"American Pie" explained by Glenn Beck: What does "The Day the music died" mean?

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“Our culture has erased the meaning of anybody who tried to issue a warning. Anybody who was on the other side. They're trying to do it now with the ‘Hobbit’ and the ‘Lord of the Rings’ and they are saying that that has nothing to do with Jesus and Christianity. That was the point. They're trying tried to do it with ‘The Lion, the Witch and the Wardrobe’ and the ‘Adventure of the Chronicles of Narnia’. They try to do this every step of the way and they've done it with much of music,” Glenn said on radio this moring

He was specifically referring to songs like “Revolution” by The Beatles, which was clearly suspicious of violent revolution and uprisings, as well as “American Pie” by Don McLean.

Many people think that the song “American Pie” is about the death of Buddy Holly and other musicians in a plane crash, but Glenn presented a reading of the lyrics on radio and showed how it could also be seen as a warning against the danger of violent uprisings like what is happening now with Occupy Wall Street.

“ I've never understood I drove the Chevy to the levee, I didn't know what that was. Let's just start there on the simple part because Chevy, just think of Chevy and mom and apple pie. He's making a point here. Chevy, I drove my Chevy to the levee. This actually goes back into the 1950s and a Dinah Shore commercial for Chevy,” Glenn explained.

Watch the commercial Glenn is referring to below:

“So America is the greatest country of all and it was an era that believed in America. I drove my Chevy to the levee. I drove the Chevy. I bought into the idea that America was the greatest.”

“So in the second verse he goes back to his childhood and he goes back to sock hops in the gym and the pickup trucks and... and here he's talking about the book of love, which was a song by the Monotones in 1957 and he asked her about faith. He asked her about faith and whether she believes, no matter what, if the Bible tells her so. That is the representation of the faith in the Fifties. He then talks about, do you have faith in rock and roll, that music will save your mortal soul.”

“But music is the metaphor for life in America. So the girl moves on to somebody else, leaving him with his truck and the carnation. But it's not really about the girl. It's about America. She's moved on from all of those things just as America began to move on from all of those things that faith would help you, that faith, you would do it through faith. You would do things because the Bible told you so. But now you're starting to believe that music will save your soul.”

Glenn played more of the song, reaching the part where McLean sings “Now for 10 years we’ve been on our own”.

“For ten years now we've been on our own. It's the decade of the Sixties. Remember in the Fifties you had faith, you had the Bible, you had family, you had all of these things that were there. But now for ten years we've been on our own and moss grows fat on a Rolling Stone. This is referring to Bob Dylan who the court jester and his song like a Rolling Stone. Also Dylan wore a coat from James Dean on the cover of his '63 album Free Wheelin' and McLean laments all of the change in our values that was occurring in the 1960s when he said that's not how that's not the way it used to be.”

“So he's singing dirges in the dark mourning the loss of America, that America is changing fundamentally. Lenin read a book of Marx. We know that John Lennon was influenced at the time by Karl Marx. Lennon read a book of Marx. The quartet practiced in the park. Could be a reference to the Beatles preparing for their role in the cultural revolution. And as the ultimate icons of the new era. But McLean is saying, but we sang dirges in the dark because we knew what was coming.”

What was coming?

Helter Skelter in a summer swelter

The birds flew off with the fallout shelter

Eight miles high and falling fast It landed foul on the grass

The players tried for a forward pass

With the jester on the sidelines in a cast

Now the halftime air was sweet perfume

While sergeants played a marching tune

We all got up to dance

Oh, but we never got the chance

‘Cause the players tried to take the field,

The marching band refused to yield.

Do you recall what was revealed,

The day the music died?

We started singing

“Helter Skelter in a Summer Swelter, again the Beatles song reference also indicates the chaos and the violence that broke out in the summer of '68. The Byrds he spells with a Y, flew off to the fallout shelter. Nature, represented by the Byrds, sense the danger, headed for safety in a shelter. But eight miles high is another song reference by the band the Byrds. So they are falling fast, because everything is falling fast. Everybody, the smart people, nature knows, get into a fallout shelter. Then he goes into the youth culture clashing with the government violently, using a football metaphor.”

