Off The Record with Brad Meltzer

Over the last several months, Glenn has emphasized the importance of bringing together individuals who share the same goals and unifying principles so that we can learn from one another. GlennBeck.com is working to fulfill that goal by sitting down with some of the most interesting minds to give you an inside look at who they are and what they are working on.

#1 New York Times bestselling author, host of History Channel’s Decoded, and award-winning comic book writer Brad Meltzer opened up to GlennBeck.com assistant editor Meg Storm about the high school teacher that changed his life, what it is was like to brainstorm terrorist plots with the Department of Homeland Security, and why his favorite superhero is Batman.

Below is a transcript of the interview: 

Hey Brad! Thank you so much for taking the time to talk to us.

Happy to do it!

So I wanted to start with your background. Did you always know you wanted to be a writer?

What’s crazy is that I never thought I would ever be a writer because I didn’t think that was a real job. I grew up in a very working class family, and I always thought I would go to high school and go to work. My mom and dad didn’t go to any type of four-year college, so I didn’t think college was even an option. My dad, when he was 40-years-old, lost his job. He lost everything. He had $1,200 to his name. He had no job. We had no place to live. He picked everything up and moved us to Florida, and he said it was the ‘do over of his life.’ He was going to start his life over from scratch on that day.

When we got to Florida, my parents gave a fake address so I could go to the better local public school. When I went to that school, people were talking about going to college and taking the SAT. I didn’t know what the SAT was. But because of my parents and that moment, I suddenly had my life changed.

thetenthjustice-128x230That’s incredible.

It really is. And what made it more incredible is my English teach in 9th grade was a woman named Sheila Schweitzer. She told me: You can write. She said, ‘I can’t put you in the honors class because of a conflict in your schedule.’ But she said, ‘You are going to sit in the course the entire year. You are going to ignore everything I do on the blackboard.’ What she was really saying to me was: You’re going to thank me later.

Sure enough, 10 years later, I went back to her classroom when I got my first novel published, and I said, ‘My name is Brad Meltzer, and this novel is written for you.’ And she was crying.  I said, ‘Why are you crying?’ And she said, ‘I was going to retire this year because I didn’t think I was having an impact anymore.’ And I said, ‘You changed my life.’ My life was changed by an English teacher who took a chance on me.

That is such a great story.

True story. Can’t make it up.

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You ended up going to law school though, correct?

I didn’t go to law school for plot ideas or to write political thrillers. I went to law school because I was terrified. I was terrified of having the life my father had and shoveling for money all the time. I just figured if the writing thing never worked out, I wanted something to fall back on because my father never had anything to fall back on.

I will say, I found the law interesting and it showed me how the world works – where the strings are in the universe. I remember the first day I sat down in law school, the dean got up in front up everyone and said, ‘Open up any newspaper, and any story that is on the front page – a lawyer is involved in that story.’ I will never forget that moment.

Were you writing while you were in law school?

I was. I graduated college at the University of Michigan, and I had debt to pay off because my parents couldn’t get me the whole way through. A guy in Boston said to me, ‘I want to be your mentor. I want to take you under my wing. I want to teach you all the ways of the world.’  He said, ‘Move yourself to Boston. And if you love the job, you’ll stay. If you hate the job, you’ll leave after a year with some money in your pocket.’ So I moved everything to Boston, and the week I got to Boston, he left the job. I thought in that moment I had wrecked my life. So I did what anyone would do when they thought they had wrecked their life. I said: I am going to write a novel.

(Laughs)

And the first novel I wrote, I got 24 rejection letters. There were only 20 publishers at the time, and I got 24 rejection letters. So some wrote to me twice to make sure I got the point. So I figured if they didn’t like that book, I would write another. If they didn’t like that one, I would write another. It was my second book that became my first published book: The Tenth Justice.

What was it like to face that rejection?

I am stubborn. The moment they said I couldn’t do it, all I wanted to do was do it. I think it is why Glenn and I have always gotten along – we have a real commitment to what we believe in. And the moment anybody says, ‘It’s not possible,’ is the moment where we kind of double down and say, ‘This is it.’

thebookoflies-128x230

Can I ask you how you first met Glenn?

We met when he was on CNN. He had me on for one of my first books. He just liked my thrillers. We hit it off, of course.

But we became real friends when we discovered our mutual love of Superman. I wrote a book about the origins of Superman, and where Superman came from. And I went to the house where Superman was created and it was in disrepair. I wanted to help repair it, and Glenn said, ‘I want to help you with that.’ And he gave us the platform to really promote the book to America.

