'The Immortal' turns Santa Claus into the warrior protector of a young Jesus Christ

The American Dream Labs are changing the face of faith-based films. Alongside Ben McPherson, head of the American Dream Labs, Glenn unveiled two projects they are working on: 'The Immortal' and 'The Revolutionary'. While there were few details revealed about the latter, Glenn did go into detail about 'The Immortal'. It's a gritty action-adventure film that marries a rugged version of Santa Claus with the eternal story of Jesus Christ. It is unlike any movie faith film ever conceived, combining the greatest story Glenn has ever conceived with mind-blowing production value.

Glenn plans to release the book in December of 2015, followed by the film in 2016. He unveiled a trailer for the film to his staff at the end of last year, one he shared with the audience on his TV show Wednesday night:

Glenn described more details during the show:

The Immortal is really a story that starts from my frustration.  All the stories that we’re doing come from my head, and this one is really deeply personal, because it started two years ago when my kids were getting ready for Christmas, and all they could talk about was presents, toys, and Santa and elves.

And I kept trying to come up with some way to work Christ into it.  You know, can we stop with the, you know, fat magic fairy that gives you everything you want for Christmas?  Let’s actually talk about what it is.  Now, I don’t want to be the guy who complains about the giant corporations.  I don’t want to be the guy who’s complaining about Santa.  I don’t want to be that dad, because I remember growing up Santa was important.  That was cool.  It’s magic.  It’s magic.

Santa is an important part of Christmas, but it’s become nothing more than a racket.  If the kids just think that Santa just shows up and just dumps a whole bunch of presents, and you don’t even know why we’re getting gifts anymore, is that the lesson you want to teach your children?  Because it’s not mine.  And so it bothered me and bothered me all through Thanksgiving and all through Christmas, and I started writing a story called the Immortal.

It’s coming out as a book, not this Christmas but next Christmas, and then it will be a film.  The premise behind it was how can I take a guy, Santa, and completely reshape him and make him into something even more magical than what we already think.  How can I tell the story of Santa and place him into the actual first Christmas story without damaging the actual Christmas story?  I can’t do any damage to that.  I can’t have kids go yeah, well, that was Santa that was feeding the sheep.  I can’t do that.

So how do I place this figure there so he is forever pointing to that moment?  It wasn’t easy, but this story started to download, and I wrote it over the Christmas vacation.  And we have been working on it now ever since, and we have come up with something that I think is game changing.  Clement Moore was the guy who did ‘Twas the Night Before Christmas, and he was the first guy that really changed the look of Santa

And then Coca-Cola did it, changed the look of Santa.  And then Montgomery Ward did it with Rudolph the Red-Nosed Reindeer, and then we’ve been off to the races and off to the malls ever since.  How can we reshape?  My Santa, the Immortal is a very different guy.  He starts out right before the birth of Christ, and he is up in the mountains.  And he is a warrior.  He has lost his wife, and he’s a sad individual.  And he’s got a son who loves dearly, and he lives up in the mountains, and he hunts for food.

But what’s interesting about him is he’s also good with his hands, and the way he hunts is completely different.  He actually goes up in the mountains, and he makes these giant puppets that he actually gets inside.  And he is trying to kill these wild boars by being inside one of these puppets, if you will, of a boar.  And he roots around as the boars come in.  That way he’s close enough to kill them.

And he takes his son and leaves him in his sledge up on the mountaintop and tells him to be careful.  You know, he has taught him to be smart and wise, but as Agios, the main character, comes down, and he is hunting for these wild boar, he hears a scream up by the sledge, and the wolves have come and dragged his boy away.  Let me just give you a little bit.

This is from the book:

 Agios is now trying to go hunt the wolves because he has seen that his son has been dragged away.  “The ridge led downward and beneath a rocky overhang.  He spotted two wolves, huge animals, snarling as they fought over something they were devouring.  Agios leapt from the sledge before the animals could react, spear in one hand, knife in another.  The startled wolves whirled and snarled.  Both ran at him like gray ghosts speeding from the gathering gloom. 

Agios leaned back on the spear, planting the spear deep inside the lead wolf as it leapt.  The blade lodged between the shoulder muscles.  The wolf jerked the knife from his hand.  In blind fury, Agios grabbed the savage creature, held her muzzle in one hand, lower jaw in the other, and wrenched.  Bone and sinew cracked, and the wolf fell…and retrieved the knife as he sank it into the animal’s heart. 

He saw the male, mortally wounded, on its belly, making its way towards him.  He saw the fallen mate dragging the spear, spilling its own blood.  He gave no thanks.  Sobbing, cursing himself, he scrambled to the small ripped body beneath the overhang.  “Alec,” he moaned, and then he screamed, “My son!”  But no living thing could hear.  Night enclosed him.  The pines creaked in sudden gusts.  The mountain storm did not care.  Agios screamed again a wordless sound of agony, guilt, and grief.  The wind whipped his anguished cry into the darkness.”