“You're at halftime. He said the players youth going for a forward pass. The players going for a forward pass. That's the youth, going for a forward pass. And the government hitting back. And the jester on the sidelines in a cast. Remember that's, the jester is Bob Dylan. Bob Dylan had a serious motorcycle accident for a while and he was healing on his own and music flounder everything kind of floundered for a time. Then he gets to halftime.”

“Halftime, he's seeing the summer of love. This is 1967, a brief respite in '67 with the flower children. Sergeant's playing a marching tune. That's the Beatles and Sergeant Pepper. And the summer of love was an opportunity to get up and dance. But the violence returned in the summer of '68. And remember we're here at '68, recreate '68. We never got the chance.”

“We just passed our summer of love. What happened there in the park, that was just love. There were people in the park that were just trying to be loved. We're now headed for 1968.”

“What happened in the summer of '68. Do you remember, do you recall what was revealed, the Miss America protest of '68 when women were burning their bras and everything else. But also Altamont, and this is such a clear, clear message against what is coming and what happened in an event that almost is erased. It's more important than Woodstock, and it was it's being erased in history. Here he is warning.”

There we were all in one place

A generation lost in space With no time left to start again

So come on Jack be nimble, Jack be quick

Jack Flash sat on a candle stick

‘Cause fire is the devil’s only friend.

As I watched him on the stage

My hands were clenched in fists of rage

No angel born in hell

Could break that satan’s spell

And as flames climbed high into the night

To light the sacrificial rite

I saw satan laughing with delight

the day the music died.

“ Because fire is its only friend. Okay. Gathering all in one place, 300,000 flower children flocked to Altamont in the fall of 1969. It was, it was the followup to Woodstock: Drugs, alcohol, increasing violence. They were a generation lost in space. Remember, the space race was also going on. There was nowhere left to go. Their momentum was fading and the decade was gone. And so was America. Then the rolling stones who had pushed the counterculture envelope with the last couple of albums took the stage as McLean alludes to with, "Come on, Jack be nimble, Jack be quick, Jack sat on the candlestick," that is the Jumpin' Jack Flash song by the Rolling Stones. And he's referring here to Mick Jagger was the Devil who refuses to end the Altamont concert despite the violence and the loss of crowd. Even, even the Grateful Dead said this is crazy.”

“’No angel born in hell could break that Satan spell.’ The Hells Angels were hired for security. They couldn't stop the chaos. In fact, they added to it. And Jagger, Satan in the song, continued to hold the audience in his spell.”

“A gun wielding man in the crowd heads for the stage but Hells Angels intercept him and they stab him to death. That's what happened at Altamont. They stab him to death. The sacrificial rite. Shortly before the stabbing, right before this guy starts going on a rampage, the Stones had performed ‘Sympathy For the Devil’.”

“Could it get any creepier than this? Don McLean was not just writing about this event but the demise of an era. The erosion of your culture. The erosion of our values. Altamont was the final blow to bring about the day the music died.”

Glenn took a break and then returned to discuss the song further.

“We're just looking at some of the old interviews with Don McLean because he never talks about this song anymore. But at the time he said that he was obsessed with what he called the death of America and so many things. The loss of so many things that he grew up with.”

“ (McLean) said in a sense ‘American Pie’ was a despairing song. In another way it was hopeful. He said Pete Seeger told me that he saw it as a song in which people were saying something, that they had been fooled, they had been hurt and they weren't going to let it happen again. He said that's a good way to look at it, a hopeful way. Unfortunately Pete Seeger was a communist and I mean, that's the way that's why this happens again.”

“It happened with Mao and it won't happen this way again. It happened at Altamont but it won't happen like that again. I mean, it's the same story over and over and over again.”

“The good news is, is that there was at least somebody that was in this culture at that time that was mourning the loss of America then and we didn't lose America then. We're still going. We might despair now and say, ‘Jeez, we're going to lose America’. That's not necessarily true unless we allow it.”

