Off The Record with Brad Meltzer

Over the last several months, Glenn has emphasized the importance of bringing together individuals who share the same goals and unifying principles so that we can learn from one another. GlennBeck.com is working to fulfill that goal by sitting down with some of the most interesting minds to give you an inside look at who they are and what they are working on.

#1 New York Times bestselling author, host of History Channel’s Decoded, and award-winning comic book writer Brad Meltzer opened up to GlennBeck.com assistant editor Meg Storm about the high school teacher that changed his life, what it is was like to brainstorm terrorist plots with the Department of Homeland Security, and why his favorite superhero is Batman.

Below is a transcript of the interview: 

Hey Brad! Thank you so much for taking the time to talk to us.

Happy to do it!

So I wanted to start with your background. Did you always know you wanted to be a writer?

What’s crazy is that I never thought I would ever be a writer because I didn’t think that was a real job. I grew up in a very working class family, and I always thought I would go to high school and go to work. My mom and dad didn’t go to any type of four-year college, so I didn’t think college was even an option. My dad, when he was 40-years-old, lost his job. He lost everything. He had $1,200 to his name. He had no job. We had no place to live. He picked everything up and moved us to Florida, and he said it was the ‘do over of his life.’ He was going to start his life over from scratch on that day.

When we got to Florida, my parents gave a fake address so I could go to the better local public school. When I went to that school, people were talking about going to college and taking the SAT. I didn’t know what the SAT was. But because of my parents and that moment, I suddenly had my life changed.

thetenthjustice-128x230That’s incredible.

It really is. And what made it more incredible is my English teach in 9th grade was a woman named Sheila Schweitzer. She told me: You can write. She said, ‘I can’t put you in the honors class because of a conflict in your schedule.’ But she said, ‘You are going to sit in the course the entire year. You are going to ignore everything I do on the blackboard.’ What she was really saying to me was: You’re going to thank me later.

Sure enough, 10 years later, I went back to her classroom when I got my first novel published, and I said, ‘My name is Brad Meltzer, and this novel is written for you.’ And she was crying.  I said, ‘Why are you crying?’ And she said, ‘I was going to retire this year because I didn’t think I was having an impact anymore.’ And I said, ‘You changed my life.’ My life was changed by an English teacher who took a chance on me.

That is such a great story.

True story. Can’t make it up.

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You ended up going to law school though, correct?

I didn’t go to law school for plot ideas or to write political thrillers. I went to law school because I was terrified. I was terrified of having the life my father had and shoveling for money all the time. I just figured if the writing thing never worked out, I wanted something to fall back on because my father never had anything to fall back on.

I will say, I found the law interesting and it showed me how the world works – where the strings are in the universe. I remember the first day I sat down in law school, the dean got up in front up everyone and said, ‘Open up any newspaper, and any story that is on the front page – a lawyer is involved in that story.’ I will never forget that moment.

Were you writing while you were in law school?

I was. I graduated college at the University of Michigan, and I had debt to pay off because my parents couldn’t get me the whole way through. A guy in Boston said to me, ‘I want to be your mentor. I want to take you under my wing. I want to teach you all the ways of the world.’  He said, ‘Move yourself to Boston. And if you love the job, you’ll stay. If you hate the job, you’ll leave after a year with some money in your pocket.’ So I moved everything to Boston, and the week I got to Boston, he left the job. I thought in that moment I had wrecked my life. So I did what anyone would do when they thought they had wrecked their life. I said: I am going to write a novel.

(Laughs)

And the first novel I wrote, I got 24 rejection letters. There were only 20 publishers at the time, and I got 24 rejection letters. So some wrote to me twice to make sure I got the point. So I figured if they didn’t like that book, I would write another. If they didn’t like that one, I would write another. It was my second book that became my first published book: The Tenth Justice.

What was it like to face that rejection?