The house needed a new roof. And we ended up raising – in one month – over $100,000. A few Christmas’ back I got a Christmas card from the family that lived there that said, ‘Thank you for saving our house, Brad. This is the first Christmas where there is no water coming in, no snow coming in from the roof.’

Glenn and I really bonded over that mutual love of a real hero of ours. And we have just been friends ever since.

Your writings cover a wide range of topics and genres – from fiction to nonfiction to comics! Where do you look for inspiration?

For me, everything that I work on has the same exact theme. It is my core belief. I believe that ordinary people change the world. I don’t care where you went to school or how much money you make – that’s nonsense to me. I believe in ordinary people and their ability to change this world. So whether I writing a thriller set in the White House or a kids’ book about Abraham Lincoln or a comic book about Superman, they all reflect my belief of the power of an ordinary person. To me, the most important part of the story is never Superman. The most important part of the story is Clark Kent. We all know what it is like to be Clark – to be boring and ordinary and want to be somebody beyond ourselves.

heroesformyson-140x142You have spoken with Glenn on radio about the importance of offering kids real heroes to look up – not the reality stars and celebrities we idolize today. Is that what drives you to write your books?

On the day I was born, my dad went to the liquor store and bought a bottle of champagne and said, ‘I am going to open this bottle on the day my son Brad gets married.’ When my dad lost his job, he threw all our stuff in a moving van. But there is some stuff you never put in a moving van. When we drove from New York to Florida, behind the headrests he put two bottles of champagne – one for me and one for my sister. My parent’s didn’t know anything about taking care of champagne. They were rolling back and forth and in the Florida sun. But we were their lives and they took care of us.

What was amazing to me was years later, when my kids were born, I said, ‘I don’t care about champagne. What I want to do is write a book for them that will last their whole lives.’ And that is where Heroes for My Son and Heroes For My Daughter came from. They are profiles of American heroes like George Washington, Abraham Lincoln, Amelia Earhart, and Mr. Rodgers.

heroesformydaughter-140x143As my kids got a little older, I realized I needed to tell even more of their stories. I was so tired of my kids looking at reality TV show stars and loudmouth athletes and thinking of them as a hero. I said to them, ‘That’s being famous, and being famous is very different than being a hero.’ And that’s when I decided to do illustrated children’s books that tell the story of Abraham Lincoln and Amelia Earhart. But not just the stories you know. It is the stories of when they were kids – the story of Amelia Earhart when she was 7-years-old, Abraham Lincoln when he was 10-years-old. And as a result, you see the power and the potential that is in all of us. That’s where I am Abraham Lincoln and I am Amelia Earhart were born.

Your books offer historical stories that aren’t necessarily mainstream. What is the research process like?

You know, I found this amazing place. It’s called the library.

(Laughs)

I honestly think what happens today is we are so used to going and looking for things on the Internet. The Internet is a beautiful, powerful tool. But anyone who has ever tried to do research on the Internet knows it is filled with noise and filled with mistruths. I try as hard as I can to go back to the original sources.lincoln-140x140

There is a story of Abraham Lincoln as a little boy. He came upon a group of boys that were torturing turtles. He loved animals, and he had to figure out what he was going to do in that moment. He stands up to the bullies and saves the turtles. And I tell that story because a professor and Abraham Lincoln scholar sent me that story and the original sources – letters written by people who knew Abraham Lincoln. And it is amazing what we found. It was a story that I never found in any Abraham Lincoln book. It had been buried over the years.

HistoryDecoded-final-cover-1-140x140What was it to work on your History Channel series Decoded in addition to all the writing you do?

The fun part of that is it let’s me do the things I can’t cover in the books. The TV show feeds my own love of history. And the research we do on the TV show ends up feeding the novels. You will see we did a show on Abraham Lincoln’s assassination and then the next book that I did was about a conspiracy theory where you find out all of the presidential assassins – from John Wilkes Booth to Lee Harvey Oswald – were all working for secret cause. They were not lone wolfs, but working for a secret society. Obviously, I made that last part up for my thriller, but all the research in the book is real. And I get to have that research because of some of the work we do on the TV show.

I read on your website that you were once recruited by the Department of Homeland Security to talk about terrorism and things of that nature –

Yeah, a few years ago I got a call from the Department of Homeland Security. They said they wanted me to come in and brainstorm different ways terrorists could attack the United States. My first though was: If they are calling me, we have bigger problems than anybody thinks!