That’s how our story begins.  That’s Santa?  Yes, because what does a man do when he’s in that position where he has no hope, no resurrection, nothing?  What does he do?  He goes on an amazing journey as a hunter, as a gatherer.  He eventually is hired by three wise men because he can negotiate, because nobody is going to rip them off, and he knows how to get the very best gifts.  And so he negotiates with gold, frankincense, and myrrh and then has to go protect that gold, frankincense, and myrrh and then through a series of events is left there to protect the Christ child, never interacting, just watching.

He doesn’t know who he is, and he goes darker and darker in his whole life as he watches this boy grow, but he’s always touched by him, but he doesn’t realize it until the Sermon on the Mount.  As this now 75-year-old man who has spent 30 years just following this little boy, as he’s listening to the Sermon on the Mount, he finally breaks.  He knows who he is, and he falls to his knees, and he says Lord, let me serve him.  Let me protect him.  Let me point the way towards him until his mission is finished.

He makes a pact.  Little does he know in that pact he has now become immortal, because as he watches the crucifixion from afar and cannot get close to it, cannot stop it, he feels he fails again.  He runs off before the resurrection.  A thousand years pass until he meets another little boy, a little boy that happens to grow up to be what we know as Saint Nicholas.

I’m going to leave it there.

Legal warfare strikes France's conservative hope

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An all-too-familiar story unfolded in France this week: the is law being weaponized against a "far-right" candidate. Does that ring a bell?

Glenn was taken aback earlier this week when he learned that Marine Le Pen, a popular French conservative, had been banned from the 2027 election following a controversial conviction. The ruling shocked French conservatives and foreign politicians alike, many of whom saw Le Pen as France’s best conservative hope. President Trump called it a "very big deal," a view shared by French commentators who fear this marks the end of Le Pen’s political career.

But this isn’t just about France—it’s a symptom of a larger threat looming over the West.

A double standard?

Fmr. President Sarkozy (left) and Fmr. Prime Minister Fillon (right)

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As of Sunday, March 30, 2025, Marine Le Pen led the polls with a commanding edge over her rivals, offering French conservatives their strongest shot at the presidency in years. Hours later, that hope crumbled. Found guilty of embezzling EU funds, Le Pen was sentenced to two years of house arrest, fined €100,000 ($108,200), and banned from public office for five years, effective immediately.

Glenn quickly highlighted an apparent double standard. Former President Nicolas Sarkozy and former Prime Minister François Fillon faced similar—or worse—corruption charges, yet neither was barred from office during their political runs. So why Le Pen, and why now? Similar to Trump’s "hush money" trial, legal troubles this late in the election cycle reek of interference. The decision should belong to voters—France’s largest jury—not a courtroom. This appears to be a grave injustice to the French electorate and another crack in democracy’s foundation.

This is NOT about France

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This pattern stretches far beyond France; it’s a tactic we’ve seen before.

In early 2025, Bucharest’s streets erupted in protest after Romania’s Constitutional Court annulled the first round of its presidential election. Călin Georgescu, a rising conservative, had clinched an unexpected victory, only to have it stripped away amid baseless claims of Russian interference. His supporters raged against the decision, seeing it as a theft of their voice.

Both Georgescu and Le Pen echo the legal barrage President Trump endured before his 2024 win. The Left hurled every weapon imaginable at him, unleashing unprecedented lawfare. In America, the Constitution held, and the people’s will prevailed.

Now, with Tesla vandalism targeting Elon Musk’s free-speech stance, a coordinated pushback against freedom is clear—spanning France, Romania, the U.S., and beyond.

The war on free will

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Trump’s 2024 victory doesn’t mean lawfare is dead; Europe shows it’s thriving.

France and Romania prove its effectiveness, sidelining candidates through courts rather than ballots. Glenn warned us about this years ago—when the powerful can’t win at the polls, they turn to the gavel. It’s a chilling trend of stripping voters of their choice and silencing dissent, all the while pawning it off as justice. The playbook is polished and ready, and America’s turn could come sooner than we think.

How Melania Trump is inspiring the next generation of fashion

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First Lady Melania Trump’s impeccable style has long captivated admirers across the globe, but for one young woman, it sparked a creative revolution.

Lorelai, a young Glenn Beck fan who requested a degree of anonymity, first met Glenn while attending America Fest 2024 in Phoenix, Arizona with her grandmother. An aspiring fashion designer and illustrator, Lorelai shared with Glenn some of her sketches of characters from Glenn’s latest book, Chasing Embers. She also explained how Melania Trump became the cornerstone of her artistic journey, inspiring her to craft modest yet beautiful clothing that redefines modern fashion.

