Best-selling author Richard Paul Evans discusses his new book "Michael Vey 2: Rise of the Elgen"

August 14, 2012

Writer

Today, author Richard Paul Evans released the latest installment of the "Michael Vey" series: Michael Vey 2: Rise of the Elgen. Published by Glenn Beck’s Mercury Ink imprint, Michael Vey 2: Rise of the Elgen is the sequel to the instant #1 New York Times bestselling thriller Michael Vey: The Prisoner of Cell 25. Evans joined Glenn on radio this morning to discuss the new Young Adult novel.

“Rise of the Elgen, of course, takes off where the first book ended,” Evans told Glenn.

“Michael's mother was kidnapped and in Rise of the Elgen Michael is going down to save his mother. And it takes them to South America and into the jungles of the Amazon. I've actually spent a lot of time in the jungles. I've done a lot of humanitarian work down there. So it's a ride. That's all I can say. It's fun. It's a little scarier than the first book but I think that's good for especially the young male readers.”

Many fans of the series may not know that the book didn’t have a lot of supporters until Glenn decided to publish it as the first book from Mercury Ink.

“No one believed in the book,” Evans explained.

“The book debuts at number one of the New York Times,” he said, “ By the second day it was in its second printing.”

Back in June, Glenn encouraged viewers to create and interact with art that reflected positive values and lessons. The ‘Michael Vey’ series is just one example of this call being put into action. A story about hope and the power of goodness in an increasingly dark world, Michael Vey is a vehicle to teach kids important lessons and values.It teaches children that if they persist, and do what they know to be right, no matter how much pressure they face to do otherwise, then anything is possible.

You can get your copy of Michael Vey 2: Rise of the Elgin for 50% off TODAY ONLY by clicking HERE.

Read the full interview transcript below:

GLENN: During Restoring Love, we had book signings. David Barton was one of them. Michele Bachmann was one of them. We had ‑‑

PAT: Pat and Stu was one of them.

GLENN: Whatever.

PAT: Hello. It's huge.

STU: Huge.

GLENN: Brad Thor.

PAT: 730,000 people lined up.

GLENN: Brad Thor was there. I mean, we had some really big authors. And then there was Richard Paul Evans. Richard Paul Evans ‑‑

STU: Was that an insult?

GLENN: No.

PAT: Then this guy.

GLENN: Richard Paul Evans ‑‑ let me explain. Richard Paul Evans is one of the reasons why the Department of Homeland Security came to us and said they were worried about crowd control. His line for his book signing for Michael Vey: The Rise of the Elgin which is the Michael Vey, the second in the series, the reason why they said that they were concerned about crowds, his line was a quarter of a mile long. And you just told me, I didn't know this story. You stood in your own line.

EVANS: Yeah, I thought that was the line to get in to the event. I was there two hours early. I waited in line and thought, this line's not going anywhere.

PAT: What a buffoon!

EVANS: Thank you.

GLENN: Brad Thor wouldn't have done that.

PAT: Nope. Nope.

GLENN: (Laughing.)

EVANS: I'm a humble guy, okay? So I walked around.

GLENN: You stood in your own line.

EVANS: Yes. And so then I walked around and went to the front like I'm going to ‑‑ I have to get in there. And when I got to the front, people were wearing these T‑shirts they had made that said Vayniacs, and they started pointing at me and this guy said, this is your line for your book signing. I said, no, no, no.

GLENN: What's so funny is you were standing in your own line. Nobody knew. They're all waiting to meet you, they're all waiting to get your autograph and the people around you had no idea who you were.

EVANS: Well, it's all context.

