Mercury Confidential: Building a network

By Meg Storm

Ever wonder what goes on behind the scenes at Mercury Radio Arts? Just how do all of Glenn’s crazy ideas get done? Does anyone ever get a chance to sleep? Well, over the next few months we are going to take you inside MRA, giving you the inside scoop on everything from publishing to special events, 1791 to Markdown to GBTV. We will be interviewing members of our New York, Columbus, and Dallas staff, bringing you all the info, so you can know what it’s really like to work for Glenn. Part 1 (Kevin Balfe - Publishing), Part 2 (Liz Julis - GBTV/Special Events)

Joel Cheatwood, President/Chief Content Officer at The Blaze, has lived in just about every major city in the United States, and he has worked for just about every major network. For a man who has spent his remarkable career running news divisions and creating programming for the biggest names in the business, it may come as a surprise that he once hated TV… with a passion.

Cheatwood started his career while he was still in college as a sport’s reporter for a small daily newspaper in Fresno, California. After about a year with the paper, his editor approached him with some bittersweet news.

“One day, I think I had been there about a year, the editor called and said, ‘We are going to lay off a whole bunch of people, and I am keeping you, which is the good news. The bad news is I am taking you off sports, and now you have to go report on city government.’ I had no interest, no idea, no knowledge,” Cheatwood recalled.

Unfortunately, he didn’t have much time to get his head around the idea. The editor gave him an assignment for 7 o’clock that night that had him reporting on a city council meeting. “I showed up and was totally lost,” he said. “I had no idea what they were talking about – zoning ordinances and all this stuff – and I was expected to write a story that night. Fortunately, a veteran reporter saw that I was sweating bullets and pulled me aside and basically said, this is what it boils down to, and she helped me write my story that night.”

The job ultimately led Cheatwood into the television industry, which ended up being a much tougher transition than he anticipated. “I followed my friends into television, and I hated it with a passion,” he said laughing. “I was used to writing these long stories and not worrying too much about editing, and suddenly I had to write these 30 second stories, so that was frustrating.”

On top of that, the technology was extremely difficult to work with. “When I started, way back in the dark ages, we were using film – film and some video – so when you scripted stories you had to script with A-roll, B-roll, gang roll – it was this horrible complex scripting thing that I just couldn’t get my head around and just hated it.”

But everything changed soon after that. “For some reason, after several weeks, I don’t know, but the light bulb went off and I got it, and from that point forward I just fell in love with television. I loved the technical aspect of it and embraced it.”

From there, Cheatwood crisscrossed the country working his way up the ladder. “I went to work at a CBS affiliate in Fresno, California, while I was still in college; and then moved to San Francisco – a CBS affiliate in San Francisco. I became the youngest executive producer in a major market television station. Then I went back to Fresno to be a news director; and then to Richmond, Virginia as a news director; and then Cleveland, Ohio as an assistant news director; and then Miami as a news director at WSVN; and then to Los Angeles to work for Twentieth Century Fox, where I was the vice president of non-fiction programming; and then back to Miami, same station, and took over news programming and promotion; and then we bought a station in Boston, and I oversaw news and promotion at both of those stations; and then to Chicago to the NBC station; then to Philadelphia to the CBS station where I was station manager.”

Is your head spinning? Because he is not done yet…

“From there I became the executive vice president of news for CBS owned and operated stations. I left there and went to CNN, where I became the executive director of program development; and then to Fox News where I was the senior vice president of program development; and then here.”

“I think we have lived in every major city in the country,” he joked.

It was about seven years ago, while Cheatwood was working at CNN, that a little known radio host named Glenn Beck first came across his radar.

“I will never forget it. I got a phone call from George Hiltzik, who is Glenn’s agent,” he said. “For some reason I think I picked up my own phone that day, which was odd, and George said, ‘My name is George Hiltzik, and I am the only agent at NS Bienstock that you haven’t met,’ which I thought was pretty clever. And he said, ‘I have this radio client. Would you do me a favor and just listen to a part of his show because I think he has something, and I would like your opinion.’”