PHOTOS: Inside Glenn's private White House tour

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In honor of Trump's 100th day in office, Glenn was invited to the White House for an exclusive interview with the President.

Naturally, Glenn's visit wasn't solely confined to the interview, and before long, Glenn and Trump were strolling through the majestic halls of the White House, trading interesting historical anecdotes while touring the iconic home. Glenn was blown away by the renovations that Trump and his team have made to the presidential residence and enthralled by the history that practically oozed out of the gleaming walls.

Want to join Glenn on this magical tour? Fortunately, Trump's gracious White House staff was kind enough to provide Glenn with photos of his journey through the historic residence so that he might share the experience with you.

So join Glenn for a stroll through 1600 Pennsylvania Avenue with the photo gallery below:

The Oval Office

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The Roosevelt Room

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The White House

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Trump branded a tyrant, but did Obama outdo him on deportations?

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MSNBC and CNN want you to think the president is a new Hitler launching another Holocaust. But the actual deportation numbers are nowhere near what they claim.

Former MSNBC host Chris Matthews, in an interview with CNN’s Jim Acosta, compared Trump’s immigration policies to Adolf Hitler’s Holocaust. He claimed that Hitler didn’t bother with German law — he just hauled people off to death camps in Poland and Hungary. Apparently, that’s what Trump is doing now by deporting MS-13 gang members to El Salvador.

Symone Sanders took it a step further. The MSNBC host suggested that deporting gang-affiliated noncitizens is simply the first step toward deporting black Americans. I’ll wait while you try to do that math.

The debate is about control — weaponizing the courts, twisting language, and using moral panic to silence dissent.

Media mouthpieces like Sanders and Matthews are just the latest examples of the left’s Pavlovian tribalism when it comes to Trump and immigration. Just say the word “Trump,” and people froth at the mouth before they even hear the sentence. While the media cries “Hitler,” the numbers say otherwise. And numbers don’t lie — the narrative does.

Numbers don’t lie

The real “deporter in chief” isn’t Trump. It was President Bill Clinton, who sent back 12.3 million people during his presidency — 11.4 million returns and nearly 900,000 formal removals. President George W. Bush, likewise, presided over 10.3 million deportations — 8.3 million returns and two million removals. Even President Barack Obama, the progressive darling, oversaw 5.5 million deportations, including more than three million formal removals.

So how does Donald Trump stack up? Between 2017 and 2021, Trump deported somewhere between 1.5 million and two million people — dramatically fewer than Obama, Bush, or Clinton. In his current term so far, Trump has deported between 100,000 and 138,000 people. Yes, that’s assertive for a first term — but it's still fewer than Biden was deporting toward the end of his presidency.

The numbers simply don’t support the hysteria.

Who's the “dictator” here? Trump is deporting fewer people, with more legal oversight, and still being compared to history’s most reviled tyrant. Apparently, sending MS-13 gang members — violent criminals — back to their country of origin is now equivalent to genocide.

It’s not about immigration

This debate stopped being about immigration a long time ago. It’s now about control — about weaponizing the courts, twisting language, and using moral panic to silence dissent. It’s about turning Donald Trump into the villain of every story, facts be damned.

If the numbers mattered, we’d be having a very different national conversation. We’d be asking why Bill Clinton deported six times as many people as Trump and never got labeled a fascist. We’d be questioning why Barack Obama’s record-setting removals didn’t spark cries of ethnic cleansing. And we’d be wondering why Trump, whose enforcement was relatively modest by comparison, triggered lawsuits, media hysteria, and endless Nazi analogies.

But facts don’t drive this narrative. The villain does. And in this script, Trump plays the villain — even when he does far less than the so-called heroes who came before him.

This article originally appeared on TheBlaze.com.

Can Trump stop the blackouts that threaten America's future?

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If America wants to remain a global leader in the coming decades, we need more energy fast.