GLENN: So amazing. The Michael Vey series, I'm just ‑‑ my kids were a little too young to read it last year. Raphe's just about 8 now and I'm reading it to my son and my daughter who is 7, and we love it. Just love it. I've been waiting to be able to share the books with them and I told Raphe last night ‑‑ we're just about finished with the first one and I told Raphe last night, we have to finish this because with new one comes out tomorrow. I told this story earlier. He looked at me like, he is not buying into me. And he was like, what are you selling? And I looked at him and I said, what's the problem? He said, Dad, it comes out tomorrow? And I said, yeah and he said, then how come we've had a copy for about a month?

EVANS: (Laughing.)

GLENN: He discovered Dad's a liar. But so we started. I haven't read it yet because I want to read it with the kids. Tell me about Rise of the Elgin.

EVANS: Rise of the Elgin, of course, takes off where the first book ended. Michael's mother was kidnapped and in Rise of the Elgin Michael is going down to save his mother. And it takes them to South America and into the jungles of the Amazon which I've actually spent a lot of time in the jungles. I've done a lot of humanitarian work down there. So it's a ride. That's all I can say. It's fun. It's a little scarier than the first book but I think that's good for especially the young male readers.

GLENN: You are ‑‑ you and I have one thing in common on when it comes to books, and it sets us apart, I think, from the rest of the publishing world. When you first had this book, you went to publishers and they said ‑‑

EVANS: They weren't interested. Remember how much fun we had last year, Glenn?

GLENN: Oh, yeah.

EVANS: Because no one believed in the book.

GLENN: I know.

EVANS: The book debuts at number one of the New York Times.

GLENN: I know.

EVANS: I just, I don't know if you know this. By the second day it was in its second printing.

GLENN: Holy cow.

EVANS: Yeah. Then basically Simon and Schuster stopped all the other books and just printed Michael Vey to keep up with the demand.

GLENN: The book comes out and all of the publishers kept saying you have to dumb it down, dumb it down. And when I read it, I said, Richard, smarten it up a little bit. It's got to be a little smarter and a little darker for kids. This is our first, as Mercury Ink, this is my first moving into try to get the young adults in a way they understand. Everybody else tries to get ‑‑ everybody else was like, I've got to do a moralistic book now. Golly gee, Wally, mom's going to be so upset when they find out. Leave It to Beaver doesn't connect. It just doesn't connect if the kids are in the filth that's out there. So this is kind of going into their world and dragging them back.

EVANS: Right. If you want to teach about self‑sacrifice, you could put an essay on there or you could do what Zeus does when all of a sudden they are being ‑‑ they are in a hall filled with rats and he ‑‑

GLENN: Don't tell me ‑‑ yeah, don't ‑‑

EVANS: But, you know, they make ‑‑ these kids make sacrifices because their love and their friendship.

GLENN: And it's easy to be able to read it with your kids and have conversations that are real that are not moralistic that are just real conversations. What are the ‑‑ what are you seeing? Did we give this out to advance readers? I know we did some but have you gotten any reviews back or anything from advance readers?

EVANS: Getting it back on my Facebook page and what they're saying is most are saying it's better than the first book. Getting a lot of, well, it's a little bit scarier than the first book, a lot of fun. And what I'm really hearing is the end of the book, the last third, once you start there, you'll be up all night reading it because once it starts rolling, you can't stop.

PAT: How many people are saying it needs more vampires? A lot? Are you getting a lot of that?

EVANS: You know what, people ‑‑

PAT: Shakespearian vampires, though.

EVANS: People are so glad there's no vampires in this and no wizards.

PAT: I bet. Have you seen the bookshelves, especially for young adults. You can't find anything that's not vampire‑related.

GLENN: You know why?

PAT: It's ridiculous.

GLENN: Because nobody is independent. They are all just sheep.

PAT: Yep.

GLENN: They are all sheep.

PAT: Yep.

GLENN: And so somebody comes up with an idea for a good book. Yeah, Stephenie Meyer does the Twilight thing and like, well, the kids love vampires. No, it was a really good story. Can you stop and come up with something original, which is what you did with Michael Vey. Let me ‑‑ I can't help. I hope I don't make you uncomfortable. I can't help because I'm reading it now and Michael keeps talking about his ticks. Michael has Tourette's syndrome. You have Tourette's syndrome.

