Hollywood says there’s no future for family films - here’s why they’re wrong

May 01, 2015

WRITER

Glenn’s made no secret of his love for the new movie ‘Little Boy’, a family film that shows how individuals can perform miracles through the power of faith. Leo Severino, producer of ‘Little Boy’, joined Glenn on radio to discuss the film and why people in Hollywood who say there is no room for family films are completely wrong.

Below is a rush transcript of this segment:

GLENN: I'm really excited about a new friend I made here the last couple of days. He's a guy who has started Metanoia Films and made the movie "Little Boy" and previously before that, "Bella" and is a like-minded thinker and a guy who is trying to change the culture from the inside. And you were with Twentieth Century Fox. Right? Flip up your mic. Leo Severino is with us now. Hi, Leo. You have to flip on that red button. Push it up. Or down.

LEO: There it is. Well, I have to say, first of all, what's up, my crackers? I'm Hispanic. No. My wife is Hispanic.

GLENN: Yeah, your wife is Hispanic. No. It's what's up my, cracka? We're not crackers.

LEO: You can call me your Wheat Thin.

STU: Julio, it's okay for us to say that to each other, but it's not okay for you.

GLENN: Yeah, you're Hispanic. It's totally fine for us.

LEO: As you can tell, I've been a fan of you guys so long. Pat, Stu, Glenn, as well.

GLENN: Notice he left out Jeffy.

LEO: Why do you have Jeffy standing? You can't even give him a chair or something?

GLENN: No. Can you imagine how big he'd be if we let him sit down?

PAT: Oh, my gosh. Plus, no chair could hold him.

GLENN: So, my Wheat Thin, so tell me, first of all, I want to get this movie stuff out of the way here. If I have recommended that you go see "Little Boy" -- this weekend is very important for you to see "Little Boy", if you haven't seen it. Because it probably won't be in the movie theaters for very much longer if you don't go see it. Had a good weekend. But it's open on limited screens. And all of the biggies are coming out here the next couple of weeks.

PAT: Ah.

GLENN: So this is the weekend to see "Little Boy."

PAT: Yeah, it's getting to be that time of year when they push the little ones out of the theaters.

LEO: That's it. David and Goliath time.

GLENN: And there are really great names in this movie. Kevin James, who I think is hysterical.

LEO: Greatest guy on the planet.

GLENN: You're friends with him. Right? What's he like?

LEO: He's fantastic. Hilarious. He's hilarious.

GLENN: I love him.

LEO: Not as funny as Stu, but hilarious.

STU: Wow. That's not going to help his career.

GLENN: Wow. That's really taking him down many, many notches.

LEO: By the way, completely kidding. The guy is hilarious. For real. If you ask me, Kevin James. Emily Watson.

JEFFY: That's fantastic.

LEO: Tom Wilkinson. It's an insanely good cast.

GLENN: It is.

LEO: We were blessed to have that caliber of people.

GLENN: This is the kind of movie that we've said -- have you guys seen it yet?

PAT: Not yet. I'll see it this weekend.

LEO: You're killing me. You have to see it this weekend.

GLENN: We've talked about this. This is the movie that Rotten Tomatoes, the critics gave it 10 percent.

PAT: That's unbelievable.

GLENN: And the audience has given it 88 percent.

PAT: I don't think I've ever seen a disparity between critics and people that wide.

LEO: I think the publicity team said we broke the records.

STU: Congratulations.

GLENN: So here's the thing. The reason it's like this is because it -- it showcases the -- the Frank Capra America. It has that idyllic peaceful, loving sweetness to it that we all love in Frank Capra movies. I think this is a modern day Frank Capra Walt Disney. Not what Walt Disney is now. I mean So Dear My Heart. His movies.

LEO: Back when she was ostracized as well.

GLENN: Right. People said it's all candy corns and sweetness and saccharine crap. That's what made those two guys.

LEO: You said something so wonderful, Glenn, when you said about this film. You said you want to believe in the America that we presented. This Norman Rockwell. We do too. That's why we make these films.

GLENN: I don't know if you know this. You're Hispanic, I don't know if you know this.

LEO: It's an odd thing. And the director. The director doesn't speak English. It's between English and Spanish. Somewhere in the middle. And he believes in that America too. Eduardo, you were gracious to have on the show. The three of us -- he is from Mexico. And he believes in that America too because the US has opened the doors for opportunity that we wouldn't have anywhere in the world.