It was fate that Cheatwood even answered his phone, let alone listened to some of Glenn’s radio program. “I also oversaw talent development at CNN, so I was just inundated with this stuff, but for whatever reason, I logged onto the website, and I started listening. I was captivated and listened for like 15 minutes. George called me back, I think it was the next day, and said, ‘Did you listen? What did you think?’ And I said, ‘I think there is something there.’”

It was Glenn’s candidness that made him so attractive to Cheatwood. “I mean the guy is genuine and compelling, and he has whatever that ‘it’ sort of thing is.”

“There is a just a complete genuine nature that you can’t teach because it’s just him,” he continued. “He means what he says and says what he means. And you can really tell. There is a trust and a bond that is built with his audience. You know, outside of Oprah, and I don’t even think she has it, there is not a talent or personality that has that bond with their audience. I mean it is just incredible.”

Because he knew nothing about Glenn other than what he heard on the radio program, Cheatwood asked Hiltzik for a little more information. Hiltzik suggested Cheatwood send one of his people down to Philadelphia (where Glenn was broadcasting from at the time) to sit in on some of Glenn’s radio broadcast.

“So I did kind of a mean thing,” Cheatwood explained. “I decided to send a producer, who shall remain nameless, I mean I love her, but she hates everything to begin with. She is tough to please, and her default setting is cynicism – nobody is as good as they say they are, everybody sucks until they prove differently. So I thought, I’ll send her, she’s going to go down there and say, ‘This guy is a whacko,’ and it will be done.’”

A couple days later, Cheatwood sent his person to Philadelphia. About an hour into Glenn’s broadcast, he got a response from the producer that he never expected to hear.

“I said, ‘Well what do you think?’ And she said, ‘He is amazing.’ And I said, ‘You’re kidding. What happened to you?’ And she said, ‘No seriously, this guy is the real deal. He’s got it, and you can tell he means what he says.’”

Cheatwood knew that if Glenn could impress this particular producer, there was definitely something there to work with. “I think I called George [Hiltzik] this time, and I said, ‘She likes him. My person likes him. So why don’t we set up a meeting?’”

It took a couple of weeks to schedule, but the meeting day finally arrived. Cheatwood remembers Glenn arrived with Chris Balfe, Chief Operating Officer of Mercury, Hiltzik, and another representative from NS Bienstock. In an industry where first impressions are key, Glenn certainly took an interesting approach.

“The first thing Glenn said is, ‘I really appreciate you having us here, but you need to understand that CNN would be the absolute last place I would do television. In fact, I don’t want to do television, but this would be the last place. But, as a courtesy, I decided to come,’” Cheatwood recalled laughing. “I spent the next hour trying to convince him that we were trying to create a place that would be very welcoming for him, and I could see that he was slowly warming up to it.”

By the end of the conversation, Cheatwood had a proposition. “I said, ‘Here is the deal I would offer you. Let’s shoot a pilot. I will pay for the entire thing. All I need is your time and your talent. And the worst thing that could happen is you’ll walk out of here with a DVD that you can use to go to HBO with or go to Showtime with or whatever. The best case scenario is we do something really special, and we do business together.’”

The meeting ended with Glenn agreeing to consider the offer, and Cheatwood got his answer soon after. “I think it was a couple of days later that [Glenn] called and said, ‘Ok, if you are willing to do that, I am willing to give you the time.’”

Little did Cheatwood know, getting Glenn on board would actually be the easy part. “We spent the next couple of months coordinating schedules and shooting this pilot,” he explained. “And then it took me a year to sell it to CNN.”

In January 2006, CNN’s Headline News (now HLN) announced that Glenn would be joining its evening line-up with a daily topical talk show aptly titled, “Glenn Beck.” The show got off to a rocky start, and not long after the show debuted, Cheatwood remembers having a conversation with Glenn that changed everything.

“I probably gained more respect for him from this experience than anything else,” Cheatwood said. “Glenn had been on the air for 30 days at CNN. He walked into my office, and he said, ‘Ok, we have been on the air a month. What do you think?’ It was of one of those things where my door was open and he just walked in, so I told him to close the door.”