EVANS: I have Tourette's syndrome.

GLENN: He keeps saying right when he gets into a nervous situation or he's about to be around a girl or whatever, he starts, you know, twitching and his eye starts blinking.

EVANS: Like I am right now.

GLENN: You're not now but when Pat was talking to you, your eye was twitching. You have a crush on him or ‑‑

EVANS: No, it's anxiety.

GLENN: It's anxiety?

EVANS: That's what Michael ‑‑ Taylor can always in the book tell when Michael's nervous because he starts twitching.

GLENN: Twitching. How was that when you were growing up? How much of this ‑‑ how much of Michael is you?

EVANS: Most of it. And I didn't realize it until I ‑‑ after the book was out a year that a friend came and said, you know, this is you, right? You do know you wrote a book about yourself?

GLENN: Except you're not electric.

EVANS: I'm not electric. But the electricity's really a metaphor, the power we have within ourselves. Whether it's our love or our talents. It's just one other different thing we can use. And I had different ‑‑ I didn't have electricity. I had a different way of communicating with other people.

GLENN: There is a great ‑‑ there are several scenes in it that I mean, I think towards the very beginning and I think what people, kids and adults see in it is themselves. You say Michael Vey is you. I don't have Tourette's, but I had kind of the childhood that Michael Vey had, too, where you were just kind of the loser kid and you got beat up and, you know, whatever. And I think a lot of us had that kind of experience. Yeah, no, I know it's crazy. People didn't want to hear about George Washington. But the ‑‑ that you see yourself and your own childhood and we all kind of see ourselves as the ‑‑ as the outsider, being picked on somebody. But there is a really important scene in the first book about when Michael teams up with the guys who have been beating up on him and I just read this part with Raphe about two days ago and it was such a great conversation to have with Raphe where you realize what these kids who are bullies, what's happening to them in their life and it just, I could see lights go on in his head. Have you heard that very often? Have you heard that from anybody else that kids are ‑‑ they're getting ‑‑ they are not only seeing themselves but they're opening up and seeing other things that they never even considered before?

EVANS: You know expressed not quite so articulately.

GLENN: You're being kind.

EVANS: But what kids say is, wow, that's kind of tough being the bully. But also I can see why he does that. And Michael makes that statement. He goes, I probably will be shoving kids in lockers, too, if that happened to me at home. And so in fact, Jack because one of the favorite characters. In fact, my daughter said, she's my writing assistant, she goes, I think Jack's my favorite character now.

GLENN: Is he in 2?

EVANS: He's in 2. He's a big part of 2. And you get to see, one of the things that Michael is, why they love him so much is that Michael brings the Bess out of everybody. So Jack, he knows Jack wants to be a hero. He wants to be like his brother who is a marine and Jack gets to lay that part. And he becomes the best he can be, and all of them do. There's a scene in the jungle between Austin and McKenna, two of the characters that I think is stunning in the second book. It's one of the favorite things I've written of all my novels. I just read it over and over and thought, I love that scene. Because she inspires him to be who he really can be.

GLENN: The name of the book is Michael Vey 2: Rise of the Elgin and it is available everywhere. There's a reason why the line to get the autograph on this book was a quarter of a mile long. Just think of that, a quarter of a mile long for a book that most of America has not heard of really yet. I don't think this book will take off really until Book 3. And that's when this book will start to have momentum because that's kind of the pattern of these twilight and Harry Potter and Percy Jackson and everything else. It starts to build momentum around Book 3. In Book 1 it was already a bigger seller than Book 1 of Harry Potter when it was first released.

EVANS: It's actually Simon and Schuster's largest new series, young adult release in their history.