I am stubborn. The moment they said I couldn’t do it, all I wanted to do was do it. I think it is why Glenn and I have always gotten along – we have a real commitment to what we believe in. And the moment anybody says, ‘It’s not possible,’ is the moment where we kind of double down and say, ‘This is it.’

thebookoflies-128x230

Can I ask you how you first met Glenn?

We met when he was on CNN. He had me on for one of my first books. He just liked my thrillers. We hit it off, of course.

But we became real friends when we discovered our mutual love of Superman. I wrote a book about the origins of Superman, and where Superman came from. And I went to the house where Superman was created and it was in disrepair. I wanted to help repair it, and Glenn said, ‘I want to help you with that.’ And he gave us the platform to really promote the book to America.

The house needed a new roof. And we ended up raising – in one month – over $100,000. A few Christmas’ back I got a Christmas card from the family that lived there that said, ‘Thank you for saving our house, Brad. This is the first Christmas where there is no water coming in, no snow coming in from the roof.’

Glenn and I really bonded over that mutual love of a real hero of ours. And we have just been friends ever since.

Your writings cover a wide range of topics and genres – from fiction to nonfiction to comics! Where do you look for inspiration?

For me, everything that I work on has the same exact theme. It is my core belief. I believe that ordinary people change the world. I don’t care where you went to school or how much money you make – that’s nonsense to me. I believe in ordinary people and their ability to change this world. So whether I writing a thriller set in the White House or a kids’ book about Abraham Lincoln or a comic book about Superman, they all reflect my belief of the power of an ordinary person. To me, the most important part of the story is never Superman. The most important part of the story is Clark Kent. We all know what it is like to be Clark – to be boring and ordinary and want to be somebody beyond ourselves.

heroesformyson-140x142You have spoken with Glenn on radio about the importance of offering kids real heroes to look up – not the reality stars and celebrities we idolize today. Is that what drives you to write your books?

On the day I was born, my dad went to the liquor store and bought a bottle of champagne and said, ‘I am going to open this bottle on the day my son Brad gets married.’ When my dad lost his job, he threw all our stuff in a moving van. But there is some stuff you never put in a moving van. When we drove from New York to Florida, behind the headrests he put two bottles of champagne – one for me and one for my sister. My parent’s didn’t know anything about taking care of champagne. They were rolling back and forth and in the Florida sun. But we were their lives and they took care of us.

What was amazing to me was years later, when my kids were born, I said, ‘I don’t care about champagne. What I want to do is write a book for them that will last their whole lives.’ And that is where Heroes for My Son and Heroes For My Daughter came from. They are profiles of American heroes like George Washington, Abraham Lincoln, Amelia Earhart, and Mr. Rodgers.

heroesformydaughter-140x143As my kids got a little older, I realized I needed to tell even more of their stories. I was so tired of my kids looking at reality TV show stars and loudmouth athletes and thinking of them as a hero. I said to them, ‘That’s being famous, and being famous is very different than being a hero.’ And that’s when I decided to do illustrated children’s books that tell the story of Abraham Lincoln and Amelia Earhart. But not just the stories you know. It is the stories of when they were kids – the story of Amelia Earhart when she was 7-years-old, Abraham Lincoln when he was 10-years-old. And as a result, you see the power and the potential that is in all of us. That’s where I am Abraham Lincoln and I am Amelia Earhart were born.

Your books offer historical stories that aren’t necessarily mainstream. What is the research process like?

You know, I found this amazing place. It’s called the library.

(Laughs)

I honestly think what happens today is we are so used to going and looking for things on the Internet. The Internet is a beautiful, powerful tool. But anyone who has ever tried to do research on the Internet knows it is filled with noise and filled with mistruths. I try as hard as I can to go back to the original sources.lincoln-140x140

There is a story of Abraham Lincoln as a little boy. He came upon a group of boys that were torturing turtles. He loved animals, and he had to figure out what he was going to do in that moment. He stands up to the bullies and saves the turtles. And I tell that story because a professor and Abraham Lincoln scholar sent me that story and the original sources – letters written by people who knew Abraham Lincoln. And it is amazing what we found. It was a story that I never found in any Abraham Lincoln book. It had been buried over the years.

