protect your other God-given rights.

It's a prudent deal. It is rational to think that way.

STU: I mean, and obviously -- every time -- if you have a free society, you take risks with it.

There will always be people. Horrible, horrible human beings that all seem to donate to Democrat causes, that will do things, like we saw one week ago today.

GLENN: Yeah.

STU: And that is -- you know, I -- again, you can't speak for Charlie Kirk.

He spoke for himself so eloquently.

But he -- even what occurred last week, would not change his mind on that.

Even -- now that something terrible has happened to me and my family, we should overturn the Second Amendment. And people shouldn't have the right to defend themselves.

You know that's how he would feel about it. And this is, if anything, pointing to his incredible consistency on the rights that we have, in this country. You know, it is a sad -- sad, unfortunate fact about so many things.

Sad, unfortunate fact about automobile travel.

That you do have to deal with some automobile accidents.

When you have highways where you can drive 55, 65, 75 miles an hour, we all understand that to be true.

GLENN: It's unreasonable to think that you can live in a society with automobiles, and not have some automobile accidents.

STU: It's absolutely true.

GLENN: It's exactly what he said about guns.

STU: And, frankly, the other thing that is important to understand, if you did eliminate all guns, you would not eliminate all murders.

GLENN: No. They did in England.

STU: Oh, they did. We're all set?

GLENN: There's no murder there.

STU: No violent crimes there.

I keep reading about them. Is that all false?

GLENN: Yeah. That's Donald Trump. You know what I mean?

STU: Yeah.

GLENN: And he's -- last one, Charlie used an Asian slur. Now, I'm not going to use the slur, obviously. I'm just going to say, it's what happens sometimes with armor. There's a very famous saying with armor, that has nothing to do with the Chinese or Asian at all. But I'm not even going to put those together in this context now, you you'll have to figure it out.

The thing is going around, he used that slur to yell at an Asian woman in the audience.

Now, again, what kind of monster -- or how --

STU: You should know on its face, that's false. You should know that's false.

GLENN: Yeah. How stupid would Charlie Kirk have to be, okay?

So, you know, there's nothing. There's nothing like that. Well, I'm sorry.

He was screaming something at a woman when they were talking about capitalism, and he was yelling, Cenk, not the other word. Okay? And who is that? From the Young Turks --

STU: The guys from the Young Turks.

GLENN: That's what he was saying.

STU: Oh, gosh, that's just so bad. You know, the other one was the Stephen King situation, where he quoted some horrible thing that Charlie Kirk said.

And, again, he knitted eventually, that -- that it was false.

But it was -- it was -- he was quoting someone else, in an incident, and critiquing that position.

GLENN: Yes. Yes. Yes.

STU: Which was a bad position. But he was bringing it up to quote him and critique him, which is a very standard thing they did on the left. This is a standard tactic of Media Matters when you're quoting someone else or saying something.

They'll act as if I say it.

GLENN: You repeat a lie often enough, and the public will remember it. Glenn Beck is quoting Hitler. Glenn Beck loves Hitler.

STU: Uh-huh.

GLENN: Yeah. Hitler said that, but that's not what I was saying. That had nothing to do with the conversation, for the love of Pete.

STU: Yeah, again, if you had something against Charlie Kirk, you wouldn't need to go to this stuff. If our opinion of Kirk, which was a guy who worked hard to debate people.

Who tried to practice politics and civic life the right way. Who tried to be a shining light for his faith, which was vitally important to him and his family. If that vision of Charlie Kirk was false, you wouldn't need to go to these things.

GLENN: No.

STU: You could come up with 50 different things he said that were really offensive. Instead, what you come up with are lies. Because that's what you're in the business of.

GLENN: Yeah. And there is a problem.

The -- we now know. And we'll have more on this later today. On the Charlie Kirk show.

And then on tomorrow.

But we now know that the Chinese and Russia are involved with disinformation campaigns.

Based on Charlie Kirk, trying to get us to push us into Civil War. And we know it for a fact now.

So just be very careful what you read online.

And don't necessarily repeat everything that you see.