GLENN: It's always the immigrants. It's always the immigrants that renew us.

LEO: This is our love letter in a sense to America.

PAT: I can't tell you how often we go through the list of movies that are open that weekend, and want to go with the family. And there's literally zero movies we can all go to as a family. It's great to actually have something that you can take the kids to and feel good about.

GLENN: We were talking off the stage yesterday that Leo and I were, that we've brought History House, which is -- you know, our kind of, you know, 30-minute television, kind of our ode to Walt Disney and what he did with the Wonderful World of Disney. And they're telling us now, there are no buyers for family television.

LEO: It's complete rubbish. It's absolute nonsense. When you down to the statistics of what actually sells. I actually brought some stuff. There's this great entity. It's called Movie Guide. MovieGuide.org. Ted Baehr is fantastic. He's been a voice screaming in the wilderness in Hollywood saying, sex doesn't sell. Nudity doesn't sell. Vulgarity doesn't sell. It's not just not the case. When you look at the combined averages of the films, for example, in 2013, his latest report, rated R films, films with graphic elements, accounted for about 11 percent of the combined average of the box office.

GLENN: Eleven.

LEO: Eleven. And they accounted for 47 percent of the films being distributed, en masse. So the diplomatic way of saying this is, you know, the supply is not measurable to the demand out there. It's disproportionate to the amount of the demand. Really what it means is that there's something more than the profit motive going on.

PAT: It means there's an agenda.

LEO: If they wanted to make money, you would just make family -- you're doubling the audience. It's pure economics.

PAT: Wow.

GLENN: You worked at Twentieth Century Fox. I don't want to single them out. Because Hollywood is Hollywood. Do you think this movie would have -- do you think "Little Boy" could have been made or would have been made by Hollywood?

LEO: No.

GLENN: Why?

LEO: Pixar, perhaps. That's the model that we really, really, really believe in.

GLENN: Yeah.

LEO: But no.

GLENN: It almost looks like a Pixar.

If Pixar did live action, it looks like a Pixar.

LEO: Thank you for that. And our cinematographer was at Pixar previously.

GLENN: Can I ask you a question. Was it filmed?

LEO: It was on film. The last film in wide distribution that was on --

GLENN: It is beautiful.

LEO: Thank you.

GLENN: I was watching it this weekend, I was thinking I think this is film --

PAT: That was my next question, was it filmed or was it digital? I had to know. I had to know.

GLENN: You won't know why this film hearkens back to that Frank Capra film. You won't know exactly why it feels like those old films. But it's because of film.

LEO: Yes.

PAT: Leo, how was the filmed blocked?

GLENN: Shut up.

STU: What kind of gaffing did you have --

LEO: You have no idea what gaffing is.

STU: No, I don't. These guys do a lot of things to make us look --

LEO: There's something to be said of that. We really thought that we wanted to depict this Americana. The way it would have been predicted if Norman Rockwell were shooting this film. Even at a greater expense and greater time. And you were shooting with a little kid because of these silly labor laws that they have nowadays. You can't shoot so many hours. It was much more expensive. But we thought it was worth it because we wanted something authentic. That was really Americana.

GLENN: Two stories I want you to tell. Tell the story of Eduardo, who he is, and what he's given up to tell these stories.

LEO: If you were a 16-year-old Wheat Thin. I don't know what the appropriate term is. But if you were Hispanic, you would know who Eduardo is. He was this heartthrob, kind of the Brad Pitt of Mexico. Also part of a boy band.

PAT: From a soap opera?

LEO: Yeah, from soap operas. First boy bands then television.

PAT: Was it Maria?

GLENN: Wait. Listen to him say -- go ahead.

PAT: [foreign language]

GLENN: Isn't that great? I think he just lives it. All of a sudden, he's there.

LEO: [foreign language] that was his show. That was Eduardo's big one. [foreign language] was another one. He was on a few. He was like the go-to guy. And his boy band of selling out stadiums with 50,000 screaming women, that sort of thing.

STU: And now he has you.

LEO: And now he has me.

GLENN: Wow. That's good. Big part in this movie.

LEO: That was great. We needed to get him in. But we were like, you don't fit with Norman Rockwell. We'll come up with something. You won't recognize him.

GLENN: At one point they open up a door, and he's like Maria.

LEO: But he had this change of heart. When he came to Hollywood, he did this film called Chasing Papi. Where he was the Latin lover that had three women, he was dating them at the same time. That sort of crazy stereotype. That's when he realized, what in the world am I doing? And then I think God touched his heart. And the rest is history.