HistoryDecoded-final-cover-1-140x140What was it to work on your History Channel series Decoded in addition to all the writing you do?

The fun part of that is it let’s me do the things I can’t cover in the books. The TV show feeds my own love of history. And the research we do on the TV show ends up feeding the novels. You will see we did a show on Abraham Lincoln’s assassination and then the next book that I did was about a conspiracy theory where you find out all of the presidential assassins – from John Wilkes Booth to Lee Harvey Oswald – were all working for secret cause. They were not lone wolfs, but working for a secret society. Obviously, I made that last part up for my thriller, but all the research in the book is real. And I get to have that research because of some of the work we do on the TV show.

I read on your website that you were once recruited by the Department of Homeland Security to talk about terrorism and things of that nature –

Yeah, a few years ago I got a call from the Department of Homeland Security. They said they wanted me to come in and brainstorm different ways terrorists could attack the United States. My first though was: If they are calling me, we have bigger problems than anybody thinks!

Seriously!

But I was honored to be part of what they called the Red Cell Program. They brought together what they labeled ‘out of the box thinkers,’ and they paired me with a Secret Service agent. They would give us a target – like a major city – and they would ask us to destroy it. Within a half hour we would find a way in or we would find a way to destroy it. It’s not one of those days where you go home feeling good. You go home feeling terrified because you see how easy it is to kill us. It is one of those moments where you sit back and realize how blessed you have been because that is a crazy way to spend a day of work.

Not many people can say they have been asked to destroy a major city by the U.S. government.

Not only that. They asked me for other ones as though I was on to something. They were basically saying: You’re good at this. And that’s scarier!

Switching topics a little bit, GlennBeck.com’s managing editor, Wilson Garrett, is a huge comic book fan and a big fan of yours. He would kill me if I didn’t ask you about your work in the genre and what that process is like. 

FINAL-Fifth-Assassin_HC_Brad-MeltzerYou will have to thank him for me! I really appreciate that.

When you write a novel, you have one palette to paint with. And that palette is words. You use different permutations to tell your story, but you are still painting with one palette. When you write a comic book, you have a whole new palette – pictures. You have to learn how to shut up. You have to let the pictures tell the story.

When I write a comic book, I will tell the artist everything I want him to draw. I will tell him in panel one I want to be up close to Superman’s face. In panel two, stay close to his face and pay attention to the sweat crawling down is forehead. In panel three, I want to be really close on his forehead and the sweat crawl. In panel four I want a little tiny bead of sweat coming down the Man of Steel’s face. And now I haven’t used a single word, but you know he is nervous because you see that single bead of sweat. The beautiful part of writing a comic book is that you get to lean on that new palette of using pictures.

To write the word S-U-P-E-R-M-A-N and get to put words in Superman’s mouth is a really cool day of work.

Can I assume that Superman is your favorite superhero? 

My favorite superhero is actually Batman because I will never be Superman. I will never have lasers fly out of my eyes or lift a car over my heads. But Batman is just a stubborn guy in a costume committed to a cause. And you know what? I can do that.

Do you have any writers that you personally admire or read?

It’s funny, I don’t read thrillers anymore because I end up taking them apart and trying to figure out how they were built. It’s like a mechanic driving a rental car. I am just trying to figure out what is wrong with them.

I tend to read a lot of young adult books. I read a book called Wonder by R.J. Palacio that I just loved. It was about a boy who was trying to deal with going to a new “normal school.” And I read John Green’s The Fault in Our Stars. I read The Book Thief, which I loved as well. I have been on a real young adult slant for a while.

But I read comic books. I read non-fiction. I read Lincoln biographies and Jefferson biographies... And just about anything else I can get my hands on.