It's no secret that Glenn is an advocate for the safe and ethical use of AI, not because he wants it, but because he knows it’s coming whether we like it or not. Our only option is to shape AI on our terms, not those of our adversaries. America has to win the AI Race if we want to maintain our stability and security, and to do that, we need more energy.

AI demands dozens—if not hundreds—of new server farms, each requiring vast amounts of electricity. The problem is, America lacks the power plants to generate the required electricity, nor do we have a power grid capable of handling the added load. We must overcome these hurdles quickly to outpace China and other foreign competitors.

Outdated Power Grid

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Our power grid is ancient, slowly buckling under the stress of our modern machines. AAI’s energy demands could collapse it without a major upgrade. The last significant overhaul occurred under FDR nearly a century ago, when he connected rural America to electricity. Since then, we’ve patched the system piecemeal, but it’s still the same grid from the 1930s. Over 70 percent of the powerlines are 30 years old or older, and circuit breakers and other vital components are in similar condition. Most people wouldn't trust a dishwasher that was 30 years old, and yet much of our grid relies on technology from the era of VHS tapes.

Upgrading the grid would prevent cascading failures, rolling blackouts, and even EMP attacks. It would also enable new AI server farms while ensuring reliable power for all.

A Need for Energy

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Earlier this month, former Google CEO Eric Schmidt appeared before Congress as part of an AI panel and claimed that by 2030, the U.S. will need to add 96 gigawatts to our national power production to meet AI-driven demand. While some experts question this figure, the message is clear: We must rapidly expand power production. But where will this energy come from?

As much as eco nuts would love to power the world with sunshine and rainbows, we need a much more reliable and significantly more efficient power source if we want to meet our electricity goals. Nuclear power—efficient, powerful, and clean—is the answer. It’s time to shed outdated fears of atomic energy and embrace the superior electricity source. Building and maintaining new nuclear plants, along with upgraded infrastructure, would create thousands of high-paying American jobs. Nuclear energy will fuel AI, boost the economy, and modernize America’s decaying infrastructure.

A Bold Step into the Future

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This is President Trump’s chance to leave a historic mark on America, restoring our role as global leaders and innovators. Just as FDR’s power grid and plants made America the dominant force of the 20th century, Trump could upgrade our infrastructure to secure dominance in the 21st century. Visionary leadership must cut red tape and spark excitement in the industry. This is how Trump can make America great again.

POLL: Is K2-18b proof of alien LIFE in the cosmos?

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Are we alone in the universe?

It's no secret that Glenn keeps one eye on the cosmos, searching for any signs of ET. Late last week, a team of astronomers at the University of Cambridge made an exciting discovery that could change how we view the universe. The astronomers were monitoring a distant planet, K2-18b, when the James Webb Space Telescope detected dimethyl sulfide and dimethyl disulfide, two atmospheric gases believed only to be generated by living organisms. The planet, which is just over two and a half times larger than Earth, orbits within the "habitable zone" of its star, meaning the presence of liquid water on its surface is possible, further supporting the possibility that life exists on this distant world.

Unfortunately, humans won't be able to visit K2-18b to see for ourselves anytime soon, as the planet is about 124 light-years from Earth. This means that even if we had rockets that could travel at the speed of light, it would still take 124 years to reach the potentially verdant planet. Even if humans made the long trek to K2-18b, they would be faced with an even more intense challenge upon arrival: Gravity. Assuming K2-18b has a similar density to Earth, its increased size would also mean it would have increased gravity, two and a half times as much gravity, to be exact. This would make it very difficult, if not impossible, for humans to live or explore the surface without serious technological support. But who knows, give Elon Musk and SpaceX a few years, and we might be ready to seek out new life (and maybe even new civilizations).

But Glenn wants to know what you think. Could K2-18b harbor life on its distant surface? Could alien astronomers be peering back at us from across the cosmos? Would you be willing to boldly go where no man has gone before? Let us know in the poll below:

Could there be life on K2-18b?

Could there be an alien civilization thriving on K2-18b?

Will humans develop the technology to one day explore distant worlds?

Would you sign up for a trip to an alien world?

Is K2-18b just another cold rock in space?