TV

Shocking timeline: How “protests” turned into radical attacks in 2025

In the aftermath of the assassination of Turning Point USA Founder Charlie Kirk, it is important to realize that a chilling pattern of far-left radical attacks had already emerged in 2025. Glenn Beck heads to the chalkboard to lay out the timeline, connect the dots, and explain why what looks like a “protest” on one day can turn into an actual attack on the next. Glenn walks through each high-profile incident, the groups and ideologies involved, and the national implications for safety, free speech, and public order.

Watch This FULL Episode of 'Glenn TV' HERE


RADIO

Did government PROPAGANDA lead to Charlie Kirk’s assassination?

President Trump and others have posted in support of a proposed Charlie Kirk Act. But Glenn Beck gives a warning: there are 2 versions of this going around. One, proposed by Sen. Mike Lee, would stop the government from using propaganda against Americans. The other would go further, giving the government dangerous powers over truth. Glenn Beck explains the differences as well as what the Smith-Mundt Act was and why an Obama-era decision may be connected to the assassination of Charlie Kirk.

Transcript

Below is a rush transcript that may contain errors

GLENN: Okay. I want you to just spend a couple of minutes with me, and switch everything that you've been thinking on, off for a minute. This is very important. I want to take you back to the world in 1948, okay?

The ashes of World War II are still warm. The Cold War is already beginning to chill in the air, and the Soviet Union has a propaganda machine that is in full swing.

Radio Moscow, Pravda, endless streams of anti-American stories are pouring into the homes of men and women, all across the globe.

And Congress looked at this. And said, we need a counterbalance on this.

America needs to tell her story to the world about liberty and about her finding ideals.

And we need to tell it to the rest of the world.

This is the birth of the Smith-Mundt Act. Okay? We needed to launch things, at that time. Like the Voice of America, and radio-free Europe, and Radio Liberty.

These were not just radio stations. For many who were behind the curtain, these were lifelines.

A Polish dissident in the 1970s or a Hungarian who lived through the 1956 uprising, they'll tell you, they're huddled in the dark, and they have that dial of that radio.

And they can tune it. They carefully tune it, listening to an American voice break through the static and break through the darkness. That says, freedom is real. And the world hasn't forgotten you. They remember that as being very important.

But and here is the key: We, as a society, drew a very bright red line, none of this could ever be used in the United States. Congress rightfully was terrified of unleashing a government propaganda machine on its own citizens. Now, I want you to remember. 1948, Congress is still Democrat.

Okay?

You just had 20 years of the same president, FDR.

They're about to say, no president can serve that long.

The Democrats said, no Democrat president. No Republican president can ever serve that long. Because we were so close to fascism.

So the Democrats are very concerned about the government going fascistic.

And they should know about it. Because they remembered the control commission.

Now, let me take you back to World War I. The Creel Commission is something that nobody remembers, and everyone should.

Because it's what whipped America up in a frenzy, to get us to go into World War I.

You know it, because you remember the I want you Uncle Sam poster. And I've always hated that Uncle Sam poster because of the Creel Commission. I love it. I think it's really beautiful. It was created by an artist, that he didn't create it for the Creel Commission. So, you know, he was innocent. But it was the Creel machine that plastered it on every wall, every post office, every train station.

And suddenly Uncle Sam's finger was pointing at you. It wasn't just a poster. It was a summons. It was you. We need you to go to war. Americans did not want to go to World War I. In fact, Woodrow Wilson said, the other side, he will put you into war. I will keep I out of war. He knew that wasn't true.

Within three months after his reelection, we're at war. But he had to bring the country along. So the Creel Commission, through films and songs, films like the Kaiser, the Beast of Berlin, it turned the -- it turned Germany into a cartoon villain. George Cohan, he wrote songs, over there. Over there.

All of these things were done by the government, as propaganda to get Americans to go over there.

And fight. Then the government went even further. And they started hiring these, what were called Four Minute Men.

Now, imagine this, you're sitting in a movie theater.

The film. You're watching maybe the -- the newsreel. And as they're changing the reels, some guy who just in the audience, stands up, walks to the front. Clears his throat. And he delivers this really well-thought out and rousing four minute speech about patriotism. And liberty.

And crushing Germany.

The government had 75,000 volunteers. They gave millions of speeches, when anybody would pause in churches and schools. In parks.