Do have any projects you are working on right now that you can talk about? 

earhart-140x140Absolutely! We did I am Abraham Lincoln and I am Amelia Earhart. Now we are doing I am Rosa Parks, which will be out in June. And then we are doing I am Albert Einstein, which will be out in September. My real goal is not to just put out a book or two, but to help people build a library of heroes for their kids, their grandkids, their nieces and nephews. The long-term goal is we can give them heroes in America that they can be proud of. So those are the children’s projects.

At the same time, I am working on a new novel that will be a sequel to The Inner Circle and The Fifth Assassin.

That is something to look forward to! When you are now writing and traveling and working on your TV show, what do you like to do in your spare time?

For me, it is all about family. I love reading. I love history. I love going to movies and being entertained. But there is nothing to me that lives up to the hype of being a father. I have three children.

Before we finish up, we have a ‘lightening round’ that we like to include. One or two word answers will do. 

One word – got it!

What’s your favorite book?

To Kill a Mockingbird

What’s your favorite movie?

Shawshank Redemption

What’s your favorite TV show?

Come on! Decoded! Duh…

What’s your favorite food?

My mother’s chicken parmesan

What’s your favorite place to visit?

My old high school

Who is your favorite music artist?

Good one… If I have to name one I would say James Taylor takes me to my youth. I took my kids to the Billy Joel concert to show them what the previous generation thought was rock ‘n’ roll. And definitely Prince too.

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Keep up with all of Brad's upcoming projects by 'liking' his Facebook page or visiting BradMeltzer.com. And be sure to check out Brad's new children's books I am Abraham Lincoln and I am Amelia Earhart and his latest thriller The Fifth Assassin.

How America’s elites fell for the same lie that fueled Auschwitz

Anadolu / Contributor | Getty Images

The drone footage out of Gaza isn’t just war propaganda — it’s a glimpse of the same darkness that once convinced men they were righteous for killing innocents.

Evil introduces itself subtly. It doesn’t announce, “Hi, I’m here to destroy you.” It whispers. It flatters. It borrows the language of justice, empathy, and freedom, twisting them until hatred sounds righteous and violence sounds brave.

We are watching that same deception unfold again — in the streets, on college campuses, and in the rhetoric of people who should know better. It’s the oldest story in the world, retold with new slogans.

Evil wins when good people mirror its rage.

A drone video surfaced this week showing Hamas terrorists staging the “discovery” of a hostage’s body. They pushed a corpse out of a window, dragged it into a hole, buried it, and then called in aid workers to “find” what they themselves had planted. It was theater — evil, disguised as victimhood. And it was caught entirely on camera.

That’s how evil operates. It never comes in through the front door. It sneaks in, often through manipulative pity. The same spirit animates the moral rot spreading through our institutions — from the halls of universities to the chambers of government.

Take Zohran Mamdani, a New York assemblyman who has praised jihadists and defended pro-Hamas agitators. His father, a Columbia University professor, wrote that America and al-Qaeda are morally equivalent — that suicide bombings shouldn’t be viewed as barbaric. Imagine thinking that way after watching 3,000 Americans die on 9/11. That’s not intellectualism. That’s indoctrination.

Often, that indoctrination comes from hostile foreign actors, peddled by complicit pawns on our own soil. The pro-Hamas protests that erupted across campuses last year, for example, were funded by Iran — a regime that murders its own citizens for speaking freely.

Ancient evil, new clothes

But the deeper danger isn’t foreign money. It’s the spiritual blindness that lets good people believe resentment is justice and envy is discernment. Scripture talks about the spirit of Amalek — the eternal enemy of God’s people, who attacks the weak from behind while the strong look away. Amalek never dies; it just changes its vocabulary and form with the times.

Today, Amalek tweets. He speaks through professors who defend terrorism as “anti-colonial resistance.” He preaches from pulpits that call violence “solidarity.” And he recruits through algorithms, whispering that the Jews control everything, that America had it coming, that chaos is freedom. Those are ancient lies wearing new clothes.