“And Glenn said, ‘Well this isn’t good.’ So he sits down, and I said, ‘Glenn, the show is a train wreck.’ And he said, ‘Yeah, I kind of think so too.’ And I said, ‘I know you thought you could walk in and just do TV, but it’s a train wreck.”

Glenn, whose great strength is his ability to convey his passion and connect with the audience, was struggling to relate to the content of the show. “Glenn said, ‘You know, I am just not connecting with the content. I feel like I am just kind of saying the words.’ I said, ‘Okay, starting tomorrow, don’t do any story you don’t feel passionate about.’ And he said, ‘Can I do that?’ And I said, ‘You absolutely can do that. You have to do that. So from now, you only talk about things that you feel you have a passion for – that you feel you can convey that sort of visceral connection to the story to the viewer.’ And he said, ‘You’re right. That is exactly what I am going to do.’”

“And that was the turning point,” Cheatwood said. “From that point forward the show just got exponentially better, and to this day – as a witness every day I can tell you – he will not do a story that he is not somehow connected to.”

Cheatwood ultimately left CNN, while Glenn’s program was still on the air, and joined Fox News as the senior vice president of program development. Cheatwood, who knew the terms of Glenn’s contract, was eager to work with him again.

“I left CNN and had been at Fox for a year. I contacted Chris [Balfe] as soon as I was able to, and just said, ‘Hey, I would love to talk to you about coming over here.’ And those conversations went on for a very long time,” Cheatwood said. “There were at least three or four dinners with Roger Ailes, and really up until a week or two prior, I didn’t think we would be able to make a deal. Glenn was such a different animal for Fox. Fox was used to developing their own talent, but Glenn was already a star, so it was a marrying of cultures to finally get that done.”

Cheatwood remained at Fox News until April 2011, when he left the network to join Mercury Radio Arts, Glenn’s company, full time. He came on as President/Programming of GBTV, and oversaw the launch of the network and creation of its programming. With the merge of GBTV and The Blaze, Cheatwood is now one of four presidents of The Blaze. “I am the chief content officer,” he explained. “So I oversee all content for TV, web,– whatever The Blaze is involved in, I oversee content for.”

This means Cheatwood, maybe more than anyone else, is on the receiving end of the bulk of Glenn’s ideas – which means of a lot of his day is spent figuring out what’s possible and what’s not.

“I mean if Glenn generates 10,000 ideas a day, you somehow have to be able to tell him that 9,990 of them are not going to get done. Or 5,000 of them are just so outrageous, we could never do them,” Cheatwood said. “The major challenge is often just managing his expectations and his creativity.”

It is this same creativity, however, that made working for Glenn so enticing. “I have had the pleasure of working with some incredible creative geniuses. I worked with Barry Diller; I worked with Rupert Murdoch; I worked with Roger Ailes. Glenn is the most creative person I’ve worked for. He sees the world so differently, not just in terms of the ideas that he generates, but he will take ideas that you have and turn them into something you could never imagine. Being in that creative environment is exhilarating.”

“And the second part of that,” he continued, “is you never know what we are going to do, which is great. I am a person that – and as my career hopping would indicate – has a pretty short attention span. I am not the type of person who can work on the same widget every day, and I think this company just moves so rapidly, in so many different directions, it’s just a great roller coaster ride.”

For Cheatwood, who says he was not the least bit surprised when Glenn pitched the creation of GBTV, the merging of GBTV and The Blaze is a natural progression with exciting opportunities.

“I think first and foremost it is the combination of two great resources,” he said. “And we decided to take full advantage of the sum versus just the value of the parts. As we did the equation, it just made all the sense in the world. Suddenly you are combining not only all the physical resources that we have, but all the consumers. And you have this incredible multi-media platform that we would be foolish not to take advantage of.”