GLENN: So you've got that going for you now. There's a reason why it's a quarter of a mile long to say hello. Get your kids on the bandwagon and share it with a friend. It is a great way to teach your kids. Great way just to have a great read and it's not just for kids. Really not. It's a great book. Pat read it. You loved it.

PAT: Oh, yeah, loved it.

GLENN: I read it by myself, loved it. And this is one of the reasons why I said smarten it up a bit because you can really make me love it. And Pat, after he read the edits, Pat loved it as well. I mean, you can read it as an adult as well.

EVANS: We ran into a little bit of a problem with the adults were liking it so much, then giving it to the kids, the kids, there's a kind of lag here. Like if adults like it, then maybe we shouldn't be reading this.

GLENN: Yeah, don't let your kids see you like it.

EVANS: But then they caught on and their friends start reading it.

GLENN: And that's one of the reasons that also the first book was prisoner of cell 25. It had kind of a dark cover because I wanted it to not be like, your parents liked it.

EVANS: Well, this one is scary. It has rats all over the second one.

GLENN: It's really good. Who is the artist that did the cover? Do you remember?

EVANS: I forgot his name. He does video games. He's fantastic.

GLENN: Really, really good. Go ahead.

EVANS: You heard about the deal we have on the book today?

GLENN: No.

EVANS: Oh, it's fantastic. It's just for your listeners. Premiere ‑‑ if you go to, of course it's available right now on Amazon and Barnes and Noble. But if you go to Premiere, just actually go to MichaelVey2.com.

GLENN: MichaelVey2.com.

EVANS: 50% off. It's like 9 bucks for the hard cover book.

GLENN: These are first edition copies. And may I make a recommendation. Keep your first edition copy. Buy two. Put one on the shelf. Have you seen, have you seen what a Harry Potter goes for? Buy 2, put one on a shelf. Mark my words. I collect books. Michael Vey, first edition copies. You can get them at MichaelVey2.com only for this audience. 50% off, today only if you go to MichaelVey2.com. But tell all your ‑‑ tell all your ‑‑ what did Michelle Obama call them? Knucklehead friends? Tell all your knucklehead friends that they can ‑‑ that they can get it at Amazon.com. Okay. Richard, we'll talk to you later. Thank you so much.

EVANS: Thank you.

Legal warfare strikes France's conservative hope

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An all-too-familiar story unfolded in France this week: the is law being weaponized against a "far-right" candidate. Does that ring a bell?

Glenn was taken aback earlier this week when he learned that Marine Le Pen, a popular French conservative, had been banned from the 2027 election following a controversial conviction. The ruling shocked French conservatives and foreign politicians alike, many of whom saw Le Pen as France’s best conservative hope. President Trump called it a "very big deal," a view shared by French commentators who fear this marks the end of Le Pen’s political career.

But this isn’t just about France—it’s a symptom of a larger threat looming over the West.

A double standard?

Fmr. President Sarkozy (left) and Fmr. Prime Minister Fillon (right)

BERTRAND GUAY / Contributor, Chesnot / Contributor | Getty Images

As of Sunday, March 30, 2025, Marine Le Pen led the polls with a commanding edge over her rivals, offering French conservatives their strongest shot at the presidency in years. Hours later, that hope crumbled. Found guilty of embezzling EU funds, Le Pen was sentenced to two years of house arrest, fined €100,000 ($108,200), and banned from public office for five years, effective immediately.

Glenn quickly highlighted an apparent double standard. Former President Nicolas Sarkozy and former Prime Minister François Fillon faced similar—or worse—corruption charges, yet neither was barred from office during their political runs. So why Le Pen, and why now? Similar to Trump’s "hush money" trial, legal troubles this late in the election cycle reek of interference. The decision should belong to voters—France’s largest jury—not a courtroom. This appears to be a grave injustice to the French electorate and another crack in democracy’s foundation.

This is NOT about France

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This pattern stretches far beyond France; it’s a tactic we’ve seen before.