Seriously!

But I was honored to be part of what they called the Red Cell Program. They brought together what they labeled ‘out of the box thinkers,’ and they paired me with a Secret Service agent. They would give us a target – like a major city – and they would ask us to destroy it. Within a half hour we would find a way in or we would find a way to destroy it. It’s not one of those days where you go home feeling good. You go home feeling terrified because you see how easy it is to kill us. It is one of those moments where you sit back and realize how blessed you have been because that is a crazy way to spend a day of work.

Not many people can say they have been asked to destroy a major city by the U.S. government.

Not only that. They asked me for other ones as though I was on to something. They were basically saying: You’re good at this. And that’s scarier!

Switching topics a little bit, GlennBeck.com’s managing editor, Wilson Garrett, is a huge comic book fan and a big fan of yours. He would kill me if I didn’t ask you about your work in the genre and what that process is like. 

FINAL-Fifth-Assassin_HC_Brad-MeltzerYou will have to thank him for me! I really appreciate that.

When you write a novel, you have one palette to paint with. And that palette is words. You use different permutations to tell your story, but you are still painting with one palette. When you write a comic book, you have a whole new palette – pictures. You have to learn how to shut up. You have to let the pictures tell the story.

When I write a comic book, I will tell the artist everything I want him to draw. I will tell him in panel one I want to be up close to Superman’s face. In panel two, stay close to his face and pay attention to the sweat crawling down is forehead. In panel three, I want to be really close on his forehead and the sweat crawl. In panel four I want a little tiny bead of sweat coming down the Man of Steel’s face. And now I haven’t used a single word, but you know he is nervous because you see that single bead of sweat. The beautiful part of writing a comic book is that you get to lean on that new palette of using pictures.

To write the word S-U-P-E-R-M-A-N and get to put words in Superman’s mouth is a really cool day of work.

Can I assume that Superman is your favorite superhero? 

My favorite superhero is actually Batman because I will never be Superman. I will never have lasers fly out of my eyes or lift a car over my heads. But Batman is just a stubborn guy in a costume committed to a cause. And you know what? I can do that.

Do you have any writers that you personally admire or read?

It’s funny, I don’t read thrillers anymore because I end up taking them apart and trying to figure out how they were built. It’s like a mechanic driving a rental car. I am just trying to figure out what is wrong with them.

I tend to read a lot of young adult books. I read a book called Wonder by R.J. Palacio that I just loved. It was about a boy who was trying to deal with going to a new “normal school.” And I read John Green’s The Fault in Our Stars. I read The Book Thief, which I loved as well. I have been on a real young adult slant for a while.

But I read comic books. I read non-fiction. I read Lincoln biographies and Jefferson biographies... And just about anything else I can get my hands on.

Do have any projects you are working on right now that you can talk about? 

earhart-140x140Absolutely! We did I am Abraham Lincoln and I am Amelia Earhart. Now we are doing I am Rosa Parks, which will be out in June. And then we are doing I am Albert Einstein, which will be out in September. My real goal is not to just put out a book or two, but to help people build a library of heroes for their kids, their grandkids, their nieces and nephews. The long-term goal is we can give them heroes in America that they can be proud of. So those are the children’s projects.

At the same time, I am working on a new novel that will be a sequel to The Inner Circle and The Fifth Assassin.

That is something to look forward to! When you are now writing and traveling and working on your TV show, what do you like to do in your spare time?

For me, it is all about family. I love reading. I love history. I love going to movies and being entertained. But there is nothing to me that lives up to the hype of being a father. I have three children.

Before we finish up, we have a ‘lightening round’ that we like to include. One or two word answers will do. 

One word – got it!

What’s your favorite book?

To Kill a Mockingbird

What’s your favorite movie?

Shawshank Redemption

What’s your favorite TV show?

Come on! Decoded! Duh…

What’s your favorite food?

My mother’s chicken parmesan

What’s your favorite place to visit?

My old high school

Who is your favorite music artist?

Good one… If I have to name one I would say James Taylor takes me to my youth. I took my kids to the Billy Joel concert to show them what the previous generation thought was rock ‘n’ roll. And definitely Prince too.

--

Keep up with all of Brad's upcoming projects by 'liking' his Facebook page or visiting BradMeltzer.com. And be sure to check out Brad's new children's books I am Abraham Lincoln and I am Amelia Earhart and his latest thriller The Fifth Assassin.