He is also looking forward to better utilizing the content The Blaze already creates. “The Blaze will continue to operate as a news and information source, and we think that is just an enormous upside. We don’t think we have scratched the surface in terms of the kind of journalism that The Blaze can provide,” Cheatwood explained. “I think that the TV side will be a direct beneficiary. I would love to see the journalists at The Blaze really play a leadership role in developing the content for all of our shows, so that Glenn is routinely drawing from stories The Blaze is breaking, and Real News certainly, and then new shows that we develop. It’s kind of a goldmine of information and ideas that we can develop for television.”

It will be exciting to see what comes out of this new endeavor, as ideas continue to evolve and new opportunities emerge. Cheatwood’s career has taken him so many places over the years, and he has pretty much experienced it all. Perhaps it is the fact that Glenn never ceases to keep him on his toes that makes their partnership work so well.

When asked to share his favorite story about Glenn, Cheatwood recounted a moment that probably took 10 years off his life, but perfectly sums up what it is like to work with Glenn.

The story involves a live broadcast from Wilmington, Ohio of Glenn’s Fox News show. The broadcast was part of his America’s First Christmas events in 2010.

It was nearing 5 o’clock, and the theater was filled with excited fans. “We are in this theater, and it was packed,” Cheatwood recalled. “You know there was this gorgeous stage and there is great anticipation and electricity.”

Because this was an older theater, the backstage area was very convoluted, with a maze of dimly lit tunnels separating the stage from Glenn’s dressing area. “The floor manager was saying, ‘5 minutes to air,’ so we are trying to get word to Glenn,” he said. “It was just this weird sort of cut up path from where he was to the stage.”

“The stage manager says, ‘2 minutes to air,’ and no Glenn. ‘One minute to air,’ still no Glenn. So I am on stage, and I am just running through my head, Okay, we are going to go live on Fox News at 5 o’clock, what if he isn’t here? And I am thinking, Do I try to find Stu and stick him in front of the camera? Do I walk out there and say, ‘We hope Glenn will join us soon’?”

“I am already envisioning the repercussions. I am going to get this phone call from Roger Ailes, so I am prepping in my head for this catastrophe,” Cheatwood said. “And the stage manager says, ‘30 seconds to air.’ I am literally sweating bullets.”

“At about 30 seconds to air Spencer, Glenn’s security guard, comes barreling from this dark maze, and Glenn is running behind him and looks at me, and I just shake my head. He says, ‘What? I am here. What?’ And literally I would say seven seconds later we were on the air. And this whole time Glenn is like, ‘Hey, what? I made it.’”

“He does that a lot,” Cheatwood said with a laugh. “That’s Glenn.”

Cheatwood is happily married to "the most wonderful woman in the world" who has been his partner in this great adventure. He also has two grown sons and three furry kids who rule the house.

Legal warfare strikes France's conservative hope

Sam Tarling / Stringer | Getty Images

An all-too-familiar story unfolded in France this week: the is law being weaponized against a "far-right" candidate. Does that ring a bell?

Glenn was taken aback earlier this week when he learned that Marine Le Pen, a popular French conservative, had been banned from the 2027 election following a controversial conviction. The ruling shocked French conservatives and foreign politicians alike, many of whom saw Le Pen as France’s best conservative hope. President Trump called it a "very big deal," a view shared by French commentators who fear this marks the end of Le Pen’s political career.

But this isn’t just about France—it’s a symptom of a larger threat looming over the West.

A double standard?

Fmr. President Sarkozy (left) and Fmr. Prime Minister Fillon (right)

BERTRAND GUAY / Contributor, Chesnot / Contributor | Getty Images

As of Sunday, March 30, 2025, Marine Le Pen led the polls with a commanding edge over her rivals, offering French conservatives their strongest shot at the presidency in years. Hours later, that hope crumbled. Found guilty of embezzling EU funds, Le Pen was sentenced to two years of house arrest, fined €100,000 ($108,200), and banned from public office for five years, effective immediately.