In early 2025, Bucharest’s streets erupted in protest after Romania’s Constitutional Court annulled the first round of its presidential election. Călin Georgescu, a rising conservative, had clinched an unexpected victory, only to have it stripped away amid baseless claims of Russian interference. His supporters raged against the decision, seeing it as a theft of their voice.

Both Georgescu and Le Pen echo the legal barrage President Trump endured before his 2024 win. The Left hurled every weapon imaginable at him, unleashing unprecedented lawfare. In America, the Constitution held, and the people’s will prevailed.

Now, with Tesla vandalism targeting Elon Musk’s free-speech stance, a coordinated pushback against freedom is clear—spanning France, Romania, the U.S., and beyond.

The war on free will

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Trump’s 2024 victory doesn’t mean lawfare is dead; Europe shows it’s thriving.

France and Romania prove its effectiveness, sidelining candidates through courts rather than ballots. Glenn warned us about this years ago—when the powerful can’t win at the polls, they turn to the gavel. It’s a chilling trend of stripping voters of their choice and silencing dissent, all the while pawning it off as justice. The playbook is polished and ready, and America’s turn could come sooner than we think.

How Melania Trump is inspiring the next generation of fashion

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First Lady Melania Trump’s impeccable style has long captivated admirers across the globe, but for one young woman, it sparked a creative revolution.

Lorelai, a young Glenn Beck fan who requested a degree of anonymity, first met Glenn while attending America Fest 2024 in Phoenix, Arizona with her grandmother. An aspiring fashion designer and illustrator, Lorelai shared with Glenn some of her sketches of characters from Glenn’s latest book, Chasing Embers. She also explained how Melania Trump became the cornerstone of her artistic journey, inspiring her to craft modest yet beautiful clothing that redefines modern fashion.

Melania Trump’s elegance—stunning, powerful, and undeniably feminine—first captured Lorelai’s attention during the First Lady’s time in the White House. Unlike the casual, often immodest trends dominating her peers’ wardrobes, Melania’s wardrobe exuded grace and sophistication. From tailored coats to flowing gowns, her choices were a masterclass in balancing boldness with dignity, a philosophy that resonated deeply with Lorelai. This admiration grew into inspiration as Lorelai began designing apparel specifically with Melania in mind, aspiring to design pieces that could match the First Lady’s grace. She strove to reflect Melania’s breathtaking style in her sketches in an effort to demonstrate how modesty can be beautiful.

The First Lady’s poised and graceful presence has redefined modesty for the modern era. To Lorelai, the First Lady’s style proves that more fabric offers boundless room for imagination, allowing personality to shine without sacrificing dignity. Melania embodies this perfectly—her fashion commands attention with stunning, memorable elegance. Inspired by this, Lorelai’s mission is to craft clothing for her generation that mirrors Melania’s influence, blending contemporary flair with classic beauty.

After her meeting with Glenn at America Fest, Lorelai’s passion and resolve have only deepened. Through fashion and art, Lorelai hopes to inspire others with the same grace that Melania Trump exemplifies. Below are some of Lorelai's sketches she was eager to share with Glenn.

Melania Trump: First Lady

I really adore First Lady Melania Trump’s grace and timeless beauty. She is extremely intelligent and brave but also strong and poised. Her fashion style displays these traits. I was inspired to create these outfits for our First Lady in hopes that she would see these drawings. -Lorelai

Melania Trump: Lady Liberty

We, as a country, will be celebrating next year our 250th anniversary of independence. The designs that inspired this patriotic gown came from Lady Liberty and Lady Columbia art. I also love our American flag, and this design is a combination of all three. -Lorelai

Chasing Embers Character Art (Ember)

I chose to draw the characters Sky, Azaz and Ember from Glenn Beck and Mikayla G. Hedrick’s Chasing Embers series. -Lorelai

Chasing Embers Concept Art (Ember)

I was inspired to draw a younger and teen version for Sky and Ember. -Lorelai

Chasing Embers Character Art (Sky)

Chasing Embers Concept Art (Azaz)

I also gave multiple outfits designs for Sky and Azaz. I loved that their personalities and character development meant in my mind a wardrobe development too. -Lorelai

Glenn: Government workers bought luxury cars with YOUR tax dollars

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The deep state isn’t a conspiracy theory — it’s a reality. And the corrupt, free-spending Federal Mediation and Conciliation Service is just one example of how Washington insiders enrich themselves.