Does France's latest move PROVE lawfare is on the rise?

Sam Tarling / Stringer | Getty Images

An all-too-familiar story unfolded in France this week: the is law being weaponized against a "far-right" candidate. Does that ring a bell?

Glenn was taken aback earlier this week when he learned that Marine Le Pen, a popular French conservative, had been banned from the 2027 election following a controversial conviction. The ruling shocked French conservatives and foreign politicians alike, many of whom saw Le Pen as France’s best conservative hope. President Trump called it a "very big deal," a view shared by French commentators who fear this marks the end of Le Pen’s political career.

But this isn’t just about France—it’s a symptom of a larger threat looming over the West.

A double standard?

Fmr. President Sarkozy (left) and Fmr. Prime Minister Fillon (right)

BERTRAND GUAY / Contributor, Chesnot / Contributor | Getty Images

As of Sunday, March 30, 2025, Marine Le Pen led the polls with a commanding edge over her rivals, offering French conservatives their strongest shot at the presidency in years. Hours later, that hope crumbled. Found guilty of embezzling EU funds, Le Pen was sentenced to two years of house arrest, fined €100,000 ($108,200), and banned from public office for five years, effective immediately.

Glenn quickly highlighted an apparent double standard. Former President Nicolas Sarkozy and former Prime Minister François Fillon faced similar—or worse—corruption charges, yet neither was barred from office during their political runs. So why Le Pen, and why now? Similar to Trump’s "hush money" trial, legal troubles this late in the election cycle reek of interference. The decision should belong to voters—France’s largest jury—not a courtroom. This appears to be a grave injustice to the French electorate and another crack in democracy’s foundation.

This is NOT about France

Andrei Pungovschi / Stringer | Getty Images

This pattern stretches far beyond France; it’s a tactic we’ve seen before.

In early 2025, Bucharest’s streets erupted in protest after Romania’s Constitutional Court annulled the first round of its presidential election. Călin Georgescu, a rising conservative, had clinched an unexpected victory, only to have it stripped away amid baseless claims of Russian interference. His supporters raged against the decision, seeing it as a theft of their voice.

Both Georgescu and Le Pen echo the legal barrage President Trump endured before his 2024 win. The Left hurled every weapon imaginable at him, unleashing unprecedented lawfare. In America, the Constitution held, and the people’s will prevailed.

Now, with Tesla vandalism targeting Elon Musk’s free-speech stance, a coordinated pushback against freedom is clear—spanning France, Romania, the U.S., and beyond.

The war on free will

Chip Somodevilla / Staff | Getty Images

Trump’s 2024 victory doesn’t mean lawfare is dead; Europe shows it’s thriving.

France and Romania prove its effectiveness, sidelining candidates through courts rather than ballots. Glenn warned us about this years ago—when the powerful can’t win at the polls, they turn to the gavel. It’s a chilling trend of stripping voters of their choice and silencing dissent, all the while pawning it off as justice. The playbook is polished and ready, and America’s turn could come sooner than we think.

How Melania Trump is inspiring the next generation of fashion

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First Lady Melania Trump’s impeccable style has long captivated admirers across the globe, but for one young woman, it sparked a creative revolution.

Lorelai, a young Glenn Beck fan who requested a degree of anonymity, first met Glenn while attending America Fest 2024 in Phoenix, Arizona with her grandmother. An aspiring fashion designer and illustrator, Lorelai shared with Glenn some of her sketches of characters from Glenn’s latest book, Chasing Embers. She also explained how Melania Trump became the cornerstone of her artistic journey, inspiring her to craft modest yet beautiful clothing that redefines modern fashion.

Melania Trump’s elegance—stunning, powerful, and undeniably feminine—first captured Lorelai’s attention during the First Lady’s time in the White House. Unlike the casual, often immodest trends dominating her peers’ wardrobes, Melania’s wardrobe exuded grace and sophistication. From tailored coats to flowing gowns, her choices were a masterclass in balancing boldness with dignity, a philosophy that resonated deeply with Lorelai. This admiration grew into inspiration as Lorelai began designing apparel specifically with Melania in mind, aspiring to design pieces that could match the First Lady’s grace. She strove to reflect Melania’s breathtaking style in her sketches in an effort to demonstrate how modesty can be beautiful.