Glenn quickly highlighted an apparent double standard. Former President Nicolas Sarkozy and former Prime Minister François Fillon faced similar—or worse—corruption charges, yet neither was barred from office during their political runs. So why Le Pen, and why now? Similar to Trump’s "hush money" trial, legal troubles this late in the election cycle reek of interference. The decision should belong to voters—France’s largest jury—not a courtroom. This appears to be a grave injustice to the French electorate and another crack in democracy’s foundation.

This is NOT about France

Andrei Pungovschi / Stringer | Getty Images

This pattern stretches far beyond France; it’s a tactic we’ve seen before.

In early 2025, Bucharest’s streets erupted in protest after Romania’s Constitutional Court annulled the first round of its presidential election. Călin Georgescu, a rising conservative, had clinched an unexpected victory, only to have it stripped away amid baseless claims of Russian interference. His supporters raged against the decision, seeing it as a theft of their voice.

Both Georgescu and Le Pen echo the legal barrage President Trump endured before his 2024 win. The Left hurled every weapon imaginable at him, unleashing unprecedented lawfare. In America, the Constitution held, and the people’s will prevailed.

Now, with Tesla vandalism targeting Elon Musk’s free-speech stance, a coordinated pushback against freedom is clear—spanning France, Romania, the U.S., and beyond.

The war on free will

Chip Somodevilla / Staff | Getty Images

Trump’s 2024 victory doesn’t mean lawfare is dead; Europe shows it’s thriving.

France and Romania prove its effectiveness, sidelining candidates through courts rather than ballots. Glenn warned us about this years ago—when the powerful can’t win at the polls, they turn to the gavel. It’s a chilling trend of stripping voters of their choice and silencing dissent, all the while pawning it off as justice. The playbook is polished and ready, and America’s turn could come sooner than we think.

Melania Trump's fashion influence inspires the next generation

Aaron P. Bernstein / Stringer | Getty Images

First Lady Melania Trump’s impeccable style has long captivated admirers across the globe, but for one young woman, it sparked a creative revolution.

Lorelai, a young Glenn Beck fan who requested a degree of anonymity, first met Glenn while attending America Fest 2024 in Phoenix, Arizona with her grandmother. An aspiring fashion designer and illustrator, Lorelai shared with Glenn some of her sketches of characters from Glenn’s latest book, Chasing Embers. She also explained how Melania Trump became the cornerstone of her artistic journey, inspiring her to craft modest yet beautiful clothing that redefines modern fashion.

Melania Trump’s elegance—stunning, powerful, and undeniably feminine—first captured Lorelai’s attention during the First Lady’s time in the White House. Unlike the casual, often immodest trends dominating her peers’ wardrobes, Melania’s wardrobe exuded grace and sophistication. From tailored coats to flowing gowns, her choices were a masterclass in balancing boldness with dignity, a philosophy that resonated deeply with Lorelai. This admiration grew into inspiration as Lorelai began designing apparel specifically with Melania in mind, aspiring to design pieces that could match the First Lady’s grace. She strove to reflect Melania’s breathtaking style in her sketches in an effort to demonstrate how modesty can be beautiful.

The First Lady’s poised and graceful presence has redefined modesty for the modern era. To Lorelai, the First Lady’s style proves that more fabric offers boundless room for imagination, allowing personality to shine without sacrificing dignity. Melania embodies this perfectly—her fashion commands attention with stunning, memorable elegance. Inspired by this, Lorelai’s mission is to craft clothing for her generation that mirrors Melania’s influence, blending contemporary flair with classic beauty.

After her meeting with Glenn at America Fest, Lorelai’s passion and resolve have only deepened. Through fashion and art, Lorelai hopes to inspire others with the same grace that Melania Trump exemplifies. Below are some of Lorelai's sketches she was eager to share with Glenn.