A little-known agency in Washington perfectly encapsulates everything wrong with our bloated, corrupt government: the Federal Mediation and Conciliation Service. It should be the poster child of everything that Elon Musk is exposing.

The agency was established in 1947 under the Labor Management Relations Act to serve as an independent agency mediating disputes between unions and businesses — a noble mission, perhaps. But like so many government institutions, it has rotted into something far removed from its original purpose.

The FMCS goes beyond mismanagement into blatant corruption and theft.

What was once a mechanism for labor stability has morphed into an unchecked slush fund — an exclusive playground for bureaucrats living high on taxpayer dollars.

The FMCS is a textbook case of government waste, an agency that no one was watching, where employees didn’t even bother showing up for work — some hadn’t for years. And yet they still collected paychecks and spent government money — our money — on their personal luxuries.

Luxury cars and cell phone bills

The Department of Government Efficiency discovered how FMCS employees used government credit cards — intended for official business — to lease luxury cars, cover personal cell phone bills, and even subscribe to USA Today. The agency’s information technology director, James Donnan, apparently billed taxpayers his wife’s cell phone bill, cable TV subscriptions in multiple homes, and personal subscriptions.

FMCS officials commissioned portraits of themselves and hung them in their offices, and you footed the bill. They took exotic vacations and hired their friends and relatives to keep the gravy train rolling.

The FMCS goes beyond mismanagement into blatant corruption and theft — and it went on for decades, unnoticed and unchallenged.

President Donald Trump signed an executive order to abolish the FMCS — a necessary and long-overdue move. But the FMCS is just one of many agencies within the federal government burning through billions of taxpayer dollars. How many more slush funds exist in the shadows, funneling money into the pockets of bureaucrats who produce nothing? How many government-funded NGOs operate in direct opposition to American interests?

Perhaps the most disturbing question is why Americans tolerate such corruption. Why do so many Americans tolerate this? Why is the left — supposedly the party of the people — defending the very institutions that rob working-class Americans blind?

Corruption beyond bureaucracy

The recent rallies led by Sen. Bernie Sanders (I-Vt.), Rep. Alexandria Ocasio-Cortez (D-N.Y.), and their socialist acolytes claim to be a grassroots uprising against corruption and greed. But GPS data from these rallies tells a different story. The majority of attendees aren’t ordinary citizens fed up with the status quo. They’re professional activists — serial agitators who bounce from protest to protest.

Roughly 84% of devices tracked at these rallies were present at multiple Kamala Harris events. A staggering 31% appeared at over 20 separate demonstrations, tied to Antifa, Black Lives Matter, and pro-Palestinian causes.

Many of these organizations receive federal grant money — our tax dollars — and they’re using those funds to protest the very policies that threaten to cut off their financial lifeline.

This isn’t democracy in action. This is political theater — astroturfing perfected. And the American taxpayer is funding it.

Rooting out corruption

Trump was a battering ram against this corrupt system. Elon Musk is a surgeon, meticulously exposing the infection that has festered for decades — and that’s why the leftists hate him even more than they hate Trump. Musk threatens to dismantle the financial web that sustains their entire operation.

When we allow the government to grow unchecked and our leaders to prioritize their own wealth and power over the good of the nation, figures like Trump and Musk are necessary. Rome didn’t fall because of an external invasion but rather due to internal decay that looked an awful lot like what we see today.