When nations embrace those lies, it’s not the Jews who perish first. It’s the nations themselves. The soul dies long before the body. The ovens of Auschwitz didn’t start with smoke; they started with silence and slogans.

Andrew Harnik / Staff | Getty Images

A time for choosing

So what do we do? We speak truth — calmly, firmly, without venom. Because hatred can’t kill hatred; it only feeds it. Truth, compassion, and courage starve it to death.

Evil wins when good people mirror its rage. That’s how Amalek survives — by making you fight him with his own weapons. The only victory that lasts is moral clarity without malice, courage without cruelty.

The war we’re fighting isn’t new. It’s the same battle between remembrance and amnesia, covenant and chaos, humility and pride. The same spirit that whispered to Pharaoh, to Hitler, and to every mob that thought hatred could heal the world is whispering again now — on your screens, in your classrooms, in your churches.

Will you join it, or will you stand against it?

This article originally appeared on TheBlaze.com.

Bill Gates ends climate fear campaign, declares AI the future ruler

Bloomberg / Contributor | Getty Images

The Big Tech billionaire once said humanity must change or perish. Now he claims we’ll survive — just as elites prepare total surveillance.

For decades, Americans have been told that climate change is an imminent apocalypse — the existential threat that justifies every intrusion into our lives, from banning gas stoves to rationing energy to tracking personal “carbon scores.”

Microsoft co-founder Bill Gates helped lead that charge. He warned repeatedly that the “climate disaster” would be the greatest crisis humanity would ever face. He invested billions in green technology and demanded the world reach net-zero emissions by 2050 “to avoid catastrophe.”

The global contest is no longer over barrels and pipelines — it is over who gets to flip the digital switch.

Now, suddenly, he wants everyone to relax: Climate change “will not lead to humanity’s demise” after all.

Gates was making less of a scientific statement and more of a strategic pivot. When elites retire a crisis, it’s never because the threat is gone — it’s because a better one has replaced it. And something else has indeed arrived — something the ruling class finds more useful than fear of the weather.The same day Gates downshifted the doomsday rhetoric, Amazon announced it would pay warehouse workers $30 an hour — while laying off 30,000 people because artificial intelligence will soon do their jobs.

Climate panic was the warm-up. AI control is the main event.

The new currency of power

The world once revolved around oil and gas. Today, it revolves around the electricity demanded by server farms, the chips that power machine learning, and the data that can be used to manipulate or silence entire populations. The global contest is no longer over barrels and pipelines — it is over who gets to flip the digital switch. Whoever controls energy now controls information. And whoever controls information controls civilization.

Climate alarmism gave elites a pretext to centralize power over energy. Artificial intelligence gives them a mechanism to centralize power over people. The future battles will not be about carbon — they will be about control.

Two futures — both ending in tyranny

Americans are already being pushed into what look like two opposing movements, but both leave the individual powerless.

The first is the technocratic empire being constructed in the name of innovation. In its vision, human work will be replaced by machines, and digital permissions will subsume personal autonomy.

Government and corporations merge into a single authority. Your identity, finances, medical decisions, and speech rights become access points monitored by biometric scanners and enforced by automated gatekeepers. Every step, purchase, and opinion is tracked under the noble banner of “efficiency.”

The second is the green de-growth utopia being marketed as “compassion.” In this vision, prosperity itself becomes immoral. You will own less because “the planet” requires it. Elites will redesign cities so life cannot extend beyond a 15-minute walking radius, restrict movement to save the Earth, and ration resources to curb “excess.” It promises community and simplicity, but ultimately delivers enforced scarcity. Freedom withers when surviving becomes a collective permission rather than an individual right.

Both futures demand that citizens become manageable — either automated out of society or tightly regulated within it. The ruling class will embrace whichever version gives them the most leverage in any given moment.

Climate panic was losing its grip. AI dependency — and the obedience it creates — is far more potent.