GLENN: He told me that he made a promise to his mom and he said, Mom, I will not make a movie that you can't go to.

LEO: That's right.

GLENN: So he has passed on a lot. All the women in the control room when he was on that one day, they were like, you can keep him on. I think we're out of stuff to talk about. Doesn't matter. Keep him going. Because he has quite the opportunity especially in today's world. But he's not going for it. He's not going for the cash. He's going for, let's do the right thing.

LEO: And after he made that promise, he stopped working for years. And him and I met randomly. Not randomly. I think providentially on a random Wednesday at a church. Him and I had kind of similar ideas and similar concepts. At the time I was at Fox, like you mentioned. And I was striving for something of greater meaning. And we connected. And the next thing we know, we did this. It's crazy to start something independent with no connections at the time. No money. We went broke trying to do this thing. And, but we were really firm in the conviction that we needed to do something. You know, there's so much darkness around. We wanted to light a candle.

GLENN: Tell me about the little boy. The actual -- the actor.

LEO: Jakob Salvati. He's fantastic.

GLENN: He is a superstar. I've seen child actors where you're like, that kid will be -- when you saw, Haley Osment. You said, okay, he'll be a star. This kid is off the charts. And it wasn't him that was trying out.

LEO: That's right. They brought in his brother. And he was there as well. Give him a try. First audition didn't go so well. Him and the director kept having the giggles. We passed him up. The casting director was like, this kid got something. He has something.

GLENN: He's magic.

LEO: Not according to the critic. He's been slammed so hard.

GLENN: He carries this movie.

LEO: They call him saccharine. His heart is so pure. He said, I don't understand why -- I don't understand why the critics are saying that. He said, people really love the film.

GLENN: How old is he?

LEO: He was eight when we shot. He's 11 now.

PAT: Wow.

GLENN: He's great.

LEO: He's fantastic.

GLENN: But I hear and, correct me if I'm wrong, the story was told to me because his brother tried out, they went back and got him. And when you decided that it was going to be him, that his brother broke out in tears.

LEO: Yeah. We were in a room together. He said, the director interviewed him, and I was there with him. And the brother starts crying. And we thought it was just a moment of -- you know, maybe he was a little sad he didn't get the role or whatever it was. And he pulled me aside and he said, we're kind of broke right now. And this will save our family. It will save our house. So we talked to his dad. And he's cool with us saying that publicly because they're humble and awesome. This film has touched people in many ways.

GLENN: The kid broke out in tears of joy that his brother got the job. How great -- that is just unbelievable.

PAT: Cool.

GLENN: That's unbelievable.

LEO: , yeah.

GLENN: I'm thrilled to know you. I really am.

LEO: Thank you so much. I am a big fan. Our hearts in the same place. Kind of in different industries. Thank you for supporting. Any way we can support you. We're here.

GLENN: Well, it's an honor. Please go see this weekend "Little Boy". You will not be disappointed. I warn you, it's Frank Capra. So if you didn't like Mr. Smith Goes to Washington. If you didn't like, you know, It's a Wonderful Life.

PAT: Well, first of all, you're a communist.

GLENN: You know, if you don't like Norman Rockwell, you're not going to like this. But if you have that heart for America of what it really can be, you're going to love this movie.

LEO: Thank you. Thank you so much for saying that. Frank Capra is my hero when it comes to filmmakers. It's a Wonderful Life.

GLENN: You're Hispanic.

LEO: I know. You keep reminding me of this. I keep having to check to make sure that that's the case. Turns out, it still is. But -- sometimes it takes -- I mean, I was born here. My parents are from South America. Columbia. I love them to death. Obviously. They raised me with the right values. It turns out it's the American values. The same ones. Sometimes it takes an outside perspective like our director who didn't speak the language until he was 17 to show the beauty of this country. That's part of what we're trying to do. I wanted to say, Ben, your cohort --

GLENN: American Dream Labs.

LEO: Yes. He said, say the cities where you need help. So is it all right?

We need help in St. Louis, Las Vegas, Nashville, and Salt Lake City. Those are the four cities, if we can really do well this weekend, we can hopefully retain the theaters going forward. So that's St. Louis, Las Vegas, Nashville, and Salt Lake.

GLENN: Go see this movie. Please, take your family. Take your friends. Take your friend's family. Don't even ask the parents. Just disappear the children for a couple of hours. And go see "Little Boy". You will love it! Truly love it. Thank you so much.