In theaters. They were called Four Minute Men.

This was social media before social media. They were short bursts. And they seemingly were everywhere, and always on message.

Because the message was crafted by the government. Then the Creel group, through our government, published booklets, official bulletins. They planted stories in the press. This is when we really started really getting into the press, and information was -- had one goal. All of the information. And that was rallies for the -- rally support for the war, and drown out anybody that was disagreeing with that. Okay?

The government actually encouraged kids to spy on their neighbors.

That you were encouraged and post -- post men did this.

To go through the mail, if they saw -- if they saw letters that were coming in. Ask they wanted to know, who it was. And are you a German spy. Are you somebody who is going to be against the war?

Postal workers went through your mail. And it was legal at the time!

You were encouraged, operators were encouraged to listen to people's phone calls, and to report if they were on the other side.

This is Germany.

In fact, because of the Creel Commission, Germans, and what's his name?

The head of the German propaganda, oh, what's his name? The German douche bag. I can't remember his name. Anyway, what was his name?

STU: Goebbels, is that who you're talking about?

GLENN: Goebbels.

STU: Although, I like your name for it, frankly.

GLENN: Yeah. Goebbels, the douche bag.

Anyway, he said, we lost World War I because of American propaganda. But we learned how Americans did it.

And that's what Goebbels did in World War II. All of this propaganda. Okay?

By the way, American advertising, up until World War II, it was called propaganda.

What I heard, I wouldn't have said, now a message from our advertiser.

I was delivering literally and it was cool at the time, to call it propaganda.

Because that's what it was. Paid for propaganda.

Bit after Goebbels took it. And did what he did with it. We were like, oh, propaganda is bad!

Okay?

So here's what -- here's what happened because of the Creel Commission. They were pushing uniformity of thought. They did that by making sure Americans were hearing the same slogans. The same images. The same stories from every direction. Which created the illusion of unanimous consent. I want you to think about life today.

I want you to think about life during COVID.

What was the goal of the government.

To crush any dissent, and to control all of the messages that were going out, to make sure that you were hearing the same slogans, the same images. The same stories from every direction, to give you the illusion that it was unanimous consent.

What about the global warming? It's exactly the same.

Then on top of it, the Creel Commission demonized dissent. Okay? German Americans were part of this country forever.

In fact, we were I think two votes away from making German our official language, as the United States, not English. But they were all of a sudden, branded as traitors.

You couldn't -- a priest went to jail, because he gave the last rites to a German who fell down in front of him on the streets and was dying. And a priest spoke German and gave him the last rites in German. That priest went to jail! Okay??

Okay? So they demonized dissent. Then they suppressed free speech. The propaganda campaign dovetailed with the Espionage Act of 1917. The Sedition Act of 1918. If you criticized the draft, if you questioned the war, you could be fined. You would be ostracized, and you would go to jail.

This is Woodrow Wilson, gang. Does any of it sound familiar?

Now, here's what the aftermath was, after the war. When the war ended, the mask came off. Millions were dead, and Americans felt absolutely duped. They felt that they were tricked into going into a war that they were manipulated into. They didn't even understand it. And that's why we were such isolationists, in the 1920s and our 1930s, because our own government had manipulated the population to go in to fight this war, and they felt so manipulated and so betrayed by their own government. They were like, I don't want anything to do with foreign wars, okay?

So why did this -- why did this happen in 1948?

Well, because in 1948, all of this stuff is happening, and we're saying, okay. We need to have some sort of -- some sort of boundary.

Because we're going to start all of this propaganda, for the United States. And it cannot be ever turned on the people of the United States. Okay?

So then why -- why was it repealed?

It was repealed without any really kind of conversation. Because it was slipped in, called the Smith-Mundt Modernization Act.

It was slipped in to a defense authorization bill. Just like it's happening right now, the government didn't pay its bills.

They couldn't come up with the -- with a way to actually fund everything. Because we have to act as an emergency, otherwise all of our war machine. And it's all going to stop. And the world is going to die. And panic and all of that.

;And so somebody has slipped the bill in. And we modernized it.

Why did we modernize?

Well, because don't you like transparency?