Melania Trump: First Lady

I really adore First Lady Melania Trump’s grace and timeless beauty. She is extremely intelligent and brave but also strong and poised. Her fashion style displays these traits. I was inspired to create these outfits for our First Lady in hopes that she would see these drawings. -Lorelai

Melania Trump: Lady Liberty

We, as a country, will be celebrating next year our 250th anniversary of independence. The designs that inspired this patriotic gown came from Lady Liberty and Lady Columbia art. I also love our American flag, and this design is a combination of all three. -Lorelai

Chasing Embers Character Art (Ember)

I chose to draw the characters Sky, Azaz and Ember from Glenn Beck and Mikayla G. Hedrick’s Chasing Embers series. -Lorelai

Chasing Embers Concept Art (Ember)

I was inspired to draw a younger and teen version for Sky and Ember. -Lorelai

Chasing Embers Character Art (Sky)

Chasing Embers Concept Art (Azaz)

I also gave multiple outfits designs for Sky and Azaz. I loved that their personalities and character development meant in my mind a wardrobe development too. -Lorelai

Glenn: Government workers bought luxury cars with YOUR tax dollars

Andrew Harnik / Staff | Getty Images

The deep state isn’t a conspiracy theory — it’s a reality. And the corrupt, free-spending Federal Mediation and Conciliation Service is just one example of how Washington insiders enrich themselves.

A little-known agency in Washington perfectly encapsulates everything wrong with our bloated, corrupt government: the Federal Mediation and Conciliation Service. It should be the poster child of everything that Elon Musk is exposing.

The agency was established in 1947 under the Labor Management Relations Act to serve as an independent agency mediating disputes between unions and businesses — a noble mission, perhaps. But like so many government institutions, it has rotted into something far removed from its original purpose.

The FMCS goes beyond mismanagement into blatant corruption and theft.

What was once a mechanism for labor stability has morphed into an unchecked slush fund — an exclusive playground for bureaucrats living high on taxpayer dollars.

The FMCS is a textbook case of government waste, an agency that no one was watching, where employees didn’t even bother showing up for work — some hadn’t for years. And yet they still collected paychecks and spent government money — our money — on their personal luxuries.

Luxury cars and cell phone bills

The Department of Government Efficiency discovered how FMCS employees used government credit cards — intended for official business — to lease luxury cars, cover personal cell phone bills, and even subscribe to USA Today. The agency’s information technology director, James Donnan, apparently billed taxpayers his wife’s cell phone bill, cable TV subscriptions in multiple homes, and personal subscriptions.

FMCS officials commissioned portraits of themselves and hung them in their offices, and you footed the bill. They took exotic vacations and hired their friends and relatives to keep the gravy train rolling.

The FMCS goes beyond mismanagement into blatant corruption and theft — and it went on for decades, unnoticed and unchallenged.

President Donald Trump signed an executive order to abolish the FMCS — a necessary and long-overdue move. But the FMCS is just one of many agencies within the federal government burning through billions of taxpayer dollars. How many more slush funds exist in the shadows, funneling money into the pockets of bureaucrats who produce nothing? How many government-funded NGOs operate in direct opposition to American interests?

Perhaps the most disturbing question is why Americans tolerate such corruption. Why do so many Americans tolerate this? Why is the left — supposedly the party of the people — defending the very institutions that rob working-class Americans blind?

Corruption beyond bureaucracy

The recent rallies led by Sen. Bernie Sanders (I-Vt.), Rep. Alexandria Ocasio-Cortez (D-N.Y.), and their socialist acolytes claim to be a grassroots uprising against corruption and greed. But GPS data from these rallies tells a different story. The majority of attendees aren’t ordinary citizens fed up with the status quo. They’re professional activists — serial agitators who bounce from protest to protest.

Roughly 84% of devices tracked at these rallies were present at multiple Kamala Harris events. A staggering 31% appeared at over 20 separate demonstrations, tied to Antifa, Black Lives Matter, and pro-Palestinian causes.

Many of these organizations receive federal grant money — our tax dollars — and they’re using those funds to protest the very policies that threaten to cut off their financial lifeline.

This isn’t democracy in action. This is political theater — astroturfing perfected. And the American taxpayer is funding it.

Rooting out corruption

Trump was a battering ram against this corrupt system. Elon Musk is a surgeon, meticulously exposing the infection that has festered for decades — and that’s why the leftists hate him even more than they hate Trump. Musk threatens to dismantle the financial web that sustains their entire operation.