The First Lady’s poised and graceful presence has redefined modesty for the modern era. To Lorelai, the First Lady’s style proves that more fabric offers boundless room for imagination, allowing personality to shine without sacrificing dignity. Melania embodies this perfectly—her fashion commands attention with stunning, memorable elegance. Inspired by this, Lorelai’s mission is to craft clothing for her generation that mirrors Melania’s influence, blending contemporary flair with classic beauty.

After her meeting with Glenn at America Fest, Lorelai’s passion and resolve have only deepened. Through fashion and art, Lorelai hopes to inspire others with the same grace that Melania Trump exemplifies. Below are some of Lorelai's sketches she was eager to share with Glenn.

Melania Trump: First Lady

I really adore First Lady Melania Trump’s grace and timeless beauty. She is extremely intelligent and brave but also strong and poised. Her fashion style displays these traits. I was inspired to create these outfits for our First Lady in hopes that she would see these drawings. -Lorelai

Melania Trump: Lady Liberty

We, as a country, will be celebrating next year our 250th anniversary of independence. The designs that inspired this patriotic gown came from Lady Liberty and Lady Columbia art. I also love our American flag, and this design is a combination of all three. -Lorelai

Chasing Embers Character Art (Ember)

I chose to draw the characters Sky, Azaz and Ember from Glenn Beck and Mikayla G. Hedrick’s Chasing Embers series. -Lorelai

Chasing Embers Concept Art (Ember)

I was inspired to draw a younger and teen version for Sky and Ember. -Lorelai

Chasing Embers Character Art (Sky)

Chasing Embers Concept Art (Azaz)

I also gave multiple outfits designs for Sky and Azaz. I loved that their personalities and character development meant in my mind a wardrobe development too. -Lorelai

Glenn: Government workers bought luxury cars with YOUR tax dollars

Andrew Harnik / Staff | Getty Images

The deep state isn’t a conspiracy theory — it’s a reality. And the corrupt, free-spending Federal Mediation and Conciliation Service is just one example of how Washington insiders enrich themselves.

A little-known agency in Washington perfectly encapsulates everything wrong with our bloated, corrupt government: the Federal Mediation and Conciliation Service. It should be the poster child of everything that Elon Musk is exposing.

The agency was established in 1947 under the Labor Management Relations Act to serve as an independent agency mediating disputes between unions and businesses — a noble mission, perhaps. But like so many government institutions, it has rotted into something far removed from its original purpose.

The FMCS goes beyond mismanagement into blatant corruption and theft.

What was once a mechanism for labor stability has morphed into an unchecked slush fund — an exclusive playground for bureaucrats living high on taxpayer dollars.

The FMCS is a textbook case of government waste, an agency that no one was watching, where employees didn’t even bother showing up for work — some hadn’t for years. And yet they still collected paychecks and spent government money — our money — on their personal luxuries.

Luxury cars and cell phone bills

The Department of Government Efficiency discovered how FMCS employees used government credit cards — intended for official business — to lease luxury cars, cover personal cell phone bills, and even subscribe to USA Today. The agency’s information technology director, James Donnan, apparently billed taxpayers his wife’s cell phone bill, cable TV subscriptions in multiple homes, and personal subscriptions.

FMCS officials commissioned portraits of themselves and hung them in their offices, and you footed the bill. They took exotic vacations and hired their friends and relatives to keep the gravy train rolling.

The FMCS goes beyond mismanagement into blatant corruption and theft — and it went on for decades, unnoticed and unchallenged.

President Donald Trump signed an executive order to abolish the FMCS — a necessary and long-overdue move. But the FMCS is just one of many agencies within the federal government burning through billions of taxpayer dollars. How many more slush funds exist in the shadows, funneling money into the pockets of bureaucrats who produce nothing? How many government-funded NGOs operate in direct opposition to American interests?

Perhaps the most disturbing question is why Americans tolerate such corruption. Why do so many Americans tolerate this? Why is the left — supposedly the party of the people — defending the very institutions that rob working-class Americans blind?

Corruption beyond bureaucracy

The recent rallies led by Sen. Bernie Sanders (I-Vt.), Rep. Alexandria Ocasio-Cortez (D-N.Y.), and their socialist acolytes claim to be a grassroots uprising against corruption and greed. But GPS data from these rallies tells a different story. The majority of attendees aren’t ordinary citizens fed up with the status quo. They’re professional activists — serial agitators who bounce from protest to protest.

Roughly 84% of devices tracked at these rallies were present at multiple Kamala Harris events. A staggering 31% appeared at over 20 separate demonstrations, tied to Antifa, Black Lives Matter, and pro-Palestinian causes.