The forgotten way

A third path exists, but it is the one today’s elites fear most: the path laid out in our Constitution. The founders built a system that assumes human beings are not subjects to be monitored or managed, but moral agents equipped by God with rights no government — and no algorithm — can override.

Hesham Elsherif / Stringer | Getty Images

That idea remains the most “disruptive technology” in history. It shattered the belief that people need kings or experts or global committees telling them how to live. No wonder elites want it erased.

Soon, you will be told you must choose: Live in a world run by machines or in a world stripped down for planetary salvation. Digital tyranny or rationed equality. Innovation without liberty or simplicity without dignity.

Both are traps.

The only way

The only future worth choosing is the one grounded in ordered liberty — where prosperity and progress exist alongside moral responsibility and personal freedom and human beings are treated as image-bearers of God — not climate liabilities, not data profiles, not replaceable hardware components.

Bill Gates can change his tune. The media can change the script. But the agenda remains the same.

They no longer want to save the planet. They want to run it, and they expect you to obey.

This article originally appeared on TheBlaze.com.

Why the White House restoration sent the left Into panic mode

Bloomberg / Contributor | Getty Images

Presidents have altered the White House for decades, yet only Donald Trump is treated as a vandal for privately funding the East Wing’s restoration.

Every time a president so much as changes the color of the White House drapes, the press clutches its pearls. Unless the name on the stationery is Barack Obama’s, even routine restoration becomes a national outrage.

President Donald Trump’s decision to privately fund upgrades to the White House — including a new state ballroom — has been met with the usual chorus of gasps and sneers. You’d think he bulldozed Monticello.

If a Republican preserves beauty, it’s vandalism. If a Democrat does the same, it’s ‘visionary.’

The irony is that presidents have altered and expanded the White House for more than a century. President Franklin D. Roosevelt added the East and West Wings in the middle of the Great Depression. Newspapers accused him of building a palace while Americans stood in breadlines. History now calls it “vision.”

First lady Nancy Reagan faced the same hysteria. Headlines accused her of spending taxpayer money on new china “while Americans starved.” In truth, she raised private funds after learning that the White House didn’t have enough matching plates for state dinners. She took the ridicule and refused to pass blame.

“I’m a big girl,” she told her staff. “This comes with the job.” That was dignity — something the press no longer recognizes.

A restoration, not a renovation

Trump’s project is different in every way that should matter. It costs taxpayers nothing. Not a cent. The president and a few friends privately fund the work. There’s no private pool or tennis court, no personal perks. The additions won’t even be completed until after he leaves office.

What’s being built is not indulgence — it’s stewardship. A restoration of aging rooms, worn fixtures, and century-old bathrooms that no longer function properly in the people’s house. Trump has paid for cast brass doorknobs engraved with the presidential seal, restored the carpets and moldings, and ensured that the architecture remains faithful to history.

The media’s response was mockery and accusations of vanity. They call it “grotesque excess,” while celebrating billion-dollar “climate art” projects and funneling hundreds of millions into activist causes like the No Kings movement. They lecture America on restraint while living off the largesse of billionaires.

The selective guardians of history

Where was this sudden reverence for history when rioters torched St. John’s Church — the same church where every president since James Madison has worshipped? The press called it an “expression of grief.”

Where was that reverence when mobs toppled statues of Washington, Jefferson, and Grant? Or when first lady Melania Trump replaced the Rose Garden’s lawn with a patio but otherwise followed Jackie Kennedy’s original 1962 plans in the garden’s restoration? They called that “desecration.”

If a Republican preserves beauty, it’s vandalism. If a Democrat does the same, it’s “visionary.”

The real desecration

The people shrieking about “historic preservation” care nothing for history. They hate the idea that something lasting and beautiful might be built by hands they despise. They mock craftsmanship because it exposes their own cultural decay.

The White House ballroom is not a scandal — it’s a mirror. And what it reflects is the media’s own pettiness. The ruling class that ridicules restoration is the same class that cheered as America’s monuments fell. Its members sneer at permanence because permanence condemns them.