When we allow the government to grow unchecked and our leaders to prioritize their own wealth and power over the good of the nation, figures like Trump and Musk are necessary. Rome didn’t fall because of an external invasion but rather due to internal decay that looked an awful lot like what we see today.

We must demand better. We must refuse to tolerate this corruption any longer. The FMCS may be gone, but the fight to root out this deep-seated corruption is far from over.

Editor's Note: This article was originally published on TheBlaze.com.

Did the CIA hide the real truth behind JFK's assassination?

Bettmann / Contributor, NurPhoto / Contributor | Getty Images

Many were disappointed by the recent release of the JFK files, frustrated by the apparent lack of answers to decades-old questions. The problem? They’re asking the wrong question.

Everyone wants a "who"—a smoking gun, someone to blame. It’s understandable; Americans crave justice for a slain president, to hold the culprits of one of the 20th century’s greatest crimes accountable. But the real answer isn’t a "who"—it’s a "what." That "what" is the CIA and proof of their nefarious dealings since the 1960s.

In his most recent TV special, Glenn delves into the JFK files, where he found the crucial information that everyone else seemed to miss. Be sure to watch the TV special here.

The CIA's Dirty Fingerprints

While the recent JFK files don’t explicitly pin the assassination on the CIA, the evidence between the lines is compelling.

If you follow Glenn on X, you’ve seen his newest artifact: an exact replica of Lee Harvey Oswald’s rifle. Glenn tested it at the range, attempting to replicate the notoriously difficult shot Oswald allegedly made that fateful day in Dallas. While Glenn shares more takeaways in his TV special, one thing stood out immediately: the rifle’s abysmal quality, its shoddy scope, and the odd caliber of ammunition it uses.

Oswald’s rifle, a Mannlicher-Carcano, is chambered in 6.5mm—an unusual caliber. Much like today, the average gun store in the ‘60s didn’t stock 6.5mm rounds. The largest known supply was owned by the CIA, who had shipped the ammo from Greece after World War II. Suspiciously, there’s no record of where Oswald got his ammunition, but the JFK files confirm that the gun store where he bought the Mannlicher-Carcano had CIA connections.

It’s well-known that Oswald defected to the USSR and lived there before returning to the U.S. The JFK files reveal that from the moment he touched down stateside, the CIA tracked him like a hawk. They followed him across the country and even to Mexico City—but, conveniently, seemed to lose him in Dallas just as President Kennedy arrived. What a coincidence.

Whether by design or gross incompetence, the CIA greased Oswald’s path, letting him slip unhindered into that sixth-floor Book Depository window.

The Cover-Up

SAUL LOEB / Staff | Getty Images

If the JFK files aren’t the smoking gun many hoped for, why did the CIA fight so hard to keep them buried?

The answer is trust. Hard as it may be to imagine today, Americans in the ‘60s trusted their government—at least more than they do now. This cover-up preserved that trust longer than it might have lasted, allowing the CIA to pull off more scandals before the public caught on. From Benghaziand 9/11 to COVID-19 and January 6, the same dirty marks found in the JFK files stain these events. It’s about saving face. The files make the CIA look incompetent at best, complicit at worst.

This might feel like common knowledge today—especially to Glenn’s audience—but 40 or 50 years ago, saying such things could land you in the loony bin. It’s taken 60 years of growing suspicion to reach this point. Imagine if the JFK files had been available back then. Could we have stopped six decades of CIA shenanigans in their tracks?

The thought is chilling.

What Now?

Fotosearch / Stringer | Getty Images

The files don’t name a mastermind or explicitly confirm the darkest JFK assassination conspiracies that have swirled for decades—but they’re far from empty. They expose a disturbing truth: the CIA’s unchecked power in the ‘60s echoes into today.

In one of his most exciting TV specials yet, Glenn delves deep into the files, proving why we can’t ignore these revelations. Stop chasing a "who" and start demanding accountability for the "what." Only by confronting this can we hope to rein in the agency that’s dodged scrutiny for too long.