Many of these organizations receive federal grant money — our tax dollars — and they’re using those funds to protest the very policies that threaten to cut off their financial lifeline.

This isn’t democracy in action. This is political theater — astroturfing perfected. And the American taxpayer is funding it.

Rooting out corruption

Trump was a battering ram against this corrupt system. Elon Musk is a surgeon, meticulously exposing the infection that has festered for decades — and that’s why the leftists hate him even more than they hate Trump. Musk threatens to dismantle the financial web that sustains their entire operation.

When we allow the government to grow unchecked and our leaders to prioritize their own wealth and power over the good of the nation, figures like Trump and Musk are necessary. Rome didn’t fall because of an external invasion but rather due to internal decay that looked an awful lot like what we see today.

We must demand better. We must refuse to tolerate this corruption any longer. The FMCS may be gone, but the fight to root out this deep-seated corruption is far from over.

Editor's Note: This article was originally published on TheBlaze.com.

Did the CIA hide the real truth behind JFK's assassination?

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Many were disappointed by the recent release of the JFK files, frustrated by the apparent lack of answers to decades-old questions. The problem? They’re asking the wrong question.

Everyone wants a "who"—a smoking gun, someone to blame. It’s understandable; Americans crave justice for a slain president, to hold the culprits of one of the 20th century’s greatest crimes accountable. But the real answer isn’t a "who"—it’s a "what." That "what" is the CIA and proof of their nefarious dealings since the 1960s.

In his most recent TV special, Glenn delves into the JFK files, where he found the crucial information that everyone else seemed to miss. Be sure to watch the TV special here.

The CIA's Dirty Fingerprints

While the recent JFK files don’t explicitly pin the assassination on the CIA, the evidence between the lines is compelling.

If you follow Glenn on X, you’ve seen his newest artifact: an exact replica of Lee Harvey Oswald’s rifle. Glenn tested it at the range, attempting to replicate the notoriously difficult shot Oswald allegedly made that fateful day in Dallas. While Glenn shares more takeaways in his TV special, one thing stood out immediately: the rifle’s abysmal quality, its shoddy scope, and the odd caliber of ammunition it uses.

Oswald’s rifle, a Mannlicher-Carcano, is chambered in 6.5mm—an unusual caliber. Much like today, the average gun store in the ‘60s didn’t stock 6.5mm rounds. The largest known supply was owned by the CIA, who had shipped the ammo from Greece after World War II. Suspiciously, there’s no record of where Oswald got his ammunition, but the JFK files confirm that the gun store where he bought the Mannlicher-Carcano had CIA connections.

It’s well-known that Oswald defected to the USSR and lived there before returning to the U.S. The JFK files reveal that from the moment he touched down stateside, the CIA tracked him like a hawk. They followed him across the country and even to Mexico City—but, conveniently, seemed to lose him in Dallas just as President Kennedy arrived. What a coincidence.

Whether by design or gross incompetence, the CIA greased Oswald’s path, letting him slip unhindered into that sixth-floor Book Depository window.

The Cover-Up

SAUL LOEB / Staff | Getty Images

If the JFK files aren’t the smoking gun many hoped for, why did the CIA fight so hard to keep them buried?

The answer is trust. Hard as it may be to imagine today, Americans in the ‘60s trusted their government—at least more than they do now. This cover-up preserved that trust longer than it might have lasted, allowing the CIA to pull off more scandals before the public caught on. From Benghaziand 9/11 to COVID-19 and January 6, the same dirty marks found in the JFK files stain these events. It’s about saving face. The files make the CIA look incompetent at best, complicit at worst.

This might feel like common knowledge today—especially to Glenn’s audience—but 40 or 50 years ago, saying such things could land you in the loony bin. It’s taken 60 years of growing suspicion to reach this point. Imagine if the JFK files had been available back then. Could we have stopped six decades of CIA shenanigans in their tracks?

The thought is chilling.

What Now?

Fotosearch / Stringer | Getty Images

The files don’t name a mastermind or explicitly confirm the darkest JFK assassination conspiracies that have swirled for decades—but they’re far from empty. They expose a disturbing truth: the CIA’s unchecked power in the ‘60s echoes into today.

In one of his most exciting TV specials yet, Glenn delves deep into the files, proving why we can’t ignore these revelations. Stop chasing a "who" and start demanding accountability for the "what." Only by confronting this can we hope to rein in the agency that’s dodged scrutiny for too long.