Melania Trump’s elegance—stunning, powerful, and undeniably feminine—first captured Lorelai’s attention during the First Lady’s time in the White House. Unlike the casual, often immodest trends dominating her peers’ wardrobes, Melania’s wardrobe exuded grace and sophistication. From tailored coats to flowing gowns, her choices were a masterclass in balancing boldness with dignity, a philosophy that resonated deeply with Lorelai. This admiration grew into inspiration as Lorelai began designing apparel specifically with Melania in mind, aspiring to design pieces that could match the First Lady’s grace. She strove to reflect Melania’s breathtaking style in her sketches in an effort to demonstrate how modesty can be beautiful.

The First Lady’s poised and graceful presence has redefined modesty for the modern era. To Lorelai, the First Lady’s style proves that more fabric offers boundless room for imagination, allowing personality to shine without sacrificing dignity. Melania embodies this perfectly—her fashion commands attention with stunning, memorable elegance. Inspired by this, Lorelai’s mission is to craft clothing for her generation that mirrors Melania’s influence, blending contemporary flair with classic beauty.

After her meeting with Glenn at America Fest, Lorelai’s passion and resolve have only deepened. Through fashion and art, Lorelai hopes to inspire others with the same grace that Melania Trump exemplifies. Below are some of Lorelai's sketches she was eager to share with Glenn.

Melania Trump: First Lady

I really adore First Lady Melania Trump’s grace and timeless beauty. She is extremely intelligent and brave but also strong and poised. Her fashion style displays these traits. I was inspired to create these outfits for our First Lady in hopes that she would see these drawings. -Lorelai

Melania Trump: Lady Liberty

We, as a country, will be celebrating next year our 250th anniversary of independence. The designs that inspired this patriotic gown came from Lady Liberty and Lady Columbia art. I also love our American flag, and this design is a combination of all three. -Lorelai

Chasing Embers Character Art (Ember)

I chose to draw the characters Sky, Azaz and Ember from Glenn Beck and Mikayla G. Hedrick’s Chasing Embers series. -Lorelai

Chasing Embers Concept Art (Ember)

I was inspired to draw a younger and teen version for Sky and Ember. -Lorelai

Chasing Embers Character Art (Sky)

Chasing Embers Concept Art (Azaz)

I also gave multiple outfits designs for Sky and Azaz. I loved that their personalities and character development meant in my mind a wardrobe development too. -Lorelai

Glenn: Government workers bought luxury cars with YOUR tax dollars

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The deep state isn’t a conspiracy theory — it’s a reality. And the corrupt, free-spending Federal Mediation and Conciliation Service is just one example of how Washington insiders enrich themselves.

A little-known agency in Washington perfectly encapsulates everything wrong with our bloated, corrupt government: the Federal Mediation and Conciliation Service. It should be the poster child of everything that Elon Musk is exposing.

The agency was established in 1947 under the Labor Management Relations Act to serve as an independent agency mediating disputes between unions and businesses — a noble mission, perhaps. But like so many government institutions, it has rotted into something far removed from its original purpose.

The FMCS goes beyond mismanagement into blatant corruption and theft.

What was once a mechanism for labor stability has morphed into an unchecked slush fund — an exclusive playground for bureaucrats living high on taxpayer dollars.

The FMCS is a textbook case of government waste, an agency that no one was watching, where employees didn’t even bother showing up for work — some hadn’t for years. And yet they still collected paychecks and spent government money — our money — on their personal luxuries.

Luxury cars and cell phone bills

The Department of Government Efficiency discovered how FMCS employees used government credit cards — intended for official business — to lease luxury cars, cover personal cell phone bills, and even subscribe to USA Today. The agency’s information technology director, James Donnan, apparently billed taxpayers his wife’s cell phone bill, cable TV subscriptions in multiple homes, and personal subscriptions.

FMCS officials commissioned portraits of themselves and hung them in their offices, and you footed the bill. They took exotic vacations and hired their friends and relatives to keep the gravy train rolling.

The FMCS goes beyond mismanagement into blatant corruption and theft — and it went on for decades, unnoticed and unchallenged.

President Donald Trump signed an executive order to abolish the FMCS — a necessary and long-overdue move. But the FMCS is just one of many agencies within the federal government burning through billions of taxpayer dollars. How many more slush funds exist in the shadows, funneling money into the pockets of bureaucrats who produce nothing? How many government-funded NGOs operate in direct opposition to American interests?

Perhaps the most disturbing question is why Americans tolerate such corruption. Why do so many Americans tolerate this? Why is the left — supposedly the party of the people — defending the very institutions that rob working-class Americans blind?