I mean, we're doing this overseas. We're doing this propaganda overseas. Do you know -- taxpayer. You're paying for it. Shouldn't you see it?

There was a Congressman Max Thornberry. He was one of the sponsors. And he said, quote, today the law prevents the American people from seeing or hearing the same things we broadcast overseas, and that doesn't make any sense.

We paid for it. Okay. Then they switched that from transparency to, and it's helping fight terrorism. It will let the Department of Defense and the State Department share counter radicalization material both abroad and at home, because we have to modernize this. The internet is everywhere, okay?
So who doesn't want to fight terrorists? Who doesn't want transparency?

Now, here's what actually happened. I'll tell you in 60 seconds. First, Stu.

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(music)

GLENN: So in 2012, the left decides, we have to get rid of this propaganda thing.

Okay?

Once the firewall was gone, and it's just a blip, no one even really noticed it. Suddenly, the government agencies could circulate diplomacy campaigns, inside of the United States.

And we saw this. This is where you get your USAID. The NGOs. Doing all the things here in the United States.

Because they can all do it. During COVID, you saw this.

You saw government-funded messaging, quietly merging with the media campaigns and big tech content moderation. Narratives weren't debated. They were handed out by the government. And then they were enforced. Then take the DHS disinformation governance board.

This is a direct descendent from this shift. Okay?

It was the government openly declaring it had a role in policing speech at home.

Look at the 2016 aftermath of the elections. Reports now confirm that the US government funds originally intended for overseas information campaigns that had filtered into domestic projects that fact-checked, flagged, and suppressed certain narratives online. The line between foreign propaganda and domestic persuasion was completely gone. Everything they worried about in 1948, was now happening after 2012. Okay. So why am I bringing this up today?

Because after the assassination of Charlie Kirk, we have been asking for this to be reinstated.

This Smith-Mundt Act has to be reinstated. But after the assassination of Charlie Kirk, there is a new wave of enthusiasm for this as there should be.

But some people on our side, are now demanding more than just a firewall.

You go to change.org. And there's petitions for a Charlie Kirk act.

And it will not only stop government propaganda. But it goes further than that. It starts to punish private media. Educators. Social media platforms. For spreading what they call false narratives. So this is -- this is our side saying, yeah, well, now we want the power to do what they did. Okay? Hear me clearly.

Accountability matters! Lives are destroyed, reputations are smeared. And that matters.

But we have systems in place for that.

What this proposal opens is a new door. A terror where government decides, what is and isn't falsehood.

And the government cannot do that. History teaches us. Once the government claims the authority to define truth.

Liberty is gone. Okay?

Now, enter Mike Lee.

Mike Lee has another proposal. Mike Lee has a version. That he is submitting to Congress. And trying to get it passed. And every American should be for this.

Right or left.

Every American should be for this. He's not going to reinvent the wheel. He just wants the old firewall put back. That's it.

Period.

The government must not, and cannot propagandize its own people. Restore the very bright red line that was attacked in 1948.

It's not about silencing speech. It's about preventing the most powerful institution on earth, with the endless resources of that institution, the government.

And the endless reach, from turning its firehose of influence in on the American people.

This is why it matters. I want you to think of -- I want you to think of football.

Oh, boy. Dangerous.

You wouldn't let the referee this a football game, put on a jersey, and join one of the teams. Okay?

But that's what the repeal did. It let the government be both the referee and the player in the arena of ideas. Mike Lee is saying, put the stripes back on their jerseys. Make sure they're in black and white stripes. So we know exactly who they are!

Change.org and some people on our side want to make the ref not only a player, but the judge, the jury, and the executioner. It cannot happen.

This is -- I'm telling you, if this goes through, Mike Lee is proposing something that is clean. Doesn't have any of this in.

So support the Mike Lee Mundt Act. But if you're hearing people talk about, we have to go further, that is the Patriot Act of our day. We're standing at a fork in the road.

Reinstating the Smith-Mundt protections. They're not going to solve all the problems of misinformation, but it reestablishes the ground rules. And tells Washington, you cannot propagandize us, period.
(music)

Once truth belongs to the state, truth itself ceases to exist. Support Mike Lee's bill.

Restore the Smith-Mundt Act.