We must demand better. We must refuse to tolerate this corruption any longer. The FMCS may be gone, but the fight to root out this deep-seated corruption is far from over.

Editor's Note: This article was originally published on TheBlaze.com.

Did the CIA hide the real truth behind JFK's assassination?

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Many were disappointed by the recent release of the JFK files, frustrated by the apparent lack of answers to decades-old questions. The problem? They’re asking the wrong question.

Everyone wants a "who"—a smoking gun, someone to blame. It’s understandable; Americans crave justice for a slain president, to hold the culprits of one of the 20th century’s greatest crimes accountable. But the real answer isn’t a "who"—it’s a "what." That "what" is the CIA and proof of their nefarious dealings since the 1960s.

In his most recent TV special, Glenn delves into the JFK files, where he found the crucial information that everyone else seemed to miss. Be sure to watch the TV special here.

The CIA's Dirty Fingerprints

Did Oswald act alone? I tested the Warren Commission's "lone gunman" narrative and discovered something SHOCKING.

Watch the full experiment TONIGHT at 9PM ET only on https://t.co/Ki1CX633fq pic.twitter.com/DwNSUFXJ1r
— Glenn Beck (@glennbeck) March 26, 2025

While the recent JFK files don’t explicitly pin the assassination on the CIA, the evidence between the lines is compelling.

If you follow Glenn on X, you’ve seen his newest artifact: an exact replica of Lee Harvey Oswald’s rifle. Glenn tested it at the range, attempting to replicate the notoriously difficult shot Oswald allegedly made that fateful day in Dallas. While Glenn shares more takeaways in his TV special, one thing stood out immediately: the rifle’s abysmal quality, its shoddy scope, and the odd caliber of ammunition it uses.

Oswald’s rifle, a Mannlicher-Carcano, is chambered in 6.5mm—an unusual caliber. Much like today, the average gun store in the ‘60s didn’t stock 6.5mm rounds. The largest known supply was owned by the CIA, who had shipped the ammo from Greece after World War II. Suspiciously, there’s no record of where Oswald got his ammunition, but the JFK files confirm that the gun store where he bought the Mannlicher-Carcano had CIA connections.

It’s well-known that Oswald defected to the USSR and lived there before returning to the U.S. The JFK files reveal that from the moment he touched down stateside, the CIA tracked him like a hawk. They followed him across the country and even to Mexico City—but, conveniently, seemed to lose him in Dallas just as President Kennedy arrived. What a coincidence.

Whether by design or gross incompetence, the CIA greased Oswald’s path, letting him slip unhindered into that sixth-floor Book Depository window.

The Cover-Up

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If the JFK files aren’t the smoking gun many hoped for, why did the CIA fight so hard to keep them buried?

The answer is trust. Hard as it may be to imagine today, Americans in the ‘60s trusted their government—at least more than they do now. This cover-up preserved that trust longer than it might have lasted, allowing the CIA to pull off more scandals before the public caught on. From Benghaziand 9/11 to COVID-19 and January 6, the same dirty marks found in the JFK files stain these events. It’s about saving face. The files make the CIA look incompetent at best, complicit at worst.

This might feel like common knowledge today—especially to Glenn’s audience—but 40 or 50 years ago, saying such things could land you in the loony bin. It’s taken 60 years of growing suspicion to reach this point. Imagine if the JFK files had been available back then. Could we have stopped six decades of CIA shenanigans in their tracks?

The thought is chilling.

What Now?

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The files don’t name a mastermind or explicitly confirm the darkest JFK assassination conspiracies that have swirled for decades—but they’re far from empty. They expose a disturbing truth: the CIA’s unchecked power in the ‘60s echoes into today.

In one of his most exciting TV specials yet, Glenn delves deep into the files, proving why we can’t ignore these revelations. Stop chasing a "who" and start demanding accountability for the "what." Only by confronting this can we hope to rein in the agency that’s dodged scrutiny for too long.

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