Corruption beyond bureaucracy

The recent rallies led by Sen. Bernie Sanders (I-Vt.), Rep. Alexandria Ocasio-Cortez (D-N.Y.), and their socialist acolytes claim to be a grassroots uprising against corruption and greed. But GPS data from these rallies tells a different story. The majority of attendees aren’t ordinary citizens fed up with the status quo. They’re professional activists — serial agitators who bounce from protest to protest.

Roughly 84% of devices tracked at these rallies were present at multiple Kamala Harris events. A staggering 31% appeared at over 20 separate demonstrations, tied to Antifa, Black Lives Matter, and pro-Palestinian causes.

Many of these organizations receive federal grant money — our tax dollars — and they’re using those funds to protest the very policies that threaten to cut off their financial lifeline.

This isn’t democracy in action. This is political theater — astroturfing perfected. And the American taxpayer is funding it.

Rooting out corruption

Trump was a battering ram against this corrupt system. Elon Musk is a surgeon, meticulously exposing the infection that has festered for decades — and that’s why the leftists hate him even more than they hate Trump. Musk threatens to dismantle the financial web that sustains their entire operation.

When we allow the government to grow unchecked and our leaders to prioritize their own wealth and power over the good of the nation, figures like Trump and Musk are necessary. Rome didn’t fall because of an external invasion but rather due to internal decay that looked an awful lot like what we see today.

We must demand better. We must refuse to tolerate this corruption any longer. The FMCS may be gone, but the fight to root out this deep-seated corruption is far from over.

Editor's Note: This article was originally published on TheBlaze.com.

Did the CIA hide the real truth behind JFK's assassination?

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Many were disappointed by the recent release of the JFK files, frustrated by the apparent lack of answers to decades-old questions. The problem? They’re asking the wrong question.

Everyone wants a "who"—a smoking gun, someone to blame. It’s understandable; Americans crave justice for a slain president, to hold the culprits of one of the 20th century’s greatest crimes accountable. But the real answer isn’t a "who"—it’s a "what." That "what" is the CIA and proof of their nefarious dealings since the 1960s.

In his most recent TV special, Glenn delves into the JFK files, where he found the crucial information that everyone else seemed to miss. Be sure to watch the TV special here.

The CIA's Dirty Fingerprints

While the recent JFK files don’t explicitly pin the assassination on the CIA, the evidence between the lines is compelling.

If you follow Glenn on X, you’ve seen his newest artifact: an exact replica of Lee Harvey Oswald’s rifle. Glenn tested it at the range, attempting to replicate the notoriously difficult shot Oswald allegedly made that fateful day in Dallas. While Glenn shares more takeaways in his TV special, one thing stood out immediately: the rifle’s abysmal quality, its shoddy scope, and the odd caliber of ammunition it uses.

Oswald’s rifle, a Mannlicher-Carcano, is chambered in 6.5mm—an unusual caliber. Much like today, the average gun store in the ‘60s didn’t stock 6.5mm rounds. The largest known supply was owned by the CIA, who had shipped the ammo from Greece after World War II. Suspiciously, there’s no record of where Oswald got his ammunition, but the JFK files confirm that the gun store where he bought the Mannlicher-Carcano had CIA connections.

It’s well-known that Oswald defected to the USSR and lived there before returning to the U.S. The JFK files reveal that from the moment he touched down stateside, the CIA tracked him like a hawk. They followed him across the country and even to Mexico City—but, conveniently, seemed to lose him in Dallas just as President Kennedy arrived. What a coincidence.

Whether by design or gross incompetence, the CIA greased Oswald’s path, letting him slip unhindered into that sixth-floor Book Depository window.

The Cover-Up

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If the JFK files aren’t the smoking gun many hoped for, why did the CIA fight so hard to keep them buried?

The answer is trust. Hard as it may be to imagine today, Americans in the ‘60s trusted their government—at least more than they do now. This cover-up preserved that trust longer than it might have lasted, allowing the CIA to pull off more scandals before the public caught on. From Benghaziand 9/11 to COVID-19 and January 6, the same dirty marks found in the JFK files stain these events. It’s about saving face. The files make the CIA look incompetent at best, complicit at worst.

This might feel like common knowledge today—especially to Glenn’s audience—but 40 or 50 years ago, saying such things could land you in the loony bin. It’s taken 60 years of growing suspicion to reach this point. Imagine if the JFK files had been available back then. Could we have stopped six decades of CIA shenanigans in their tracks?

The thought is chilling.

What Now?

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The files don’t name a mastermind or explicitly confirm the darkest JFK assassination conspiracies that have swirled for decades—but they’re far from empty. They expose a disturbing truth: the CIA’s unchecked power in the ‘60s echoes into today.

In one of his most exciting TV specials yet, Glenn delves deep into the files, proving why we can’t ignore these revelations. Stop chasing a "who" and start demanding accountability for the "what." Only by confronting this can we hope to rein in the agency that’s dodged scrutiny for too long.