LEO: Thank you, Glenn. Thank you, Pat.

AI Jesus and other INSANE new uses of Artificial Intelligence

Glenn has repeatedly warned about the dangers artificial intelligence poses to humanity. Yet, it seems like every week, some new AI project seems to inch us closer to that worst-case scenario.

It's not all bad. Even Glenn could resist the urge to buy an AI-powered, flamethrower-wielding, robotic dog to accompany him on his ranch. The future is here, and these are threeinsane new ways the power of AI is being harnessed — for better or worse.

AI Jesus

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Many have wished to have a face-to-face conversation with Jesus, but this probably isn't what anyone had in mind. A church in Lucerne, Switzerland recently teamed up with scientists and computer experts from the nearby Lucerne University of Applied Sciences and Arts to create a digital duplicate of Christ designed to listen to confessions and give scripture-supported advice to those who ask. The computer even creates a hologram image of Jesus that talks to people in real time. The AI was trained with the New Testament and "religious information found online," and is fluent in over 100 languages.

While some are impressed with his answers to moderately complex theological questions, many are skeptical, claiming that giving a machine the face and name of God is a form of idolatry. Others worry that it will turn Jesus into a "woke warrior."

AI Coca-Cola Ad

The holiday season is upon us, and Coca-Cola has released its newest Christmas ad campaign. These latest commercials feature shiny, Coca-Cola red semi-trucks driving through an idyllic winter wonderland on a mission to deliver soda to a festively decorated town — standard holiday ad fare. But this year, Coca-Cola decided to put a "futuristic spin" on their ad campaign — the commercials are all AI-generated. It doesn't take a detective to spot the tell-tale AI hallmarks, from truck wheels that don't spin as the truck is driving to the eerie expressions of the people in the ad that twist and contort in creepy ways. The holiday magic is lost.

AI Grandma

A British telecom company, Virgin Media O2, unveiled Daisy, an AI chatbot designed to scam the scammers. Daisy is designed to sound and talk like an elderly woman and is tasked to deliberately connect with telephone scammers (who typically target older people) and waste their time with heaps of meandering chatter so that scammers have less time to target real people. Daisy has already proved capable of fooling scammers into long phone conversations, which ultimately end up fruitless. Can you think of a better use of AI?

The THREE ways RFK Jr. will Make America Healthy Again

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One of President Trump's most popular campaign promises was to "Make America Great Again," and he has employed the help of his former opponent, RFK Jr., to make that promise come true.

In an interview with NPR, RFK Jr. revealed the three directives Trump has tasked him as the new head of the Department of Health and Human Services. These directives aim to cut out the "cancer" that Glenn exposed in his latest TV special that has spread throughout theentire federal government.

Here are the three directives Trump gave RFK Jr.:

1. Rid health agencies of corruption and conflicts.

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It is no secret that the departments that fall under the HHS, such as the FDA, NIH, and CDC, are rife with corruption. After the COVID lockdowns raised suspicion that these federal agencies did not have the American people's best interests at heart, Americans have been increasingly distrustful of these institutions. Glenn exposed several instances of corruption across the HHS, from Dr. Fauchi's Covid powertrip to the insidious relationship between private entities like Big Food, Big Pharma, and the federal agencies that regulate them.

RFK Jr. has been one of the most vocal critics of the corruption that has turned these federal agencies against the very people they were created to protect and is the best person to reform these institutions.

2. Return agencies to the gold standard of empirically based, evidence-based science and medicine.

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Under Biden, the HHS has degraded even further than it had before. Scientific methodology and empirical data are no longer the backbones of these institutions. They have been replaced with DEI and other woke agendas. The Department of Health and Human Services is the second largest federal agency, only behind the Pentagon, with a budget of 1.7 trillion dollarsand over 83 thousand employees. The opportunity for waste and negligence is monumental.

Biden appointed former California Attorney General, Xavier Becerra, to the head of HHS, along with Rachel Levine, a transgender woman, as the Assistant Secretary for Health. Before long the second-largest federal agency started looking like a university DEI office, with hundreds of DEI hires adding to government bloat. Instead of battling the diseases and sicknesses that plague our country, the HHS spent the past four years going after pro-life investigators who were exposing how Planned Parenthood sells body parts of aborted babies, opposing the merger of religious-based hospitals to protect transgender and abortion "rights," and wrestling over Obama-era contraceptive mandates with a group of Catholic nuns. This is quackery and waste on an unprecedented scale.