Julia Beverly / Contributor | Getty Images

Trump’s improvements are an act of faith — in the nation’s symbols, its endurance, and its worth. The outrage over a privately funded renovation says less about him than it does about the journalists who mistake destruction for progress.

The real desecration isn’t happening in the East Wing. It’s happening in the newsrooms that long ago tore up their own foundation — truth — and never bothered to rebuild it.

This article originally appeared on TheBlaze.com.

Trump’s secret war in the Caribbean EXPOSED — It’s not about drugs

Bloomberg / Contributor | Getty Images

The president’s moves in Venezuela, Guyana, and Colombia aren’t about drugs. They’re about re-establishing America’s sovereignty across the Western Hemisphere.

For decades, we’ve been told America’s wars are about drugs, democracy, or “defending freedom.” But look closer at what’s unfolding off the coast of Venezuela, and you’ll see something far more strategic taking shape. Donald Trump’s so-called drug war isn’t about fentanyl or cocaine. It’s about control — and a rebirth of American sovereignty.

The aim of Trump’s ‘drug war’ is to keep the hemisphere’s oil, minerals, and manufacturing within the Western family and out of Beijing’s hands.

The president understands something the foreign policy class forgot long ago: The world doesn’t respect apologies. It respects strength.

While the global elites in Davos tout the Great Reset, Trump is building something entirely different — a new architecture of power based on regional independence, not global dependence. His quiet campaign in the Western Hemisphere may one day be remembered as the second Monroe Doctrine.

Venezuela sits at the center of it all. It holds the world’s largest crude oil reserves — oil perfectly suited for America’s Gulf refineries. For years, China and Russia have treated Venezuela like a pawn on their chessboard, offering predatory loans in exchange for control of those resources. The result has been a corrupt, communist state sitting in our own back yard. For too long, Washington shrugged. Not any more.The naval exercises in the Caribbean, the sanctions, the patrols — they’re not about drug smugglers. They’re about evicting China from our hemisphere.

Trump is using the old “drug war” playbook to wage a new kind of war — an economic and strategic one — without firing a shot at our actual enemies. The goal is simple: Keep the hemisphere’s oil, minerals, and manufacturing within the Western family and out of Beijing’s hands.

Beyond Venezuela

Just east of Venezuela lies Guyana, a country most Americans couldn’t find on a map a year ago. Then ExxonMobil struck oil, and suddenly Guyana became the newest front in a quiet geopolitical contest. Washington is helping defend those offshore platforms, build radar systems, and secure undersea cables — not for charity, but for strategy. Control energy, data, and shipping lanes, and you control the future.

Moreover, Colombia — a country once defined by cartels — is now positioned as the hinge between two oceans and two continents. It guards the Panama Canal and sits atop rare-earth minerals every modern economy needs. Decades of American presence there weren’t just about cocaine interdiction; they were about maintaining leverage over the arteries of global trade. Trump sees that clearly.

PEDRO MATTEY / Contributor | Getty Images

All of these recent news items — from the military drills in the Caribbean to the trade negotiations — reflect a new vision of American power. Not global policing. Not endless nation-building. It’s about strategic sovereignty.

It’s the same philosophy driving Trump’s approach to NATO, the Middle East, and Asia. We’ll stand with you — but you’ll stand on your own two feet. The days of American taxpayers funding global security while our own borders collapse are over.

Trump’s Monroe Doctrine

Critics will call it “isolationism.” It isn’t. It’s realism. It’s recognizing that America’s strength comes not from fighting other people’s wars but from securing our own energy, our own supply lines, our own hemisphere. The first Monroe Doctrine warned foreign powers to stay out of the Americas. The second one — Trump’s — says we’ll defend them, but we’ll no longer be their bank or their babysitter.

Historians may one day mark this moment as the start of a new era — when America stopped apologizing for its own interests and started rebuilding its sovereignty, one barrel, one chip, and one border at a time.

This article originally appeared on TheBlaze.com.