RFK Jr. is tasked with rooting out the corruption that sprang forth with the Biden administration's DEI agenda and put science back in our health policy.

3. End the chronic disease epidemic with measurable impacts within two years.

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Today, despite our modern technology, Americans are sicker than ever before. 129 million Americans have at least one chronic disease, 42 percent have two or more, and 12 percent have more than five. Life expectancy is at a twenty-year low despite the fact that we are spending more than ever on health care. Even our children are sick, with a staggering 40 percent of school-aged kids having at least one chronic disease. One in nine kids has ADHD, and one in 54 has autism, both representing a steep increase over past decades.

America is sick, and Big Pharma is just rolling in the profits. This is where RFK Jr. comes in. He aims to find the cures and preventions to these diseases and make Americans healthy instead of lifelong patients.

POLL: Is Matt Gaetz in trouble?!

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Trump is assembling a dream team to take on the deep state that has burdened the American people for far too long.

It's no surprise Democrats have been pushing back against Trump's nominations, but one person in particular has been experiencing the most resistance: Florida Rep. Matt Gaetz, Trump's pick to serve as his Attorney General. The controversy centers around a years-long House ethics probe regarding sexual misconduct allegations made against Gaetz several years ago. Despite the FBI conducting its own investigation and refusing to prosecute Gaetz, his nomination re-ignited interest in these allegations.

Democrats and some Republicans demand the House Ethics Committee release their probe into Gaetz before his Senate confirmation hearing. Conveniently, earlier this week, an anonymous hacker obtained this coveted report and gave it to the New York Times, which has yet to make the information public.

Glenn is very skeptical about the entire affair, from the allegations against Gaetz to the hacker's "anonymity." Is it another case of lawfare by the Democrats?

Glenn wants to know what do you think. Did Gaetz commit the crimes he's accused of? Will he still be appointed attorney general? Let us know in the poll below:

Is Matt Gaetz guilty of the crimes he is accused of committing?

Will Matt Gaetz still be appointed to Trump's cabinet?

Was the "hacker" really some Democratic staffer or lawmaker?

3 BIGGEST lies about Trump's plans for deportations

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To the right, Trump's deportation plans seem like a reasonable step to secure the border. For the left, mass deportation represents an existential threat to democracy.

However, the left's main arguments against Trump's deportation plans are not only based on racially problematic lies and fabrications — they are outright hypocritical.

Here are the three BIGGEST lies about Trump's deportation plans:

1. Past Deportations

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The left acts like Donald Trump is the first president in history to oversee mass deportations, but nothing could be further from the truth. Deportations have been a crucial tool for enforcing immigration laws and securing the country from the beginning, and until recently, it was a fairly bipartisan issue.

Democrat superstar President Obama holds the record for most deportations during his tenure in office, clocking in at a whopping 3,066,457 people over his eight years in office. This compares to the 551,449 people removed during Trump's first term. Obama isn't an anomaly either, President Clinton deported 865,646 people during his eight years, still toping Trump's numbers by a considerable margin.

The left's sudden aversion to deportations is clearly reactionary propaganda aimed at villainizing Trump.

2. Exploitative Labor

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Commentators on the left have insinuated that President Trump's deportation plan would endanger the agricultural industry due to the large portion of agricultural workers in the U.S. who are illegal aliens. If they are deported, food prices will skyrocket.

What the left is conveniently forgetting is the reason why many businesses choose to hire illegal immigrants (here's a hint: it's not because legal Americans aren't willing to do the work). It's because it is way easier to exploit people who are here illegally. Farmowners don't have to pay taxes on illegal aliens, pay minimum wage, offer benefits, sign contracts, or do any of the other typical requirements that protect the rights of the worker.

The left has shown their hand. This was never about some high-minded ideals of "diversity" and "inclusion." It's about cheap, expendable labor and a captive voter base to bolster their party in elections.

3."Undesirable" Jobs

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Another common talking point amid the left-wing anti-Trump hysteria is that illegal aliens take "undesirable" jobs that Americans will not do. The argument is that these people fill the "bottom tier" in the U.S. economy, jobs they consider "unfit" for American citizens.

By their logic, we should allow hordes of undocumented, unvetted immigrants into the country so they can work the jobs that the out-of-touch liberal talking heads consider beneath them. It's no wonder why they lost the election.

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